【正文】 s Film Festival Award in 1989. McDull【麥兜】 McDull is a cartoon pig character that was created in Hong Kong by Alice Mak and Brian Tse. Although McDull made his first appearances as a supporting character in the McMug ics, McDull has since bee a central character in his own right, attracting a huge following in Hong Kong. The first McDull movie McMug Story My Life as McDull documented his life and the relationship between him and his McMug Story My Life as McDull is also being translated into French and shown in France. In this version, Mak Bing is the mother of McDull, not his father.. 1． 。s death. Through bravery and wit, Nezha finally broke into the underwater palace and successfully defeated him. The film shows various kinds of attractive sceneries and the traditional culture of China, such as spectacular mountains, elegant sea waves and exquisite ancient Chinese clothes. It has received a variety of awards. Havoc in Heaven The story of Havoc in Heaven（ Chinese: 大鬧天宮） is based on the earliest chapters of the classic story Journey to the West. The main character is Sun Wukong, aka the Monkey King, who rebels against the Jade Emperor of heaven. The stylized animation and drums and percussion acpaniment used in this film are heavily influenced by Beijing Opera traditions. The name of the movie became a colloquialism in the Chinese language to describe someone making a mess. Regardless that it was an animated film, it still became one of the most influential films in all of Asia. Countless cartoon adaptations that followed have reused the same classic story Journey to the West, yet many consider this 1964 iteration to be the most original, fitting and memorable, The Golden Monkey Defeats a Demon【金猴降妖】 The Golden Monkey Defeats a Demon (Chinese: 金猴降妖 ), also referred as The Monkey King Conquers the Demon, is adapted from chapters of the Chinese classics Journey to the West, or Monkey in the Western world. The fiveepisode animation series tells the story of Monkey King Sun Wukong, who followed Monk Xuan Zang39。s natural scenery. Pleasant Goat and Big Big Wolf【喜洋洋與灰太狼】 Pleasant Goat and Big Big Wolf (Chinese:喜羊羊與灰 太狼 ) is a Chinese animated television series. The show is about a group of goats living on the Green Pasture, and the story revolves around a clumsy wolf who wants to eat them. It is a popular domestic animation series and has been adapted into movies. Nezha Conquers the Dragon King（ Chinese: 哪吒鬧海） is an outstanding animation issued by the Ministry of Culture in 1979 and is based on an episode from the Chinese mythological novel Fengshen Yanyi. A mother gave birth to a ball of flesh shaped like a lotus bud. The father, Li Jing, chopped open the ball, and beautiful boy, Nezha, sprung out. One day, when Nezha was seven years old, he went to the nearby seashore for a swim and killed the third son of the Dragon King who was persecuting local residents. The story primarily revolves around the Dragon King39。s contents on the stone wall of a white cloud cave in the mountains. He was then punished with guarding the book for life by the jade emperor for breaking heaven39。s real name was Nasreddin. He was wise and witty and, more importantly, he had the courage to resist the exploitation of noblemen. He was also full of passion and tried his best to help poor people. Adventure of Shuke and Beita【舒克與貝塔】 Adventure of Shuke and Beita (Chinese: 舒 克和貝塔 ) is a classic animation by Zheng Yuanjie, who is known as King of Fairy Tales in China. Shuke and Beita are two mice who don39。 violence, and lack of suitability for children39。s animation outpouring that are not to be missed. Let39。 請您刪除一下內(nèi)容， O(∩ _∩ )O謝謝！??！【 China39。（√ ） 74．經(jīng)濟貨幣化程度的高低僅僅對貨幣政策有重要的意義，而對財政政策沒有明顯的影響。（）貨幣學派雖然在總體上旗幟鮮明地反對凱恩斯主義，但它在貨幣需求理論上接受了凱恩斯流動偏好理論中把貨幣作為一種資產(chǎn)的思想。 7麥金農(nóng)認為貨幣與實質(zhì)資本之間的渠道效應發(fā)揮作用的一個 前提條件是貨幣的實際收益率要低于實質(zhì)資本的收益率。（ √ ） 70、供給學派認為，稅率與人們的儲蓄率是成正比的，稅率越高，人們越傾向于儲蓄。（）雖然“商品貨幣本位制”是弗萊堡學派提出的一個重要的理論觀點，但現(xiàn)實應用性卻為多數(shù)的弗萊堡學派經(jīng)濟學家所懷疑。（）中央銀行貨幣量是國內(nèi)非銀行部門持有的現(xiàn)金量加上按不變準備金率計算的各銀行機構在中央銀行的法定準備金總額。（）純預期理論把當前對未來利率的預期作為決定當前利率期限結(jié)構的關鍵因素。（√ ） 6鮑莫爾認為在企業(yè)最適度現(xiàn)金余額的決定中，有著規(guī)模經(jīng)濟的規(guī)律在起作用。（）凱恩斯就業(yè)理論的邏輯起點是有效需求原理。（）根據(jù)拉弗曲線，由于稅率過高會影響稅基的大小，所以存在一個最優(yōu)稅率。（）合理預期學派認為，由于合理預期的存在，貨幣無論是在短期還是在長期都是中性的。（）供給學派認為，減稅不僅從總量上有利于儲 蓄和投資，而且還能優(yōu)化儲蓄和投資的結(jié)構。（ √ ） 5貨幣學派強調(diào)貨幣需求函數(shù)穩(wěn)定性的意義在于，它說明貨幣對于總體經(jīng)濟的影響主要來自貨幣供應方面。（）在弗萊堡學派看來，只有穩(wěn)定幣值才能穩(wěn)定物價、穩(wěn)定市場、穩(wěn)定經(jīng)濟，所以要穩(wěn)定幣值就應該保證貨幣供應量與實際需要量相一致。（）資產(chǎn)組合理論認為收益的正效用隨著收益的增加而遞減，風險的負效用隨風險的增加而增加。 5根據(jù)市場分割理論，收益率曲線的不同形狀是由不同期限債券的供求差異所決定的。 5按資金借貸論的觀點，市場利率與 I=S決定的自然利 率通常一致。 5凱恩斯認為貨幣的預防動機主要受心理因素影響。 5在通貨膨脹與經(jīng)濟增長的關系上面，供給學派是支持“通貨膨脹促進論”的主張的。（ √ ） 5由于貨幣學派與合理預期學派都認為應該盡量減少貨幣因素對經(jīng)濟運行的干擾，因此它們都是持貨幣中性的觀點，即貨幣不會對實際經(jīng)濟變量產(chǎn)生影響。（√ ） 4在通貨膨脹和經(jīng)濟增長的關系上，弗萊堡學派反對凱恩斯主義關于以通貨膨脹刺激經(jīng)濟增長的主張。（√ ） 4當利率和收入水平都很低 時，貨幣政策效果不大。（）文特勞布認為權力性貨幣需求不形成獨立的貨幣流通范圍。（）銀行貨幣中表現(xiàn)為國家負債的部分，當被國家規(guī)定為法定支付手段時就成為代表性貨幣。 4新劍橋?qū)W派認為貨幣工資、直接成本、物價的螺旋上升是通貨膨脹持續(xù)存在的主要原因。（√ ） 4金融中介率是指所有的銀行持有的金融資產(chǎn)在全部金融資產(chǎn)中所占的份額。（）供給學派認為，稅率與人們的儲蓄率是成反比的，稅率越高，人們儲蓄傾向越小，儲蓄率也越低。 3合理預期學派認為，貨幣政策應該按固定規(guī)則來實施，目的是便于公眾形成穩(wěn)定的心理預期。（ √ ） 3供給學派認為，控制通貨膨脹的治本之法在于控制貨幣供應量。（）供給學派認為，要實現(xiàn)降低稅率來增加儲蓄和投資，并以次擴大供給，必須以貨幣穩(wěn)定為前提條件。（）根據(jù)拉弗曲線，由于稅率過高會影響稅基的大小，所以存在一個最優(yōu)稅率。（）合理預期學派認為，由于合理預期的存在，貨幣無論是在短期還是在長期都是中性的。（）供給學派強調(diào)，減稅政策雖然有效，但是它的政策效果并不與政策實施同步產(chǎn)生，而是存在一定的時滯。（）貨幣學派認為，最適合作為中央銀行貨幣政策中介指標的是貨幣供應量。（）貨幣學派的貨幣傳導機制理論中，收入支出是傳導機制的中心環(huán)節(jié)。（）貨幣數(shù)量論是貨幣學派的理論基礎。（）在弗里德曼的貨幣需求函數(shù)中，應該用