【正文】
5901600) The second period(16011608) The third period(16091612) Page 20 ? His early plays were mainly edies and histories, he rose to the peak of sophistication and artistry(復(fù)雜性和藝術(shù)性) by the end of the sixteenth century. ? He then wrote mainly tragedies until about 1608, including Hamlet(1601), Othello(1604), King Lear(1605), and Macbeth(1605), considered some of the finest works in the English language. Page 21 39。s mother39。s Legendary life 39。William Shakespeare The peak of Humanism William Shakespeare 15641616 “ All the world 39。s masterpieces Page 4 39。s house Page 8 Anne Hathaway39。s writing 1) 154 sons, two long poems Page 22 poetry ? 十四行詩( The Sons) ? 愛人的怨訴( A Lover39。 Nor shall death brag thou wander’ st in his shade, When in eternal lines to time thou grow’ st: So long as a man can breathe, or eyes can see, So long lives this, and this gives live to thee. Page 24 Shall I pare thee to a summer’ s day? ? 能否把你與夏日相比? Thou art more lovely and more temperate: ? 你卻比炎夏更可愛溫婉; Rough winds do shake the darling buds of May, ? 狂風摧殘五月的蓓蕾, And summer’ s lease hath all too short a date Page 25 ? 夏日的時光何其短暫。t see my love But when undoubtedly knowing the love from both Yet cannot be together The furthest distance in the world Is not being apart while being in love But when painly cannot resist the yearning Yet pretending you have never been in my heart The furthest distance in the world Is not but using one39。s Dream) ? 無事生非 (Much Ado About Nothing) ? 一報還一報 (Measure for Measure ? 第十二夜 (Twelfth Night or What You Will) ? 威尼斯商人 (The Merchant of Venice) ? 空愛一場 (Love39。 某日 , 安東尼奧因出海向夏洛克借款 。 假裝律師的波莎以割肉不能流血 , 否則血債血償?shù)睦碛?, 粉碎了夏洛克的陰謀 。s Christian heroine, Portia, who steers her lover Bassanio toward the correct humble casket and then successfully defends his bosom friend Antonio from Shylock39。s Father ? Horatio 霍拉旭 Friend to Hamlet Page 43 ? Claudius is shrewd精明 and able干練 , though not always ethical倫理 or moral道德 , Hamlet describes the contest of intelligence and will between them as that of 39。 (). ? 克勞狄斯形象:集合封建主和暴君的殘忍,陰謀家的野心和陰險,封建統(tǒng)治者和資產(chǎn)階級陰謀家亍一身,代表文藝復(fù)興新舊交替時期的所有罪惡。 Page 46 Of all the pivotal characters in Hamlet, Ophelia is the most static穩(wěn)定 and onedimensional沒有深度的 . She has the potential to bee a tragic heroine to overe the adversities inflicted upon her but she instead crumbles崩潰 into insanity, being merely tragic. This is because Ophelia herself is not as important as her representation of the dual nature