freepeople性欧美熟妇, 色戒完整版无删减158分钟hd, 无码精品国产vα在线观看DVD, 丰满少妇伦精品无码专区在线观看,艾栗栗与纹身男宾馆3p50分钟,国产AV片在线观看,黑人与美女高潮,18岁女RAPPERDISSSUBS,国产手机在机看影片

正文內容

某廣電ip城域網(wǎng)改造方案建議書-在線瀏覽

2025-07-14 10:05本頁面
  

【正文】 he begi nni ng of t he i nt roduct i on m ust be set i n a cert ai n pl ace and ti me: we have an “ol d, shutt er ed house” and t he pr esent t ense suggests t im e (t hough t he present t ense i ndi cat es m uch m or e t han t im e it sel f i n t he st or y). The el em ent s making up a set i ng ar e gener al ly: ( 1) t he act ual geogr aphi cal l ocati on, i ts t opogr aphy, scener y, and such physical ar r angem ent s as t he l ocati on of the wi ndows and doors i n a r oom 。 ( 3) t he tim e or per i od i n whi ch the acti on takes pl ace, f or exam ple, the l at e eight enth centur y i n hi st or y or wi nter of t he year。 his contem por ar y Evelyn Waugh st at ed t hat he West Afr i ca of t hat book r epl aced t he t r ue r em em bered West Af ri ca of hi s own experi ence. Such power i s not un mon: the Yor kshir e m oor s have been r om anti cized because Em il y Br ont e wr ote of t hem i n W utheri ng Hei ghts, and li ter ar y t our ists have visit ed St oke on Tr ent i n nort her n England because i t pri ses t he “Fi ve Towns” of Ar nol d Ben ’s novel s of t he earl y t went iet h cent ur y. Thus, a reader ’s r eact ion t o a pl ace i s not m er el y based upon t he way it l ooks, but upon t he pot enti al it i es of act i on suggest ed by it. Pl aces m at t er greatl y t o m any writ ers. For instance, t he Fr ench noveli st Bal zac, bef or e wr it i ng a st ory set i n a t own, he woul d go and visit t hat t own, select a f ew lanes and houses, and descri bes t hem i n det ai l, down t o t hei r ver y sm el l s. I n his vi ew t he pl ace i n whi ch an event occurs was of equal m om ent wit h t he event i tself, and i t has a part t o pl ay. Another exam pl e is Thomas Har dy, under whom the pr esent ati on of set i ng assum es an unusual im por t ance. Hi s “Wessex” vil lages cast int angi bl y such as spel l upon t he vil lager s t hat once t hey leave their homet owns t hey wil l i nevi t abl y suf fer f rom di sast er s, and t he f art her t hey ar e away f rom their homet owns, the m or e, t er ibl e their disast ers wi l be. For exam ple, i n t he Tes of t he D’ Urbervi l es, t he Val e of Blakem ore was t he pl ace wher e Tess was bor n and her l if e was t o unf ol d. Every contour of the surr oundi ng hi l s was as per sonal t o her as t hat of her r el ati ves’ faces。 as an envir onm ent, i t absor bs some and r epel s ot hers of t he char acter s: t hose who ar e absor bed achieve a som ber i ntegr ati on wi t h i t, but t hose who ar e repel l ed and r ebel suff er di saster. Som eti mes an environment serves as m ore t han a mere place t o set t he st ory. Of t en, it i s i nextr icabl y entangled wi t h the pr ot agoni st, and even car ri es st r ong symboli c meani ngs. Cat hy as an i mage of t he f em i ni ne per sonali ty, f or exam ple, i n Em il y Br ont e’s W ut heri ng Hei ghts , i s not supposed t o possess t he “wil derness” char acteri sti c of m asculi nit y and sym bol ized by t he l ocal es of Heat hcli f f and Wut heri ng H ei ght s. I n som e f icti on, set ing i s cl osel y bound wit h t hem e. I n The Scarl et Let er, even sm al l det ai l s af f or d powerf ul hi nts at t he t hem e of the st or y. At t he st art of t he st ory, the nar at or descri bes a col oni al j ail house: Bef or e t hi s ugly edi fi ce, and bet ween it and t he wheelt r ack of t he st reet, was a gr ass pl ot , m uch over grown wit h bur dock, pigweed, apple per u, and such unsi ghtl y veget ati on, whi ch evi dentl y f ound somet hi ng congenial i n t he soi l t hat had so earl y bor ne t he black fl ower of ci vili zed soci et y, a pr ison. But , on one si de of t he port al , and rooted alm ost at t he t hreshol d, was a wil d r osebush, cover ed, i n t his m ont h of June, wit h i ts deli cat e gem s, whi ch m i ght be im agi ned t o of fer t heir f r agr ance and f ragil e beaut y to t he pri soner as he went i n, and t o t he condem ned cr imi nal as he came f ort h t o hi s doom , in t oken t hat t he deep heart of Nat ur e coul d pit y and be ki nd t o him . Appar ent ly, the aut hor makes a cont rast bet ween t he ugl y j ai l house wit h a t angl ed gr ass pl ot over gr own wi t h bur dock and pi gweed and somet hi ng as beauti ful as a wil d r ose. As t he st ory unf ol ds, he wi l f urt her suggest that secret si n and a pr et t y chi ld m ay go t ogether li ke a pigweed and wil d r oses. I n t hi s art f ul ly cr af t ed novel, set ti ng is i ntim atel y bl ended wi t h char act er s, sym boli sm, and t hem e. In addi ti on t o pl ace, set ti ng may cr uci al ly i nvol ve t he t im e of the st or y—cent ury, year, or even speci fi c hour. It m ay mat er gr eat l y t hat a st ory t akes pl aces i n t he m or ni ng or at noon. The medieval backgr ound inf or ms us dif f er ent l y fr om t he t wenti eth centur y. Kennedy and Gioi a not e t hat i n The Scarlet Let er , t he ni eent h cent ur y aut hor Nat haniel Hawt hr one, uti li zes a l ong i nt roduct i on and a vi vi d descr i pti on of t he scene at a pr ison door t o i nf orm us t hat t he events i n t he st or y t ook pl ace i n t he Pur it an munit y of Bost on of the earl ier seventeent h cent ur y. This set ing, to whi ch Hawt hor ne pays so m uch at ent i on, t oget her wit h our schemat a concer ni ng Pur it an pr act i ce, hel ps us underst and what happens i n the novel . We can under st and to some ext ent t he agit ati on in t he t own when a woman i s acused of adult er y, f or adul ter y was a fl agrant def iance of chur ch f or t he God feari ng New Engl and Pur it an m uni t y, and an il legit im at e chi l d was evi dence of si n. Wit hout i nf orm ati on about t he sevent eent h cent ur y Puri t an backgr ound, a r eader t oday m ay be per pl exed at t he novel. The f act t hat t he st or y i n Hawt hor ne’ s novel took place i n a tim e r em ote f r om our own leads
點擊復制文檔內容
高考資料相關推薦
文庫吧 www.dybbs8.com
備案圖鄂ICP備17016276號-1