【正文】 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the es sence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s Zhangye city during their journey to Kazakhstan, May 5, 2021. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2021. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。此次畢業(yè)設(shè)計才會順利完成。 甄春成 老師平日里工作繁多，但在我做畢業(yè)設(shè)計的每個階段，從外出實(shí)習(xí)到查閱資料，設(shè)計草案的確定和修改，中期檢查，后期詳細(xì)設(shè)計等整個過程中都給予了我悉心的指導(dǎo)。 本設(shè)計將理論與實(shí)踐緊密的結(jié)合起來，在學(xué)習(xí)理論知識的同時，掌握了 Java 程序的設(shè)計思路及手機(jī)游戲的開發(fā)方法，可謂受益匪淺。正確的安裝配置軟件是設(shè)計得以實(shí)現(xiàn)的必備條件。在 Eclipse 平臺的Project“MyGame” 列表中也相應(yīng)的增加了這 兩個文件，如下圖 ⒀ 所示： 圖 ⒀ 打包完成后，只需將 “” 、 “ ” 這兩個文件拷貝到手機(jī)里，這款手機(jī)游戲就可以在手機(jī)里運(yùn)行了。 } return false。 i snakeNum。 } repaint()。 case RIGHT: point = KEY_RIGHT。 case DOWN: point = KEY_DOWN。程序最后增加 了 repaint()，即刷屏功能，用來更新游戲數(shù)據(jù)。 break。 break。 i 0。 break。 i snakeNum。 } 食物的產(chǎn)生及其產(chǎn)生位置的限制條件 食物的坐標(biāo)必須位于屏幕內(nèi)，且不能和蛇身重合 private void getFood() { while (true) { foodX = (() % (width snakeWidth + 1)) / snakeWidth * snakeWidth。 繪制蛇身 for (int i = 0。 protected void paint(Graphics g) {} 清屏并設(shè)置屏幕背景為粉色 其中，粉色的 RGB 代碼為 0xffcccc，格式為（ 0xRRGGBB） (0xffcccc)。 初始化食物坐 標(biāo)。 i++) { snake[i][0] = 100 snakeWidth * i。 snakeNum = 7。 width = getWidth()。 初始化開始數(shù)據(jù)。 是否處于運(yùn)行狀態(tài)， true 代表運(yùn)行。 int width, height。 //向下 private final int KEY_DOWN = 1。 0 代表向上， 1 代表向下， 2 代表向左， 3 代表向右 (其中方向的控制變量依據(jù)手機(jī)開發(fā)平臺的不同而不同，例如： Nokia 手機(jī)開發(fā)平臺中， 1表示向上、 2表示向下、 3表示向左、 4表示向右。 int[][] snake = new int[200][2]。 import 。用鼠標(biāo)單擊類名 “SnakeCanvas” ，在出現(xiàn)的下拉菜單中點(diǎn)擊 “Create class ‘SnakeCanvas’” ，如下圖 ⑺ 所示，則完成類 “SnakeCanvas”的加載。 圖 ⑶ 游戲工程及程序的建立 建立新的工程文件 運(yùn)行 Eclipse 軟件，新建工程 “J2ME Midlet Suite” ，如下圖 ⑷ 所示，其中，設(shè)置項目的運(yùn)行環(huán)境如下圖 ⑸ 所示，游戲的工程建立完成。 Eclipse 與 EclipseMe 的安裝 下載 Eclips，使用版本為 Eclipse ， 自定義 安裝路徑安裝。在 Eclipse 中幾乎每樣?xùn)|西都是插件，且各種插件都為我們提供開發(fā)程序的各種功能。 WTK 的安裝 下載 WTK，使用版本為 WTK ， 自定義 安裝路 徑安裝。使用其中的工具可以開發(fā)與 Java Technology for the Wireless Industry (JTWI, JSR 185) 規(guī)范兼容的設(shè)備上運(yùn)行的 j2me 應(yīng)用程序。