貝聿銘及其設(shè)計(jì)理論淺析(已修改)
2025-07-01 18:28 本頁面
【正文】 9貝聿銘及其設(shè)計(jì)理論淺析摘要：貝聿銘作品以公共建筑、文教建筑為主，被歸類為現(xiàn)代主義建筑，善用鋼材、混凝土、玻璃與石材等一些列線條簡明實(shí)用性強(qiáng)的材料表達(dá)。所以貝聿銘強(qiáng)調(diào)建筑功能形式，建筑與實(shí)際作用的結(jié)合，關(guān)注建筑本身與適用人群的聯(lián)系。他堅(jiān)持對(duì)形式、空間、建材等技術(shù)的研究，使作品本身既滿足社會(huì)需求，更獨(dú)具與眾不同的特性。縱觀貝聿銘所有作品，自產(chǎn)業(yè)革命以來，他淋漓精致的體現(xiàn)了現(xiàn)代主義設(shè)計(jì)師的理念，強(qiáng)調(diào)設(shè)計(jì)的線條感、實(shí)用性、拒絕過度的裝飾，為現(xiàn)代都市增添了光輝，引領(lǐng)者時(shí)代的步伐。關(guān)鍵詞：貝聿銘 現(xiàn)代主義 設(shè)計(jì)理念 玻璃金字塔 中銀大廈 蘇州博物館Analysis on design theory of Ieoh Ming PeiAbstract: Ieoh Ming Pei works in public buildings, cultural buildings, were classified as modern architecture, using steel, concrete, glass and stone and some other column lines concise practical material expression. Ieoh Ming Pei stressed the function of architecture form, construction and actual effect of the bination of, pay attention to the building itself and applicable people contact. He insisted on the form, space, and other building materials technology research, the work itself is to meet the needs of the society, more unique characteristics of out of the ordinary. Throughout all of Ieoh Ming Pei39。s works, since the industrial revolution, his dripping delicate embodiment of modern design concept, emphasize the design lines, practicality, rejected the excessive decoration, for the
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