【正文】
actors do you think should be taken into account when casting decisions are made?Chapter 3 Narrative課時(shí)分配:2課時(shí)教學(xué)要求:Define the basic terms used to analyze narrativesnarrative, story, and plot.List and briefly describe the limited number of basic stories that form the basis for most narratives.教學(xué)內(nèi)容: The Basic Terms (Narrative, Story, and Plot) and the Basic Stories ,Subplots .思考題:1. What are the main differences between Hollywood narratives and those of Chinese films?2. Do you think that narrative in Hollywood is too formulaic to produce great art?Chapter 4 Style 課時(shí)分配:2課時(shí)教學(xué)要求: Introduce methods for analyzing the cinematic shot using concepts such as positionand photographic techniques, miseen scene, setting, framing, sound and lighting, costume and props, and symbols and motifs.Introduce methods for analyzing the editing process using concepts such as continuity editing, safe and unsafe space, and dialectical montage.教學(xué)內(nèi)容: The Shot: Composition and Photographic Techniques ,Symbols and Motifs .思考題:1. What different kinds of effects can be produced by the manipulation of stylistic characteristics?2. Do you think a film’s style really matters? Or is content more important?Chapter 5 Critical Perspectives課時(shí)分配:2課時(shí)教學(xué)要求:Give a definition of theme and outline some typical thematic concerns.Introduce some of the main theoretical approaches to the study of film—auteur theory, structuralism, feminism and gender studies, psychoanalysis and the spectator, and polictics and ideology.教學(xué)內(nèi)容: Defining Theme amp。英美影視欣賞》,上海:復(fù)旦大學(xué)出版社,2006年。,《經(jīng)典電影作品賞析》,北京:高等教育出版社,2005年。外語(yǔ)教學(xué)與研究出版社,2005年。,《英文影視賞析》,北京:清華大學(xué)出版社, 2005年。,郝昕榮編著,《電影英語(yǔ)賞析》,長(zhǎng)沙:湖南人民出版社,2004年。,《當(dāng)代英美電影欣賞》,北京:外文出版社,2000年8月。2. 若不是心寬似海,哪有人生風(fēng)平浪靜。用一些事情,總會(huì)看清一些人。既糾結(jié)了自己,又打擾了別人。4. 歲月是無(wú)情的,假如你丟給它的是一片空白,它還給你的也是一片空白。你必須努力,當(dāng)有一天驀然回首時(shí),你的回憶里才會(huì)多一些色彩斑斕,少一些蒼白無(wú)力。學(xué)習(xí)參考