【正文】
t who tears down stereotypical propaganda posters, elevating the individual from an anonymous human ridicule and sarcasm Mo Yan attacks history and its falsifications as well as deprivation and political and with illdisguised delight, he reveals the murkiest aspects of human existence, almost inadvertently finding images of strong symbolic Gaomi county embodies China’s folk tales and real journeys can surpass these to a realm where the clamour of donkeys and pigs drowns out the voices of the people’s missars and where both love and evil assume supernatural Yan’s imagination soars across the entire human is a wonderful portrayer of nature。he knows virtually all there is to know about hunger, and the brutality of China’s 20th century has probably never been described so nakedly, with heroes, lovers, torturers, bandits – and especially, strong, indomitable shows us a world without truth, mon sense or passion, a world where people are reckless, helpless and of this misery is the cannibalism that recurs in China’s Mo Yan, it stands for unrestrained consumption, excess, rubbish, carnal pleasures and the indescribable desires that only he can attempt to elucidate beyond all tabooed his novel Republic of Wine, the most exquisite of delicacies is a roasted have bee exclusive girls, neglected, irony is directed at China’s family policy, because of which female foetuses are aborted on an astronomic scale: girls aren’t even good enough to Yan has written an entire novel, Frog, about Yan’s stories have mythical and allegorical pretensions and turn all values on their never meet that ideal citizen who was a standard feature in Mao’s Yan’s characters bubble with vitality and take even the most amoral steps and measures to fulfil their lives and burst the cages they have been confined in by fate and of munism’s posterhappy history, Mo Yan describes a past that, with his exaggerations, parodies and derivations from myths and folk tales, is a convincing and