【正文】 ical environments under the impact of urbanization, industrialization and technological existences the movie, Christof shows his hopelessness towards reality several , his Escapism is put into effect as a passageway to reject and isolate from the reality, As we can say, he chooses an extreme way to create the lifelike simulations and story lines from the hightech facsimile of a sun that benevolently beams down on Truman to the mock sincerity of the actors who Truman mistakenly believes is his family and that he has done embodies his abnormal and freak Escapism from sum up, Christof’s extreme Escapism leads to his deformity of personality and final spectators’ angle of view, it is the negative Escapism that gives rise to their crazed behavior of being addictive in peeping Truman’s life , spectators’ negative Escapism derivates from their desires of getting out of the unpleasant sufferings we can observe, although the fans may live very normal lives— having children, relationships and regular jobs, they spend their regular time escaping into an idealized world and lose their own mind in the madeup Truman’s fate rises and falls, the spectators’ emotion fluctuates are devoted enough to throw themselves into the series and treat themselves as , spectators who get excessively involved as fans of Truman show are pursuing an unhealthy level of negative Escapism masquerades as a better anesthesia than exploring the hard truths of this a result, negative Escapism leads to symptoms of mental illness such as dependence on media and brief, after analyzing the brilliantlyconceived satire, we can easily draw the conclusion that the intercutting shots between program of Truman and “real life” of the director and spectators fully demonstrates Escapism has overall infiltrated into human’s certifies positive Escapism can play a effective role in fulfilling ’s Escapism makes him run away from the absurdity Spectators’ Escapism leads them to turn down to engage in the true world : Truman Show is a 1998 American edydrama film directed by Peter Weir and written by Andrew film chronicles the life and evading of Truman Burbank, who discovers he is constrained in a realityfeigned soap opera, televising to billions by live evidence, here are two quotations of Christof’s one say, “I have given Truman a chance to live a normal place you live in is the sick is the way the world should be.” The other says, “There39。首先,這部電影主要集中在杜魯門伯班克的的視角。其次,電影或者intercuts球道視角的觀眾,他們保持警惕是基于杜魯門的每一個特殊的姿勢和行為脫離察覺到日常生活的一些讓人不愉快的方面。結(jié)果表明,他的動機(jī)創(chuàng)造歡快的社區(qū)的Seahaven(一種物質(zhì)化“天堂”)是逃避的虛偽和outside2紛繁的世界。至于Escapism3,它是一種精神分流或傾向于尋求分散注意力和緩解平庸的現(xiàn)實PostModernism4的時代。首先,作品被視為一個內(nèi)在表達(dá)的后現(xiàn)代主義,城市化、工業(yè)化和技術(shù)的存在已經(jīng)清除了生物學(xué)上的百姓從他們的正常的性質(zhì)和嚴(yán)格的日常生活。事實上,逃避現(xiàn)實也顯示樂觀積極的意義和一個人是逃避現(xiàn)實者不愿意/不能與國際接軌意味深長。原因、表現(xiàn)和影響,將進(jìn)行了較詳細(xì)的分析。首先,他的作品源于他的意識被控制和生命的陰謀。這個小鎮(zhèn)封閉在一個巨大的圓頂和高科技的模擬太陽與天空,風(fēng)吹雨打都生產(chǎn)特殊效果。幸運的是,他慢慢地指出他的周圍充滿上演的場景和事件。首先,他的作品提供了充足的積極動力逃離假并保持真實的生活在他的臂彎。從董事的視角,創(chuàng)造者的極端的作品已經(jīng)埋葬了人類和良心,種子在他的崩潰在本質(zhì)上。今天的富裕的社會里是在危險成為腐朽不堪,虛