【正文】 yer。 } 18 結束語 在此次 2048 為對象 的畢業(yè)設計，做了三年前想都不敢想得事情，利用矩陣的思想去實現(xiàn)數(shù)字方塊，更是學以致用 .就這個小小得游戲，會讓你在無聊的時間放松許多 . 在此次 2048 游戲設計 中，讓我興奮不已的是矩陣算法的開創(chuàng)使用來解決 2048 游戲中上下左右移動數(shù)字方塊的替換問題 .在觸摸滑動的時候，放容器里面的數(shù)字方塊全部移動滑動的方向，并且在移動好后判斷是否有上下左右相鄰的數(shù)字方塊是否相同，如果有相同的，則消除滑動方向相反的最外圍的數(shù)字方塊，并且該方塊的相鄰方塊回替換成該兩個方塊的和，程序做法就是替換，而實際效果更像是合并 . 此次 2048 游戲是在 Mac 環(huán)境中做出來的，當程序做完后，在項目的目錄下回生成不同版本的項目文件，只需要將相對于的項目文件進行編譯，就生成該版本的游戲軟件，實現(xiàn)的一次編輯， 多平臺使用，真正實現(xiàn)了跨平臺 . 此外，本 2048 游戲還是要了軟件工程的的思想 ]11[ 去整體設計與實現(xiàn)的 .牢記倒是的那句話“我是一名軟件開發(fā)者”，是的，我是一名軟件開發(fā)者，不是 WEB 工作者，當我去設計軟件的時候，即使所用的那門語言我沒接觸過，我可以很快去做出來 . 很相似的經(jīng)歷，我是一名 PHP 兩年開發(fā)經(jīng)驗，沒有 C++的基礎，當是當我設計用 C++是，我會在很短的時間去完成的 . 最后，畢業(yè)了 ,就這樣離開了，眾多感想，難以表達 . 想當初學校老 師教我們 C 語言時，就是為了那么課程能過就行，并沒有帶著我們?nèi)嶋H敲代碼 . 我的經(jīng)歷要告訴后來 IT精英們，不要去埋怨任何人，因為做程序，就是一種愛好，要主動的去鉆研，也需老師告訴做程序需要什么語言，剩下的事，就是靠大網(wǎng)絡；也需老師連開發(fā)軟件所需要的語言的名字都沒給你說，只說在手機上運行個什么軟件就夠了，剩下的事就是去查找資料 . 長路漫漫，且走且珍惜 . 19 參考文獻 [1] 李華明 .iOS游戲編程從零開始 Cocos2dx與 cocos2d引擎游戲開發(fā) [M].北京 :清華 大學 出版社 ,2020. [2] 滿碩 泉 .Cocos2Dx權威指南 [M].北京 :機械工業(yè)出版社 ,2020. [3] 劉劍卓 .Cocos2DX游戲開發(fā)技術精解 [M].北京 :人民郵電出版社 ,2020. [4] 博客園 .仙外仙 [DB/OL].[20201224]. [5] [DB/OL].[20200313]. [6] 鐘迪龍 .Cocos2dx游戲開發(fā)之旅 [M].北京 :電子工業(yè)出版社 ,2020. [7] 沈大海 .Cocos2dx手機游戲開發(fā)與項目實戰(zhàn)詳解 [M].北京 :清華大學出版社 ,2020. [8] 杜選 ,高明峰 . 基于 MVC的企業(yè)級應用體系結構研究 [J]. 福 建電腦 .,2020,(2):6465. [9] 王長元 ,李晉惠 . 軟件工程 [M].西安 :西安地圖出版社 ,2020. [10] 邵維忠 . 面向?qū)ο蟮南到y(tǒng)分析 [M]. (第 2版 )北京 :清華大學出版社 ,2020. 20 致謝 經(jīng)過半年的忙碌和工作，本次畢業(yè)設計已經(jīng)接近尾聲，作為一個本科生的畢業(yè)設計，由于經(jīng)驗的匱乏，難免有許多考慮不周全的地方，如果沒有導師的督促指導，以及一起工作的同學們的支持，想要完成這個設計是難以想象的 . 在這里首先要感謝我的導師柳長青老師 . 柳長青老師平日里工作繁多，但在我做畢業(yè)設計的每個階段，從外出 實習 到查閱資料，設計草案的確定和修改，中期檢查，后期詳細設計，裝配草圖等整個過程中都給予了我悉心的指導 . 我的設計較為復雜煩瑣，但是柳老師仍然細心地糾正其中的錯誤 . 除了敬佩老師的專業(yè)水平外，他的治學嚴謹和科學研究的精神也是我永遠學習的榜樣，并將積極影響我今后的 學習和工作 . 然后還要感謝大學四年來所有的老師，為我們打下計算機專業(yè)知識的基礎 。同時還要感謝所有的同學們，正是因為有了你們的支持和鼓勵 . 此次畢業(yè)設計才會順利完成 . 21 為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝?。。?A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2020. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2020. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2020. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last we