【正文】 Salvador, Rio de Janeiro and Recife with Chinese products like porcelain (瓷器), silk and fans He also found Chinese influence not only in the arts and architecture of Brazil but also in the most diverse areas of Brazilian society, like the economy, medicine and popular culture. At the end of the 19th century, in Pernambuco, (a state in northeastern Brazil), there was a custom that children slept with clothes decorated with Chinese dragons. Teixeira added. The book took him about 15 years to finish. The impact of the book surprised me, though it was published by a university publisher and it had a print run of just 1,000 copies, he said. Some have said that the book represents a turning point in Chinese studies in Brazil. Besides, the sinologist did research on the mark and presence of China in the architecture and arts of Brazil. It was through art that China awoke in me, first, curiosity, after that, interest, and finally, passion, Teixeira said. In 1992, the sinologist visited Macao to do research for his doctoral thesis about the marks and presence of China in Brazil, and that trip impressed him a lot. In 2013, Teixeira had a chance to visit the Chinese cities of Beijing, Shenzhen and Shanghai, and got to know the past and present of the great country culturally, as well as its incredible material development.（1）What does the underlined sentence imply? children39。s love for dragons as Chinese children. development of ChinaBrazil frequent trade cooperation. further understanding of the cultures of the two countries.39。s influence on most diverse areas of Brazilian society.（2）What marks a new stage of Chinese studies for Brazilian? 39。s clothes. sinologist39。s traveling. sinologist39。s book.39。s porcelain.（3）What fired the sinologist39。s passion for Chinese studies? art. customs. history of China.39。s development.（4）What is the best title for this passage? Impression of China on Sinologist. and Brazil in Eyes of Sinologist Introduction to Sinologist39。s New Book Future of ChinaBrazil Trade Relations【答案】 （1）D（2）C（3）A（4）B 【解析】【分析】本文是一篇說(shuō)明文，介紹了巴西漢學(xué)家Jose Roberto Teixeira Leite眼中的中國(guó)和巴西。 （1）考查句義猜測(cè)。根據(jù)第二段中的“Influences from China can date from the colonial period, even up to the time after after Brazil39。s independence.”可知中國(guó)的影響可以追溯到殖民地時(shí)代，甚至到巴西獨(dú)立之后。從畫(huà)線句所在的句子“At the end of the 19th century, in Pernambuco,（a state in northeastern Brazil）, there was a custom that children slept with clothes decorated with Chinese dragons．可知19世紀(jì)末，在巴西東北部的一個(gè)州，伯南布哥，有一個(gè)習(xí)俗，孩子們睡在裝飾有中國(guó)龍的衣服上。因此，劃線句子顯示的是中國(guó)對(duì)巴西社會(huì)各個(gè)領(lǐng)域的影響。故選D。 （2）考查細(xì)節(jié)理解。根據(jù)第四段中的‘The impact of the book surprised me, though it was published by a university publisher and it had a print run of just 1,000 copies, ’ he said. ‘Some have said that the book represents a turning point in Chinese studies in Brazil.’可知這本書(shū)的影響令我吃驚，盡管它是由一家大學(xué)出版社出版的，印刷量只有1000冊(cè)。有人說(shuō)這本書(shū)代表了巴西中國(guó)研究的一個(gè)轉(zhuǎn)折點(diǎn)。因此，這本書(shū)標(biāo)志著巴西人的漢語(yǔ)研究進(jìn)入了一個(gè)新的階段。故選C。 （3）考查細(xì)節(jié)理解。根據(jù)倒數(shù)第二段中的‘It was through art that China awoke in me, first, curiosity, after that, interest, and finally, passion,’ Teixeira said.”可知正是通過(guò)藝術(shù)，中國(guó)在我心中覺(jué)醒，首先是好奇心，然后是興趣，最后是激情，特謝拉說(shuō)。因此，是藝術(shù)激發(fā)了這位漢學(xué)家對(duì)中國(guó)研究的熱情。故選A。 （4）考查主旨大意?？v觀全文可知，巴西漢學(xué)家Jose Roberto Teixeira Leite從藝術(shù)，商業(yè)，經(jīng)濟(jì)，醫(yī)學(xué)，文化，建筑等方面介紹了中國(guó)對(duì)巴西的影響。所以短文的最佳標(biāo)題為“漢學(xué)家眼中的中國(guó)和巴西”。故選B。 【點(diǎn)評(píng)】本題考點(diǎn)涉及細(xì)節(jié)理解，句義猜測(cè)和主旨大意三個(gè)題型的考查，是一篇文化類閱讀，要求考生在捕捉細(xì)節(jié)信息的基礎(chǔ)上，進(jìn)一步根據(jù)上下文的邏輯關(guān)系，進(jìn)行分析，推理，概括和歸納，從而選出正確答案。7．閱讀理解 Now in 2019, jazz music is an important part of Indianapolis39。 art culture. Jazz clubs around the city still host concerts with local jazz musicians like Rob Dixon and Joel Tucker. One of these clubs, the Chatterbox Jazz Club, still has live jazz seven nights a week. But the real history of jazz in Indy is much less simple. Along with the Avenue39。s culture, jazz music was gone from the streets for many years. Indiana Avenue was the heart of a neighborhood along the White River. It was a center for black music and live street music. The wealthy avoided this area. So it became a place that poorer families, including many AfricanAmerican and immigrant (移民) families, moved to. Jazz prospered in the mix of American cultures around the Avenue in the 1930s and 1940s. But in the 1950s, things changed. After the war, there were projects to make the city beautiful and build a university nearby. Both of these seemed like good changes. However, the new university and buildings caused poorer families to have to leave the area. This destroyed the Indiana Avenue munity and with it, its jazz culture. After many years, Indianapolis remembered the value of its arts and music culture. It began to bring back lost cultures such as live music on the Avenue. To do so, it began to make new changes. The changes included repairing historic areas like the Avenue. Once again, the high living costs in these historic arts areas pushed lowine families out. Today there are several oldstyle jazz clubs where friends can meet up to remember the past or just enjoy a summer evening. It might seem at first that jazz is alive again, but there is a sad reality behind these jazz clubs: Modern Indy jazz is only a shadow (影子) of the lively culture that was once on Indiana Avenue.（1）What does the author mainly want to say in Paragraph 1? clubs can make big money. musicians often hold concerts. music is popular in Indianapolis. culture is just part of Indianapolis39。 culture.（2）What does the underlined word prospered in Paragraph 4 mean? quickly. soon. soon. well.（3）What did Indianapolis do to bring back its lost culture? rebuilt some old important areas. invited old jazz musicians to sing in the city. educated people about the value of music culture. settled lowine families in the Indiana Avenue munity,（4）According to the passage, which of the following about modern Indy jazz is true? home culture is gone. styles are too traditional. shows the sadness of the poor. is no longer a favorite of the young.【答案】 （1）C（2）D（3）A（4）A 【解析】【分析】本文是一篇說(shuō)明文，2019年爵士樂(lè)仍然是印第安納波利斯藝術(shù)文化的重要組成部分，但是它的本土文化消失了。 （1