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莊嚴的行為,會讓你哭的。承辦人以最大的尊敬和關(guān)心處理尸體,死者都是做的關(guān)心總是完美的精確度。尸體的準備過程中詳細示出在故事的背景下,漸漸的我們也作為一個觀眾卷入。it is a job that most people look down upon because you earn money when someone first Daigo, does not like his job but little by little he es to a new understanding of process of prepping the corpse is shown in detail within the context of the story, and little by little we too as an audience get sucked is an incredible ceremony to undertaker handles the corpse with the utmost reverence and care, every touch of the deceased is done with care and always with perfect realized as we watch that the deceased are shown the the utmost and ultimate respect before they leave us for is a beautiful and solemn act that will make you ,大多數(shù)人看不起你掙錢的時候,有人死了。desperate to find a job, he answers an ad listed under departures, which turns out to be was supposed to say the departed, the job pertains to dressing, washing, and putting makeup on the deceased before the ,他回答一個廣告列在離職,這被證明是錯誤的。正如他所行的事,必然創(chuàng)傷的童年長期被遺忘的浮出水面,他在重新熟悉的小鎮(zhèn)。s wife Mika, who takes punitive steps on discovering his new ,作為一個大提琴家,回到他的田舍根和跌倒到一份工作作為一個單位。然而,也有崇敬,電影恭敬地指出誰這樣做必要的但吃力不討好的人不值得他們的職業(yè)往往能吸引的蔑視和厭惡。的不敬,伊丹的經(jīng)典如此快樂的人在場。s classic such a delight is present 39。第一篇:入殮師中英文入殮師1 Almost three decades since starring in Juzo Itami39。s classic The Funeral, Tsutomu Yamazaki once more shines in a tale woven around the rituals, traditions and theatre involved in Japanese death irreverence that makes Itami39。s first day on the job playing a stiff in a DVD for the funeral business es back to haunt him in hilarious fashion later , there is also reverence, the film respectfully pointing out that the people who do this necessary but thankless task do not deserve the disdain and revulsion that their profession often ,Tsutomu山崎再次閃耀在編織在儀式和劇場的傳統(tǒng)故事,涉及日本的死亡儀式。醍醐的工作的第一天起僵硬在dvd的殯葬業(yè)回來困擾他滑稽的服裝后。Daigo loses his job as a cellist, returns to his inaka roots and stumbles into a job as an ashamed to tell his wife, he slowly warms to his apprenticeship under the masterful tutelage of he goes about his business, the inevitable traumas of a childhood long forgotten bubble to the surface as he goes about reacquainting himself with the conduit for the negative feel