【正文】 shing with after 40 days without any fish ,his parents arranged the boy to go to another boat, because they thought it would unlucky to let the boy stay with the old , in the eighty fifth day ,the old man rowed the boat far away in the early morning ,and to his surprise, he caught a marlin which was bigger than the old man struggled with the big marlin in the following two days, and finally speared , the injured fish left a trace with blood, leading hundreds sharks to old man tried his best to fight with sharks, but when he arrived atharbor ,the old man fell down exhaustedly ,only to find there was just a huge fishbone boy came to visit the old man and he believed the old man was not a told the old man He did not beat the afternoon, the old man met a lion in his the story, Santiago is the symbol of those who will never give in to thedifficulties no matter how hard they sharks stands for some resistance, even showed his if he just caught a fish born, he still a winner in reading the novel, we can understand what is true may meetvarious of difficulties and challenges in our to them, what should we do? Santiago has given us a powerful think the old man is the lion in his dream __a lion that will never give up ,no matter what difficulties he give up__ that39。s novels were witty, warm and ironic portraits of the privileged classes of 18thand 19thcentury novels are highly prized not only for their light irony, humor, and depiction of contemporary English country life, but also for their underlying serious s future happiness and security are dependent on the daughters making good is uneventful until the arrival in the neighborhood of the rich gentleman , who rents a large house so he can spend the summer in the brings with him his sister and his friend night, at a dancing party, is wellreceived in the munity。s sister has pursuit for a long time, but when she finds that is fond of anger makes her prevent the development of their addition, also dislikes Elizabeth’s mother and sisters for their , leaves London under the persuasion of his sister and Bingley leaves, , the male relative who is to inherit Longbourn, makes a sudden appearance and stays with the is a recently ordained clergyman employed by the wealthy and patronizing Lady Catherine de has another reason for visiting: he wishes to find a wife from among the Bennet and Elizabeth are amused by his selfimportant and pedantic immediately enters pursuit of Jane。s vehemence and accusations, Darcy writes her a letter justifying his actions and decides to change the letter, he says that it is Wickham who uses up all the for Bingley and Jane, Darcy justifies his actions from having observed that Jane does not show any reciprocal interest in his friend。s credibility。s the news reaches Darcy, it convinces him that her opinion of him has he visits, he once again proposes accepts, and the two bee the end, all the people in the novel are happy, and this is the happy In my opinion, this book is an illustration of the society at that perfectly reflects the relation between money and marriage at her time and gives the people in her works vivid characters have their own most important part of the novel is the love story between Elizabeth and is a smart and beautiful girl born in a middle class family who is persistent and brave in the pursuit of story’s spread leads on Elizabeth’s feeling to Darcy: from detestation to admiration and then addition, other people’s happiness also appears during this period of Austen writes this for the purpose of showing the thinking of the women’s love, marriage and expectation at that let me talk something about the marriage in the novel and Darcy’s marriage is based on both money and love, and love is more is the perfect only purpose of Collins and Lucas’ marriage is bymarrying someone can Lucas feels and Bingley’s marriage is based on beauty and is also a kind of good will be and Wickham’s marriage is only based on only care about the can image whether their life will happy or Austen thinks that it is wrong for people to marry for money and social statues。小說(shuō)的情節(jié)離奇令人迷惘。阿布恩地亞于鄰居發(fā)生口角的時(shí)候，布恩地亞因?yàn)猷従映靶λ粸跆K拉拒絕同房而殺了鄰居。到了第六代奧雷良諾而這個(gè)帶尾的女?huà)?，被螞蟻咬爛以后拖入了蟻穴。第六代奧雷良諾布恩地亞在晚年不斷地織裹尸布。布恩地亞家族的人對(duì)美爾加德斯的磁鐵癡迷不已并且反復(fù)上當(dāng)。作者對(duì)于落后和愚昧的態(tài)度是徹底否定的，于是安排了一場(chǎng)颶風(fēng)隊(duì)舊事物來(lái)了一次徹底的清理。虛構(gòu)小鎮(zhèn)馬貢多的毀滅不僅是簡(jiǎn)單的故事的結(jié)束，同時(shí)也映射了現(xiàn)實(shí)生活中阿拉卡塔卡小鎮(zhèn)的衰敗?！栋倌旯陋?dú)》所表達(dá)的主題之一就是歷史在輪回中循環(huán)往復(fù)。在某些情況下，預(yù)見(jiàn)未來(lái)跟回憶過(guò)去一樣的簡(jiǎn)單。小說(shuō)中約半數(shù)人物均感受到了記憶的沉重壓力，然而另一些人物卻處于健忘的狀態(tài)。倍受煎熬的布恩地亞家族注定要在時(shí)間的循環(huán)中往復(fù)，根本無(wú)法走向未來(lái)，直至生命耗費(fèi)殆盡。馬貢多是一個(gè)理想的共產(chǎn)主義者所向往的、烏托邦式的社會(huì)。在小說(shuō)中奧雷良諾〃特里建成了一條連接現(xiàn)代世界的鐵路，這條鐵路把馬貢多與現(xiàn)代化工業(yè)決然地聯(lián)系了起來(lái)。小說(shuō)中的政黨以及反抗斗爭(zhēng)史加西亞〃馬爾克斯母國(guó)哥倫比亞國(guó)內(nèi)政治斗爭(zhēng)虛化的化身。小說(shuō)中忘記過(guò)去使社會(huì)和諧以及人與人之間的關(guān)系也受到了嚴(yán)重威脅?！瘪R貢多是一座由玻璃和鏡子建造而成的城市，它不僅折射了哥倫比亞的現(xiàn)實(shí)，拉丁美洲的現(xiàn)實(shí)，更折射了作者內(nèi)心世界中的現(xiàn)實(shí)。本書(shū)以很大的篇幅描述了這方面的史實(shí)，并且通過(guò)書(shū)中主人公帶有傳奇色彩的生涯集中表現(xiàn)出來(lái)。盡管很多人為打破孤獨(dú)進(jìn)行過(guò)種種艱苦的探索，但由于無(wú)法找到一種有效的辦法把分散的力量統(tǒng)一起來(lái)，最后均以失敗告終。一、主人公與其身處的社會(huì)關(guān)鍵詞：人生發(fā)展 歷史事件 社會(huì)存在 重大影響（一）主人公介紹 ●人生發(fā)展：何塞因此遭到鄰居普魯鄧希奧阿基拉爾。后來(lái)又有許多人遷移至此，建立村鎮(zhèn)，這就是馬孔多。布恩迪亞是個(gè)極富創(chuàng)造性的人，他從吉卜賽人那里看到磁鐵，便想用它來(lái)開(kāi)采金子。”因?yàn)轳R孔多隱沒(méi)在寬廣的沼澤地中，與世隔絕。由于他的精神世界與馬孔多狹隘、落后、保守的現(xiàn)實(shí)格格不入，他陷入孤獨(dú)之中不能自拔，以至于精神失常，被家人綁在一棵大樹(shù)上，幾十年后才在那棵樹(shù)上死去。（1）有什么樣的社會(huì)存在，就有什么樣的社會(huì)意識(shí)。社會(huì)意識(shí)具有相對(duì)的獨(dú)立性：社會(huì)意識(shí)有時(shí)會(huì)落后于社會(huì)存在，有時(shí)又會(huì)先于社會(huì)存在而變化。與之相對(duì)應(yīng)的，那些即將被拋棄的落后思想，在馬孔多走向文明的道路上確實(shí)制造了許多障礙。（做好25條小金魚(yú)后，重熔再塑。（二）人生價(jià)值評(píng)價(jià)的基本尺度，是勞動(dòng)以及通過(guò)勞動(dòng)對(duì)社會(huì)和他人做出的貢獻(xiàn)，這是社會(huì)評(píng)價(jià)一個(gè)人的人生價(jià)值的普遍標(biāo)準(zhǔn)。因此，我們把社會(huì)價(jià)值和自我價(jià)值統(tǒng)一起來(lái)，在對(duì)社會(huì)的貢獻(xiàn)中實(shí)現(xiàn)自身的價(jià)值。（一）是一定歷史任務(wù)的倡導(dǎo)者和發(fā)起者：人民群眾是歷史創(chuàng)造者，但需要一定的智力支持和精神保障來(lái)完成歷史任務(wù)，而英雄人物憑借其出色的思想來(lái)倡導(dǎo)和發(fā)起運(yùn)動(dòng)； 馬孔多的人民創(chuàng)造了全新的馬孔多，但是在布恩迪亞智慧英勇的率領(lǐng)下完成的，布恩迪亞對(duì)這場(chǎng)革新運(yùn)動(dòng)發(fā)揮了其智慧和領(lǐng)導(dǎo)的作用。布恩迪亞雖然領(lǐng)導(dǎo)族人開(kāi)展了一系列的革新運(yùn)動(dòng)，確實(shí)推動(dòng)了整個(gè)馬孔多的發(fā)展進(jìn)程，但仍擺脫不了馬孔多由落后走向文明這一段波動(dòng)式前進(jìn)，螺旋式上升的曲折過(guò)程，最后臨終還是帶著遺憾離開(kāi)，馬孔多真正走向文明還有很長(zhǎng)一段路要走。在我列出的最愛(ài)讀的十本書(shū)中，《百年孤獨(dú)》位居第二。兩人亡故后，家族迅速衰敗下去了”。本書(shū)第一章，以一句精彩絕倫的句子開(kāi)頭：“許多年以后，面對(duì)行刑隊(duì)，奧雷良諾*布恩迪亞上校將會(huì)回想起，他父親帶他去見(jiàn)識(shí)冰塊的那個(gè)遙遠(yuǎn)的下午”。馬爾克斯先生的更高明處在于，他讓比“愁”更抽象難解的“時(shí)間”有了一種空間感。那么現(xiàn)在正在發(fā)生什么呢？ 馬貢多是一個(gè)原始的村落，清澈的河水急急的流過(guò)，河中有恐龍蛋似的巨石，用泥巴和蘆葦蓋成的房子就排在河邊。這些吉晉塞人帶來(lái)的最新發(fā)明和西方文化讓村里的男人興奮不已，而女人卻激烈反對(duì)。曾經(jīng)看過(guò)一部電影〈古今大戰(zhàn)秦俑情〉：由張藝謀飾演的古代衛(wèi)士騎著馬追逐火車，去尋找他相愛(ài)的一個(gè)宮女（鞏俐飾演），結(jié)果在火車上看到一個(gè)護(hù)士給化身成現(xiàn)代女性的“宮女”打針，他搶過(guò)針頭，好奇地問(wèn)：“這是什么暗器？”全場(chǎng)頓時(shí)笑成一片。所以，當(dāng)馬貢多在經(jīng)過(guò)了一系列的折騰之后，末尾又有了一個(gè)驚人的發(fā)現(xiàn)。他說(shuō)：“煮開(kāi)著呢！”冰塊竟然像開(kāi)水一樣沸騰，這種感受奇妙又荒誕。