【正文】 keep the independence of spirit and personality。s daughter from a wellconnected family, she had ample opportunity to study the habits of the middle class, the gentry, and the lived a remarkably quiet and domestic life in the rural south of never married and was only 41 when she Austen39。 Lady Susan(1794, 1805)Unfinished fiction s life at that time by describing the marriage mainly describes the love story of Bennet ’s several is newly from London and falls in love with the biggest daughter, friend Darcy is sweet upon the second daughter Elizabeth, but their marriage moves slowly for some a range of interesting troubles, the misunderstandings are finally Darcy overes his pride, and Elizabeth overes her prejudice, they get together describing different marriages, Austin expresses her opinions of the marriage which insist on the understanding to each a certain extent, this novel also reflects the wish for the independent marriage for women at that is an English gentleman living in Hertfordshire with his overbearing Bennets 5 daughters: the beautiful Jane, the clever Elizabeth, the bookish Mary, the immature Kitty and the wild for the Bennets, if dies their house will be inherited by a distant cousin whom they have never met, so the family39。s of ’s pride, Elizabeth is stung by his haughty rejection of her and decides to match his coldness with her own later, begins to develop interests in another dancing party, invites Elizabeth to dance only to be is in a difficult the same timeElizabeth begins a friendship with , a militia officer who relates a prior acquaintance with tells her that he has been seriously mistreated by immediately seizes upon this information as another reason to hate 39。s aunt, Lady Catherine de Bourgh, where Elizabeth frequently calling on Lady Catherine, encounters discovers from a cousin of Darcy that it is he who separates Bingley and after, Darcy admits his love of Elizabeth and proposes to by his highhanded and insulting manner of proposing, Elizabeth refuses he asks why she should refuse him, she tells him the story of Bingley and Jane, furthermore, she also takes ’s story as an example to blame shaken by Elizabeth39。s behaviors and Wickham39。s younger sister Lydia has run away with is convinced that Darcy will be angry with , Darcy does the opposite the help of Darcy, Lydia and Wickham are found and and Jane are together after a lot of hardships in the end, but Darcy’s aunt Lady Catherine travels to Longbourn with the sole aim of confronting Elizabeth and demanding that she never accepts such a proposal of marries refuses to bow to Lady Catherine39。從開(kāi)始的一無(wú)所有，只有兩個(gè)人的布恩迪亞家族發(fā)展到兒孫滿堂，家族興盛，達(dá)到家族的興盛時(shí)期，再由興盛走向滅亡。霍布恩地亞同房。布恩地亞上校領(lǐng)導(dǎo)的32次土著居民起義都以失敗而告終。這個(gè)無(wú)疑充滿了諷刺的意味。遙遠(yuǎn)的馬貢多小鎮(zhèn)上發(fā)生著離奇的事情：奧雷良諾領(lǐng)導(dǎo)了32次起義結(jié)果都失敗。小鎮(zhèn)馬貢多一場(chǎng)驟然而至的雨持續(xù)下了四年十一個(gè)月又兩天，此后十年，馬貢多滴雨未下。小說(shuō)的結(jié)局布恩地亞家族連同小鎮(zhèn)馬貢多消失在一陣颶風(fēng)中。篇二：《百年孤獨(dú)》讀書(shū)報(bào)告《百年孤獨(dú)》作者加西亞〃馬爾克斯描寫(xiě)的虛構(gòu)小鎮(zhèn)馬貢多的歷史與作者家鄉(xiāng)現(xiàn)實(shí)生活的歷史有著許多的類似之處。小說(shuō)通過(guò)描寫(xiě)內(nèi)戰(zhàn)歷史、種植園以及勞工騷亂講述了一部哥倫比亞史，甚至從更廣泛的層次上說(shuō)，是講述一部有關(guān)拉丁美洲與殖民主義之間的斗爭(zhēng)史以及拉丁美洲向現(xiàn)代化發(fā)展的歷史。角色的性格特征和事件也反復(fù)出現(xiàn)，這說(shuō)明小說(shuō)沒(méi)有把過(guò)去、現(xiàn)在和未來(lái)明確地分割出來(lái)?！栋倌旯陋?dú)》小說(shuō)中的人物意識(shí)到健忘是一種危險(xiǎn)，但是具有諷刺意味的是他們同時(shí)把記憶當(dāng)成了一種負(fù)擔(dān)。布恩地亞家族染上的雙重疾病：懷舊和健忘?？梢哉f(shuō)其實(shí)馬貢多的發(fā)展史是一部寓言，它典型地再現(xiàn)了人類社會(huì)發(fā)展的軌跡。我認(rèn)為這個(gè)注釋已經(jīng)超越了小說(shuō)本身的虛構(gòu)世界，根據(jù)歷史背景和所查資料可以看出，作者同時(shí)批評(píng)了一些拉美國(guó)家諸如古巴和巴拿馬在二十世紀(jì)時(shí)期的獨(dú)裁統(tǒng)治。小說(shuō)依舊主張最理想的生活是人們能夠生活在生氣勃勃、無(wú)拘無(wú)束的狀態(tài)之中。整部小說(shuō)中角色之間的感情是相對(duì)閉塞和變態(tài)的，這也是整部小說(shuō)揭示出來(lái)的、布恩地亞家族衰亡的主要原因：缺失的情感，內(nèi)向的性格顯然無(wú)法形成與社會(huì)的交流。它不僅僅是為了前進(jìn)而轉(zhuǎn)動(dòng)，而且輪軸的磨損是不能挽回的。rquez, latinamerican journalist, novelist and short story writer, a central figure in the socalled magic realism is considered one of the most significant authors of the 20th was awarded the nobel prize in literature in 1982, and is the earliest winner of this prize to be still hundred years of solitude is an epic work: a long narrative fiction with a scope which holds up for our inspection a particular cultural moment in the history of a novel is the history of the founding, development, and death of a human settlement, macondo, and of the most important family in that town, the though one hundred years of solitude, im impressed by the novels contact structure and indepth description of humans roles in the novel are so naive and primitive that the book reads like a magic show with a colorful background, and a bit i am at a very late age reading the is a story without love but yet is using their own approach to resist solitudeparticipating in the revolution, repeating manual labour, addicting to lust and sex, reading and translating books......this book contains the all possible ways for human to resist ：百年孤獨(dú)讀書(shū)報(bào)告讀書(shū)報(bào)告書(shū)名：《百年孤獨(dú)》作者：報(bào)告人：牛山青班級(jí)：經(jīng)法學(xué)院11級(jí)法學(xué)二班學(xué)號(hào)：111110046 參考資料：馬克思主義基本原理概論（歷史唯物主義部分）拉丁美洲，這片廣袤的土地，蘊(yùn)含著無(wú)窮的神秘，創(chuàng)造過(guò)輝煌的古代文明，自十九世紀(jì)中期到二十世紀(jì)七十年代的一個(gè)多世紀(jì)，這片神秘的土地經(jīng)歷了百年的風(fēng)云變幻? ? 從1830年至上世紀(jì)末的70年間，哥倫比亞爆發(fā)過(guò)幾十次內(nèi)戰(zhàn)，使數(shù)十萬(wàn)人喪生。在這個(gè)家族中，夫妻之間、父子之間、母女之間、兄弟姐妹之間，沒(méi)有感情溝通，缺乏信任和了解。所以，《百年孤獨(dú)》中浸淫著的孤獨(dú)感，其主要內(nèi)涵應(yīng)該是對(duì)整個(gè)苦難的拉丁美洲被排斥現(xiàn)代文明世界的進(jìn)程之外的憤懣和抗議，是作家在對(duì)拉丁美洲近百年的歷史、以及這塊大陸上人民獨(dú)特的生命力、生存狀態(tài)、想象力進(jìn)行獨(dú)特的研究之后形成的倔強(qiáng)的自信。他與烏爾蘇拉新婚時(shí)，由于害怕像姨母與叔父結(jié)婚那樣生出長(zhǎng)尾巴的孩子，烏爾蘇拉每夜都穿上特制的緊身衣，拒絕與丈夫同房。布恩迪亞殺死了普魯鄧希奧經(jīng)過(guò)了兩年多的奔波，來(lái)到一片灘地上，由于受到夢(mèng)的啟示決定定居下來(lái)。阿爾卡蒂奧他不滿于自己所過(guò)的落后的生活，他向妻子抱怨說(shuō)：“世界上正在發(fā)生不可思議的事情，咱們旁邊，就在河流對(duì)岸，已有許多各式各樣神奇的機(jī)器，可咱們?nèi)栽谶@兒像蠢驢一樣過(guò)日子。后來(lái)他又沉迷煉金術(shù)，整天把自己關(guān)在實(shí)驗(yàn)室里。●哲學(xué)分析：社會(huì)存在決定社會(huì)意識(shí)，社會(huì)意識(shí)是社會(huì)存在的反映。吉卜賽人的到來(lái)，打破了馬孔多與世隔絕的生活，當(dāng)布恩迪亞從吉卜賽人那里看到磁鐵、放大鏡、航海儀、六分儀等先進(jìn)儀器后，他就決心改變馬孔多落后、保守的現(xiàn)狀，決定開(kāi)辟道路將馬孔多與外界文明連接起來(lái)。布恩迪亞提出的學(xué)習(xí)先進(jìn)科學(xué)技術(shù)，改革廢除封建陋習(xí)，正確推動(dòng)了馬孔多走出蒙昧，走向文明的發(fā)展進(jìn)程。第一、當(dāng)他與族人決斗后，因不堪忍受那人鬼魂的侵?jǐn)_而遠(yuǎn)走他鄉(xiāng)，終達(dá)馬孔多；第二、當(dāng)他結(jié)識(shí)了吉卜賽人并見(jiàn)識(shí)了他們的先進(jìn)儀器，從此決心潛心科學(xué)，并力圖改革；第三、當(dāng)他預(yù)感自己的行為是單純而無(wú)意義的，從此躲在實(shí)驗(yàn)室重復(fù)著同一種行為。三、主人公的人生價(jià)值關(guān)鍵字：自我價(jià)值 社會(huì)價(jià)值（一）人生價(jià)值評(píng)價(jià)的根本尺度，是看一個(gè)人的人生活動(dòng)是否符合社會(huì)發(fā)展的客觀規(guī)律，是否通過(guò)實(shí)踐促進(jìn)了歷史的進(jìn)步?！?二者的關(guān)系：人的價(jià)值就在于創(chuàng)造價(jià)值，就在于對(duì)社會(huì)的責(zé)任和貢獻(xiàn)，人既是價(jià)值的創(chuàng)造者又是價(jià)值的享受者布恩迪亞為族人做的一切，有目共睹，使人民走出蒙昧，走向富裕，為人們打開(kāi)一扇通向科學(xué)世界的大門(mén)，同時(shí)自己也贏得了相應(yīng)的榮譽(yù)和聲望。他所提出的思想能夠成為社會(huì)變革的先導(dǎo)，能夠?yàn)槿罕娭该鞲锩窢?zhēng)方向?！衿渥饔檬苌鐣?huì)發(fā)展規(guī)律制約：不管什么樣的歷史人物，在歷史上發(fā)揮什么樣的作用，都要受到社會(huì)發(fā)展客觀規(guī)律的影響，而不能決定和改變歷史發(fā)展的總進(jìn)程和總方向。在我讀過(guò)的小說(shuō)中，沒(méi)有一本小說(shuō)有過(guò)如此強(qiáng)烈的體驗(yàn)。和《紅樓夢(mèng)》一樣，書(shū)中也寫(xiě)到了一位老人烏蘇拉，就象《紅樓夢(mèng)》中的賈母一樣。很顯然，磁鐵是無(wú)法吸附金子的，所以，當(dāng)奧雷良諾*阿卡迪奧用它尋找金子一無(wú)所獲時(shí)，而馬爾克斯卻用有魔力的文字喚醒了我們比金子更寶貴的歲月記憶，讓我們像那些鐵鍋、鐵盆、鐵鉗一樣，跟在它的身邊旋轉(zhuǎn)，曾經(jīng)遺忘的那些童年往事，像隱藏在房間陰暗角落里那些木板中的鐵釘，抹去時(shí)光的蛛網(wǎng)，抖掉歲月的塵埃，被這種充滿磁性的神奇文字吸引出來(lái)而“嘎嘎作響”，紛紛復(fù)活。清照的高明在于她讓抽象的“愁”有了一種重量感。也就是說(shuō)，現(xiàn)在