外國語學(xué)院本科生英語專業(yè)畢業(yè)論文裝訂順序mla格式(存儲版)
【正文】 depthlessness。這里，本文關(guān)注了四個典型的后現(xiàn)代主義特征，它們分別是：主體的消失；深層模式削平；不確定性；戲擬和反諷。 Waiting for Godot。兩行及以上懸垂縮進 3 個字符。 the surface of the image is also the meaning of the image, for there is no larger or deeper meaning which can be interpreted through an encounter with the text. There is no meaning beyond the image. The search for greater meaning or understanding of humanity connoted in the image is fone (Jameson 8). Indeterminacy This term includes all manner of ambiguities, ruptures, and displacements affecting knowledge and society. According to Hassan, indeterminacy, which has various derivative meanings: ambiguity, discontinuity, heterodoxy, pluralism, disanization, rebellion, misinterpretation and distortion, is a basic feature of postmodernism. (Hassan 1983: 2728). The indeterminacy of postmodernism literature is also reflected in four aspects: indeterminacy of the theme。貝克特；《等待戈多》 ；反戲??；后現(xiàn)代主義宋體，小四號， 倍行距宋體，小四號，粗體III Abstract（Times New Roman，三號，粗體，居中 ）Samuel Barclay Beckett (19061989) was an Irishborn poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the literary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those antiplay techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Here, this thesis focuses on four typical features of postmodernism: the dissolution of the subject。通過分析我們不僅看到他對傳統(tǒng)戲劇規(guī)范所進行的空前激烈的顛覆，也體會到他作為后現(xiàn)代主義的先驅(qū)所傳達給我們的后現(xiàn)代主義精神。 antiplay。封底（此部分不編入頁碼，且不寫入任何內(nèi)容） 。 the boy es again and repeats the same information. Vladimir and Estragon are disappointed and consider mitting suicide, but they even have not got a rope strong enough to hang themselves. They speak of leaving for several times but they do not move. The moon es up again, and the curtain falls as the two men stand silently facing the audience in attitudes of solemn dignity, displaying both resignation and dejection.Times New Roman 三號，粗體，居中全文每段首行縮進 35 個字符正文部分用阿拉伯?dāng)?shù)字編排頁碼河南師范大學(xué)本科畢業(yè)論文 2The thesis consists of three parts. Part One is an introduction to Samuel Beckett and Waiting for Godot, the research background, the reasons and purpose of studying Waiting for Godot from the perspectives of postmodernism. Part Two is a detailed analysis of Waiting for Godot and the antiplay techniques of it, basing on four typical features of postmodernism. It is also divided into five chapters. Chapter One is the theoretical premises. Chapter Two focuses on the dehumanized characters and “pairing” relationships in the play. Chapter Three is mainly abo
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