【正文】 ined to explain a variety of architectural culture phenomenon, it is to building a culture of valueoriented development. Therefore, the architectural culture should be critical and practice. To provide valueoriented, we must make a value assessment, it is necessary to establish one set of values. Human beings are different from their own cultural backgrounds, different building events are also a certain degree of architectural culture shadow. But culture is also a doubleedged sword. On the one hand, are the essence of any culture coexist with the dross, even if it is the essence, but also often can not be separated from the specific conditions of time and space。 On the other hand, both the traditional culture may be a heavy cross, stifle the creative potential of modern people can also be bee a treasure house of wisdom and enrich our imagination, expand our scale of thinking. Reality and future requirements of the plexity of life, far from being mechanically copy a certain kind of traditional methods, approaches, they can be met, we must absorb, draw upon their strengths needed to pick up my. In addition, the creation of the characteristics is still a serious topic, require a bination of specific locations, conditions, on the design requirements for specific analysis. Creative methods, the use of abstract inheritance, moved like a wonderful principle, may find a new way. Wu Liangyong, a socalled abstract inheritance means from the construction of traditional Chinese traditional architectural design principles and the basic theory of the essence of part of the development, applied to the reality created in the past. And the traditional image of the most distinctive part of extracted through abstract and concentrate to improve as a motif, be innovative and creative design in order to inspire the current Formal creation. At the same time, should touch the pulse of China39。s traditional culture, digging out of the traditional architectural art connotation of time and space, first of all, attention should be paid to the art of architecture and the restoration of cultural values and spiritual function, not only the architectural and artistic works as industrial products and daily necessities, more efforts should not only its immediate physical function. This kind of inheritance, is not a form of plagiarism or the old parts of the permutation and bination, both creative principle of the succession and development, and the image of the drawing and creativity. So that the design of both the spirit likeness seek, nor exclusive to some extent, the details of the shape of a key is based on the location, condition needs. And want to move too wonderful, move to is to their own imagination into the image of the object to, Miao was refers to grasp the true expression of the target. ② Extensive and profound traditional Chinese culture, architecture is the same culture. We should not only from the perspective of the form, and from culture to understand the depth of the traditional, such as: the first level, the traditional beauty of classical architecture in the roof, brackets, shapes portico features, poetry, calligraphy and technology bined with the fittingout forms , as well as all kinds of doors and windows Prism Grid, decorative patterns。 second level, the courtyardstyle layout of the space rhythm, natural and architectural environment of plementary design, poetic, full of the humanistic spirit of gardening art, shape, number of paintings, azimuth the appearance of a symbol and metaphor practices。 the third level, harmony between man and nature of the nature and focus on environmental effects of feng shui of thought, yinyang confrontation, interaction, and the corresponding philosophical thinking and the body, mind, and gas petent a concept of health, and so on. Of them contains a wealth of content, deep philosophy and wisdom. ③ which states that the value of traditional to modern needs in our new building works to discover, to perception. Therefore, we should try to find traditional, modern values, and carry forward in preserving the essence of their traditional at the same time, get rid of its backward, not suited to modern development of things, to seek traditional architectural culture and the modern development of the bination of points, reflect the traditional architecture and cultural respect Heaven and Earth,Humanistic, say the proand thinking of materialist dialectics. Carry forward the tradition of architectural culture are also available from traditional architecture design principles, spatial position, position methods, ideas have inspired the expression, etc., have to inherit and use the development of innovation, continuous exploration of thinking of traditional architecture and modern architecture thinking, traditional technologies with modern technology, traditional and modern aesthetic of a bination of aesthetic consciousness, the outstanding traditional architectural culture into modern architecture culture.Chinese and foreign construction and cultural development and blend　　Architectural Culture in the global big culture systems, all nationalities, all geographical construction symbiotic culture in this form the world39。s architectural culture Symphony. Social process of globalization has brought to the cultural collision with the rendezvous, conflict and blend.　　For thousands of years, the Chinese culture to external sources of long. Buddhist culture have originated in India, Zhang Qian as envoy