中國(guó)銀行xxxx筆試閱讀理解真題以及答案解析-文庫吧資料
2025-06-25 00:17本頁面
【正文】 z. Thus, 194039。s swing was belittled by beboppers of the 195039。s who were themselves attacked by free jazzes of the 196039。s. The neoboppers of the 198039。s and 199039。s attacked almost everybody else. The titanic figure of Black saxophonist John Coltrane has plicated the arguments made by proponents of styles from bebop through neobop because in his own musical journey he drew from all those styles. His influence on all types of jazz was immeasurable. At the height of his popularity, Coltrane largely abandoned playing bebop, the style that had brought him fame, to explore the outer reaches of jazz. Coltrane himself probably believed that the only essential characteristic of jazz was improvisation, the one constant in his journey from bebop to openended improvisations on modal, Indian, and African melodies. On the other hand, this dogged student and prodigious technician — who insisted on spending hours each day practicing scales from theory books — was never able to jettison pletely the influence of bebop, with its fast and elaborate chains of notes and ornaments on melody. Two stylistic characteristics shaped the way Coltrane played the tenor saxophone: he favored playing fast runs of notes built on a melody and depended on heavy, regularly accented beats. The first led Coltrane to sheets of sound” where he raced faster and faster, piledriving notes i
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