有關室內(nèi)設計的-淺析李先生雅居設計方案畢業(yè)論文-文庫吧
2025-04-13 03:46 本頁面
【正文】 3D 效果圖的制作及渲染處理AbstractIn recent years, continuous development of Zhuzhou, decoration pany has been facing a fierce petition to obtain a variety of design units in the harsh reality of a firm footing, which makes the market a mess, the pany mapping is not standardized, management is not regular, material selection reasonable, not professionals, a little Little designers can also be called for only the materials are familiar with the market can also be called designers. As for the learned people of this line, we can claim to be designer etc., for these phenomena, a little life experience and are not, how can a designer, simply do not know the oil, salt, sauce, vinegar where the best place to cook, so what should the design. Second, probably a man, maybe the industry is intense petition it is really too many people have been made to design a new interpretation. What designer? Owners of the designer as a friend, and designer only as a friend to the owners of the money, the designer can use a variety of professional ways to understand the owners had put a confused, had confused the more confused, sad Yeah, a lot of Designers do for their own benefit a variety of small actions, to achieve their goal to. To Lee s house the following as an example to the design.Key words：On the singleprocess design and drawing techniques and 3D renderings construction drawings and rendering processing production引 言目前，我國裝飾業(yè)抄襲現(xiàn)象非常嚴重，很少有頗具功力的創(chuàng)新之作。隨著我國室內(nèi)裝飾業(yè)的不斷完善和發(fā)展，設計師應對已知的設計因素和設計意圖進行分析和研究，從視覺效果，整體把握和細節(jié)處理等，設計師都應心中有數(shù)?？梢詮乃膫€方面著手。如同一部優(yōu)秀音樂作品一樣，好的室內(nèi)設計必須有其明確的主題。室內(nèi)設計的藝術特色是在不經(jīng)意中自然而然顯露出來的，是人們在使用的過程中無意之中體會到的，而那些過分強調(diào)文化內(nèi)涵，欲把中外文明史全都匯集于一室的設計，會有堆砌繁復，令人窒息之感；而沒有文化內(nèi)容的設計又顯得空間呆板，缺乏品位。室內(nèi)設計是一種認知過程，是對室內(nèi)設計學的原理、法則的具體應用，設計師只有努力提高自己的素質(zhì)，才會有創(chuàng)新的力作。設計作品應給人以高雅、不落俗套的感覺，對于設計的基本原理、法則的把握應恰到好處，在實踐中不斷積累經(jīng)驗，不斷探索刻意求新，從而掌握規(guī)律，總結經(jīng)驗，提高審美水平，開闊視野。設計的感染力與設計師的情感有著緊密的關系，設計師強烈的創(chuàng)作欲望必將極大地調(diào)動起自己的生活和文化素質(zhì)和積淀。設計師日常各種生活素材的收集，各種文化素養(yǎng)的吸收，各種風土人情的感受，積累到一定程度就會傾注于自己的設計中。空間的大小、色彩的協(xié)調(diào)與對比、線條的流暢；材料的選擇與變化，都蘊含和表達著設計師的情感和創(chuàng)造力。室內(nèi)設計的形式語言帶有設計師的情感和創(chuàng)造力，很容易被人感知并產(chǎn)生共鳴，帶來生理、心理、感官的愉悅。設計師的創(chuàng)作欲望愈強烈，情感愈充沛，則其靈感即呼之欲出。創(chuàng)新意識所宣染和形成的氛圍就是在室內(nèi)設計過程中不可缺少的因素。曾幾何時，歐式風格的室內(nèi)設計適應了人們當時對時尚的追求；但后來又因其式樣呆板，缺乏個性，遭到大多數(shù)人的懷疑和拒絕。因此，設計師一定要把握住時代的脈搏和民族的個性。室內(nèi)設計即要有時代感，又要兼有民族性，要以獨特的眼光進行創(chuàng)意性的設計，充分顯示出嶄新的風格。在設計意識上應體現(xiàn)出一種社會的進步、一種民族的使命感。室內(nèi)設計整體的多元化和部分個性化的發(fā)展，使人們對設計形態(tài)、設計情感產(chǎn)生了更高的要求，促使更新的題材和形式出現(xiàn)；室內(nèi)設計中反映出的輕松、簡潔、獨特、浪漫、新奇的趣味性和深沉、樸實得體及創(chuàng)世紀性的超前意識，體現(xiàn)出別具一格，風華正茂的態(tài)勢，這是一種時尚與個性化，而在室內(nèi)設計發(fā)展變化中來體現(xiàn)的。設計師要發(fā)揮獨創(chuàng)性，運用與眾不
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