【正文】 author imply towards his/her subject? If a character’s words or thoughts are represented, is this done by direct quotation, or by some other method (eg indirect speech, free indirect speech)? Are there significant changes of style with respect to different persons (narrator or character) who is supposedly speaking or thinking the words on the page? What is the point of view of the story? Are the frequent shifts of point view? If so, in whose voice is the narrator speaking?Context and cohesionHere we consider the features which are foregrounded by virtue of departing in some way from general norms of munication by means of the language code, for example, exploitation of deviations from the linguistic code. other phrase types: Is there anything to be said about other phrases types, such as prepositional phrases, adverb phrases, adjective phrases?Clause structure: Is there anything significant about clause elements (eg frequency of objects, adverbials, plements。types of sentence are used, what is their function? of transitive or intransitive verb constructions)? Are there any unusual orderings (initial adverbials, fronting of object or plement, etc)? Do special kinds of clause construction occur (such as those with preparatory it or there)? Word classes: Having already considered major word classes, we may consider minor word classes (eg functional words), such as prepositions, conjunctions, pronouns, determiners, auxiliaries, interjections. Are particular words of these types used for particular effect (eg demonstratives such as this and that, negatives such as not, nothing)?Grammatical and lexical schemes (foregrounded repetitions of expression): Are there any cases of formal and structural repetition (anaphora, parallelism, etc) or of mirrorimage patterns (chiasmus)? Is the rhetorical effect of these one of antithesis, reinforcement, climax, anticlimax, etc? Here we take a look at features which are generally fully dealt with in discourse analysis. Under cohesion ways in which one part of a text is linked to another are considered。Chapter Seven Symbol and words are also symbols. (P. 218. Oxford Concise Dictionary of Literary Terms.) A symbol is a thing that suggests more than its literal meaning. It exists widely even in our daily life. Our language itself is symbol. The daily greetings indicate that the passage of munication is open. Ring is a symbol of eternity. The sign of cross indicates atonement. The Big Ben symbolizes London, the Great Wall China. Ritualistic acts are symbolic. In church wedding the bride is handed over from the father to the groom. Holy eating is symbolic of munion, baptizing cleansing and rebirth. The raising and lowering of a national flag certainly suggest meanings larger than the acts themselves. And finally toasting and shaking hands on formal or informal occasions. it is, rather, a symbol the poet or the writer adopts for the purpose of his/her work, and it is to be understood only in the context of that work. It differs from the kind of symbol illustrated by the figure 3 because it is concrete and specific. A poet or a writer uses symbols for the same reason he/ she uses similes, metaphors, and images, etc: they help to express his/her meaning in a way that will appeal to the senses and to the emotions of the reader. Most symbols, in literature and everyday life as well, possess a tremendous condensing power. Their focusing on the relationships between the visible (audible) and what they suggest can kindle it into a single impact. Of course, in literary works, symbols, unlike those in ordinary life, usually do not “stand for” any one meaning, nor for anything absolutely definite。2. There are two broad types of literary symbols3. Symbols in fiction are inanimate objects, but an island of refuge from sleepless night, chaos, loneliness, old age, the meaninglessness of life, and impending death. In some novels and stories, some characters are symbolic. Such characters usually appear briefly and remain slightly mysterious. In Joseph Cornard’s Heart of Darkness, a steamship pany that hires men to work in Congo maintains in its waiting room two women who knit black wool—they symbolize the classical Fates. Such a character is seen as a portrait rather than as a person, at least portrait like. Faulkner’s Miss Emily, twice appears at a window of her houses “l(fā)ike the carven torso of an idol in the niche.” Though Faulkner invests her with life and vigor, he also clothes her in symbolic hints: she seems almost toXXXX現(xiàn)代生態(tài)農(nóng)業(yè)示范園建設(shè)項(xiàng)目可行性研究報(bào)告項(xiàng)目名稱:XXXX現(xiàn)代生態(tài)農(nóng)業(yè)示范園建設(shè)項(xiàng)目主管部門:ⅹx省XXX承擔(dān)單位:XXXX生態(tài)農(nóng)業(yè)科技開發(fā)有限公司法人代表:xx電話:xx建設(shè)地點(diǎn):xⅹ市xⅹ鄉(xiāng)xⅹ村聯(lián)系人:xx電話:x雙編寫單位:編寫:編寫日期:前言　　XXXX現(xiàn)代生態(tài)農(nóng)業(yè)示范園區(qū),將秉持經(jīng)濟(jì)效益與社會(huì)效益并重,利益與環(huán)保并重,走綠色、生態(tài)、環(huán)保、節(jié)能、無污染之路。將充分考慮環(huán)保因素,通過周密規(guī)劃,采用最先進(jìn)的污水處理工藝,將影響環(huán)境的因素轉(zhuǎn)化為企業(yè)發(fā)展的動(dòng)力。新建觀光果園45畝。　 :生豬年出欄4萬頭。建設(shè)標(biāo)準(zhǔn)豬舍及配套管理用房38000余平方米。新建橫跨45米、?！　?=園區(qū)分生豬生態(tài)養(yǎng)殖區(qū)、觀光果園區(qū)、生態(tài)農(nóng)業(yè)觀光區(qū)、水產(chǎn)與科研教學(xué)、管理(培訓(xùn))、生活區(qū)?！　?:自籌1700萬元,爭取政府支持300萬元,銀行貸款3000萬元。優(yōu)化農(nóng)業(yè)產(chǎn)業(yè)結(jié)構(gòu),促進(jìn)農(nóng)業(yè)增效,農(nóng)民增收,　?。簩?shí)行標(biāo)準(zhǔn)化生態(tài)養(yǎng)殖,改善生豬飼養(yǎng)環(huán)境和人居生態(tài)環(huán)境,園區(qū)實(shí)行種養(yǎng)結(jié)合,這樣不僅可以降低農(nóng)業(yè)生產(chǎn)成本,增加農(nóng)業(yè)效益,而且促進(jìn)物質(zhì)、生態(tài)的良性循環(huán),實(shí)現(xiàn)農(nóng)業(yè)可持續(xù)發(fā)展,成為我省農(nóng)業(yè)的資源節(jié)約型、環(huán)境友好型的循環(huán)農(nóng)業(yè)的示范,　　　l、中共中央國務(wù)院關(guān)于積極發(fā)展現(xiàn)代農(nóng)業(yè)扎實(shí)推進(jìn)社會(huì)主義新農(nóng)村建設(shè)的若干意見(中發(fā)[200111號(hào))　　2,中共xx省委、XX省人民政府關(guān)于全面推進(jìn)社會(huì)主義新農(nóng)村建設(shè)的決定(xx[1006J28號(hào))　　3.ⅹX省人民代表大會(huì)常務(wù)委員會(huì)關(guān)于建設(shè)生態(tài)省的決定(2003年6月27日xx省第十屆人民代表大會(huì)常務(wù)委員會(huì)第四次會(huì)議通過)　　4.ⅹX省人民政府辦公廳關(guān)于加快發(fā)展農(nóng)家樂休閑旅游業(yè)的意見(浙政辦發(fā)[200711號(hào))　　5,ⅹX省特色優(yōu)勢農(nóng)產(chǎn)品區(qū)域布局分品種規(guī)劃　　6.ⅹⅹ省“十一五”農(nóng)業(yè)發(fā)展規(guī)劃　?、　笆晃濉鞭r(nóng)業(yè)產(chǎn)業(yè)化發(fā)展規(guī)劃　　8.ⅹⅹ省“十一五”畜牧業(yè)發(fā)展規(guī)劃　?、獂市委ⅹX市人民政府關(guān)于印發(fā)《XX市發(fā)展都市農(nóng)業(yè)實(shí)施意見》的通知(市委〔2OO313號(hào))　　xⅹ市人民政府關(guān)于ⅹKxx現(xiàn)代生態(tài)養(yǎng)殖項(xiàng)目協(xié)調(diào)會(huì)議紀(jì)要(建府紀(jì)要〔2007146號(hào))　　初步分析表明,XXXX現(xiàn)代生態(tài)農(nóng)業(yè)示范園建設(shè)符合國家的產(chǎn)業(yè)發(fā)展政策,對(duì)于推進(jìn)社會(huì)主義新農(nóng)村建設(shè),提高農(nóng)業(yè)綜合生產(chǎn)能力和市場競爭力有重要意義,項(xiàng)目建設(shè)目標(biāo)明確、方案正確、技術(shù)可行、投資合理,能夠自我實(shí)現(xiàn)良性運(yùn)轉(zhuǎn),項(xiàng)目建設(shè)是必要的和可行的。但在工業(yè)化達(dá)到相當(dāng)程度后,工業(yè)反哺農(nóng)業(yè)、城市支持農(nóng)村,實(shí)現(xiàn)工業(yè)與農(nóng)業(yè)、城市與農(nóng)村的協(xié)調(diào)發(fā)展,也是帶有普遍性的趨向?！　∪前l(fā)展生態(tài)養(yǎng)豬生產(chǎn)對(duì)于為國家節(jié)省土地,減少豬舍建筑面積,利用優(yōu)良品種,采用先進(jìn)的生產(chǎn)工藝和飼養(yǎng)技術(shù),提高飼料轉(zhuǎn)化率,最大限度地利用母豬的繁殖性能以提供更多的斷奶仔豬,縮短肉豬出欄天數(shù),提高出欄率,降低生產(chǎn)成本等有著極其重要的意義。加大優(yōu)勢畜產(chǎn)品產(chǎn)區(qū)生產(chǎn)基地建設(shè),積極鼓勵(lì)農(nóng)業(yè)產(chǎn)業(yè)化龍頭企業(yè)建設(shè)穩(wěn)固的畜產(chǎn)品生產(chǎn)基地,推進(jìn)產(chǎn)業(yè)優(yōu)化改造,形成辦一個(gè)企業(yè)、建一片基地、育一大產(chǎn)業(yè)、帶一方農(nóng)民的格局”,近來,針對(duì)當(dāng)前我國生豬生產(chǎn)出現(xiàn)下滑,豬肉供應(yīng)偏緊,價(jià)格較大幅度上漲的問題,國務(wù)院于二00七年七月三十日(新華社北京8月2日電)下發(fā)了《關(guān)于促進(jìn)生豬生產(chǎn)發(fā)展穩(wěn)定市場供應(yīng)的意見》(國發(fā)[2007122號(hào),以下簡稱《意見》),對(duì)促進(jìn)生豬生產(chǎn)發(fā)展穩(wěn)定市場供應(yīng)提出明確要求,作