【正文】 說話，或通過登場人物的觀察來展現(xiàn)另一人物的心理活動(dòng)，這一變化是不可忽視的。作者在于連得知雷納爾夫人寫揭發(fā)信到槍殺她這段情節(jié)上僅用了三頁，而與瑪?shù)贍柕碌膼矍閰s花了上百頁的篇幅細(xì)致描寫。而當(dāng)一晚于連與雷納爾夫人還有德爾維爾夫人一起納涼時(shí)，于連無意中碰到了雷納爾夫人的手。斯丹達(dá)爾的心理描寫通常十分簡短，卻是多種多樣的。這種性格的雙重性使書中于連這個(gè)人物形象變得復(fù)雜和吸引人，也是斯丹達(dá)爾小說藝術(shù)的一處成功之處。這時(shí)，他與自己所反對的貴族階級同流合污了。從這里我們可以得知，面對神學(xué)院里“到處是偽善，到處是欺詐”的環(huán)境，于連選擇了“一連串的虛偽”作為唯一的武器。因而，貝尚松神學(xué)院為于連性格的最終形成起到了決定性的作用。而從雷納爾夫人想出采用匿名信這一個(gè)計(jì)謀騙過雷納爾市長中可以看出，于連自以為很偉大的能力也是顯得弱小和貧瘠的。他心中想，“我要是當(dāng)著他（雷納爾市長）的面，把他妻子的手占為己有，這不是可以將他嘲弄一番嗎？”于是于連三番兩次抱著這樣的心情追求雷納爾夫人，并在雷納爾夫人的退讓與接收于連的感情中獲得自己心理上的滿足，也算是一種欲望和內(nèi)心吹噓的滿足。而在雷納爾市長家任教是于連生活的重要轉(zhuǎn)折期，為于連性格的最終形成打下了不可忽視的基礎(chǔ)。所以，當(dāng)父親索雷爾告知他市長請他去當(dāng)家庭教師時(shí)，他在心里想著，要出人頭地，首先就得離開維里埃爾。難怪高爾基指出：“斯丹達(dá)爾是在資產(chǎn)階級勝利后，立即就開始敏銳而明確地表現(xiàn)它的特征的第一個(gè)文學(xué)家。而縱觀《紅與黑》，它的藝術(shù)特色是更為讓讀者稱道。t people sometimes cruel, andsometimes kind。s opening sentence：“If your characters do not talk about politics, they are not the French in 1830.” is the famous sentence in The Red and The material of The Red and The Black is based on a realistic event that a tutor killed her hostein Stendhal read the story in the newspaper, he adapted it and wrote the long bildungsroman novel The Red and The work, previously titled Julien, then, changed into The Red and The Red symbolizes many things, the uniform of the Napoleon era, ’s blood, revolution and contribution by the mon Black also stands for robes of priests, Martel’s mourning apparel and第四篇：《紅與黑》英文讀書筆記The Red and the BlackThe Red and the Black is a profound and witty book about the rise of a poor, handsome and intellectually gifted, young provincial into the salons of High Society in and ambitious, Julien Sorel is determined to rise above his humble peasant origins and make something of his lifeby adopting the code of hypocrisy by which his society ultimately mits a crimeout of passion, principle, or insanitythat will bring about his Red and the Black is a lively, satirical picture of French Restoration society after Waterloo, riddled with corruption, greed, and plex, sympathetic portrayal of Julien, the cold exploiter whose Machiavellian campaign is undercut by his own emotions, makes him Stendhal39。Henri Beyle, better known by his pen name Stendha l, was one of the critical realism French writers in the 19th military and theatrical worlds of the First French Empire were a revelation to for his acute analysis of his characters39。s one typical windowsmall city Varriale39。 up: 突然出現(xiàn)，發(fā)動(dòng)。: not loyal, that you can not rely on or ，不可信任的。: born to parents who are not married to each ，非婚生的。:(used about people or their actions)having a lot of 。: a fortable bus used for long 。: a number of people, vehicles move slowly in a line, especially as part of a ceremony.（人，車等）緩慢前進(jìn)的隊(duì)伍或行列。: a formal type of fight with guns or other weapons which was succeed in the past to decide an argument between two 。: a person who protects sb/，防御者。: a foreign nobleman ranking between a duke and a 。：grass that has been cut and dried for use an animal ?！恼加?；收回；復(fù)原；恢復(fù)。: humble in feeling, behavior, or ，卑下的，地位低的。第一篇：紅與黑讀書筆記 英文1124030103廣告一班張聰The feeling after reading The Red and the Blacka tragedy of an ambitious manJust as Napoleon said, “Every French soldier carries a marshal’s baton in his knapsack”, Julien had an ambition in his was born in a peasant family, but he believed that he didn’t belong background made him feel asha