filmreviewofmoderntimes(摩登時(shí)代影評(píng))-展示頁(yè)
2024-10-14 03:59本頁(yè)面
【正文】 程中，維修師被卷入齒輪，無法脫身，甚至一旦停電，維修師就必須待在齒輪的夾縫中吃午餐，可笑之至又發(fā)人深省，這些影像無一不在反映了機(jī)器時(shí)代所帶來的恐懼與打擊。在資本家的眼中，工人的價(jià)值被異化成一種生產(chǎn)工具，在他們心目中，機(jī)器似乎是高于人權(quán)的。比如，當(dāng)攝像機(jī)對(duì)準(zhǔn)夏爾洛和其他工人作業(yè)的流水線，我們強(qiáng)烈的感覺到似乎有一顆螺絲釘把他們牢牢栓在了生產(chǎn)線上，無法離開半步，此間產(chǎn)生的工人與老板的矛盾、工人之間的矛盾，全都由那條窄小的傳送帶引發(fā)。機(jī)器在這里并非人類的工具，而是大部分底層工人的敵人。本文將從影片的內(nèi)容主題，人物塑造和表現(xiàn)手法等方面，以矛盾分析的方法做一些淺陋的解讀。電影放大了在動(dòng)蕩中不可阻擋的現(xiàn)實(shí)條件下小人物卑微的生存處境，是對(duì)千千萬(wàn)萬(wàn)普通工人貧窮無奈命運(yùn)的關(guān)照，也是對(duì)以掠奪為積累方式的壟斷性經(jīng)濟(jì)制度的討伐。第一篇：Film Review of Modern Times(摩登時(shí)代影評(píng))Film Review of Modern Times The film I want to talk about is one of Chaplin’s most famous movies, which is named Modern was an excellent work directed by was in 1930s in depression made it hard for people to live a normal the same time, the factories began to use machines and as a result, lots of workers were who remained had to face the boring and busy are supposed to do their job just like machines, which made them go felt terrible and , the protagonist played by Chaplin lost his work at last and joined the huge torrents looking for thought the prison to be the only suitable place to survive the machine having made a lot of attempts, he our surprise, he won the love of the girl that he had film was a profound reflection of social reality at that allows people to see the dark and irrational capitalist social system in the beginning of the film, a large group of workers flowed into the factories, which is leaves a deep impression on feel the miserable life of the poor in machine feel their upset and think it is the failure of Capitalist film is full of is provoking and is thought to be one of the best silent watching the film, I know more about why Chaplin is thought to be one of the greatest Comedians in is venerable and will be remembered by the world.第二篇：摩登時(shí)代 影評(píng)無聲電影——《摩登時(shí)代》《摩登時(shí)代》是查理卓別林標(biāo)簽式的代表作之一。影片依托于上世紀(jì)2030年代資本主義世界發(fā)生的經(jīng)濟(jì)大蕭條，正如影片開頭的字幕揭示的：“本片講述工業(yè)時(shí)代，個(gè)人企業(yè)與人類追求幸福的沖突”。雖然卓別林最為世人所稱道的一直是他的“滑稽”，但我們?cè)谟^賞的過程中捧腹大笑的同時(shí)，似乎也并不能產(chǎn)生單純的愉悅和快樂之感，而是時(shí)刻被提醒著，去注視那些底層民眾難以為繼的艱難和“上流人士”驕奢淫逸的對(duì)比，以及在絕境中人性所折射出的堅(jiān)強(qiáng)和善良的光芒。一、機(jī)器與人的戰(zhàn)爭(zhēng)如前文所述，本片的背景是1930年左右美國(guó)工業(yè)因?yàn)闄C(jī)器的大量使用而使大批工人失業(yè)所引發(fā)的經(jīng)濟(jì)浪潮和社會(huì)危機(jī)，可以說，這是一場(chǎng)機(jī)器與人的戰(zhàn)爭(zhēng)。影片伊始我們便能注意到，把工人和機(jī)器放置在一個(gè)鏡頭中的畫面非常之多，這或許是創(chuàng)作者一種有意的安排。機(jī)器齒輪化身成效率資本和無情的代表，在機(jī)器運(yùn)轉(zhuǎn)的轟隆聲和刺耳的換班鈴聲中，人的重要性和能動(dòng)性被壓縮成小小的一團(tuán)，甚至成為某種并非必要的附庸。以至于夏爾洛被當(dāng)成小白鼠強(qiáng)迫使用“高級(jí)先進(jìn)”的自動(dòng)喂飯機(jī)，喂飯機(jī)的失控反諷著機(jī)械化本應(yīng)帶來的便利
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