【正文】 sensual pleasure, Treating the soul’s pain through the senses and getting rid of the starvation by the soul are one of the great secret of life [15].Aestheticism extremely worships the form and appearance of the beauty, and its works of art are concerned with the form of beauty rather than content. Oscar Wilde, the first person who regards literature as the art, obviously attaches great importance to his work in the perfection of the form. His literary works presents the colorful aesthetic world to the readers. The art is the lie, it does not tell the true story about the beauty. Whether themes, characters, or scenes, they are trying to stimulate the reader39。s portrait is on behalf of the art itself, and Dorian is the speaker of the life. Dorian who lives in the life is beautiful, and Dorian39。s misdeeds bees increasingly more ugly. So in fact, Dorian is more afraid of his growing old, he is fear of losing youth. He treats his portrait as a benchmark of life, but after repeated constantly struggling, and finally he uses a dagger to stab himself in contradictions, and died lying on the ground. However, the portrait stands in place, it still maintains its original. The youthful in the portrait is in the solidification of the eternal. Visiblely, the life acknowledges being defeated by the art. Art and life have no relationship with each other or art can catch the beauty unless it is over the life, it can reflect its nonutilitarian nature, no purpose, and this is even a manifestation which the life imitates the art, that is, the life imitates the art, even more than the art imitates the life.Part 3 Analyse Aestheticism from Four Main CharactersSo, how does Oscar Wilde39。s look at Basil Hallward, he is the painter who paints a portrait for Dorian. After reading the whole text, we can clearly see that he is a typical aestheticism, his pursuit of the art has reached the crazy point that the whole people bee stiff atheists. When Basil Hallward sees the moment of Dorian, he is shocked by Dorian’s beauty, he feels that the whole person, the soul, together with the art itself are swallowed by him, Dorian39。s appearence, Dorian39。s hedonism has taken root in his mind, as the ideal beauty is the gratuitous nonsense even without pleasure, at the same time it will arouse Dorian39。s contradiction and disillusionment. Oscar Wilde lets Basil Hallward go to die, on the one hand, it shows that he might have realized that the pursuit of pure beauty and separating the relationship between art and life are inevitable demise of the oute. And Basil Hallward, who is his overemphasis on art above all else, even poses that each portrait painting drawn by the inner emotion is the artist not a model, the model is occasionally involved in. It is an incentive, the artist reveals not the model on the color of the canvas, but the artist himself, I do not want to take this picture to be displayed, because it exposes the secrets of my soul 。s contradiction and confusion. Originally Basil Hallward is on behalf of Oscar Wilde39。s look at Lord Henry, it is said that Oscar Wilde is a person who seems from outside world, the reality of Oscar Wilde and Henry in the text have been used to make a similar parison, there is no doubt that Lord Henry is an aesthete. Because we say, in nineteenthcentury, British society is capitalism in transitional period, Victorian is filled with moral hypocrisy, panmercantilism and the utilitarian nature of color of the social habits. Oscar Wilde practices aesthetic doctrine with standing all this critical position on the hands, he thinks that in this era of turmoil and confusion, in this moment of terrible strife and despair, there is only worryfree paradise of the beauty, you can make people forget and be happy. Where we should go if we do not go to the beautiful paradise? The temple of beauty is the aestheticism and his nothing more than another ideal state. In action, he often wares loose collar, tunic spike trimmed with black velvet, filament socks, and velveteen pants. And he wins the crowd39。s purpose is to fully meet people’s requirements and desires of the nature of the impulse, In addition to the senses, nothing can treat the soul39。s physical and spiritual reflection in the fall and also suffering much, only the art which the portrait is on the wall is not change, which Oscar Wilde39。s life, she naturally disappears. This is the refraction of Oscar Wilde39。s changing, it means that the art damages and distorts the life, because the more the art reflects real life, the more is away from the beauty, just as Dorian39。s aesthetic and content, he believes that the art does not imitate the life, but overes the life39。 Finally, the art is in the pursuit of form as the goal.We see that these four people have the shadow of aestheticism, but their focuses are on different surfaces, and through the intertwined relationships, it builds a theory of aestheticism.It is worthy of paying more attention to that, in many aspects Oscar Wilde not only goes to the extreme, but also embodies the contradictions of himself. such as in art and life39。 reflection.Oscar Wilde is an important figure in the transitional period which turned the British traditional literature into the modern literature. As the lord of the aestheticism art, his aesthetic and creative thinking has initially revealed the beginning of the modern consciousness. [16] The influence of Oscar Wilde’s performance lies in the following aspects: 1, In the aesthetic ideology, Oscar Wilde introduces the evil and lying into the range of beauty and artistic expression. Oscar Wilde proposes that the purpose of art is to show the art itself, art should stay away from reality and go beyond reality, these ideas in many modernist works have been positive. The modernist writers absorb the idea of the antinatural and antipreaching, they just emphasize the pursuit of artistic beauty. 2, In the creative theme, the art of Oscar Wilde39