【正文】 he has done embodies his abnormal and freak Escapism from sum up, Christof’s extreme Escapism leads to his deformity of personality and final spectators’ angle of view, it is the negative Escapism that gives rise to their crazed behavior of being addictive in peeping Truman’s life , spectators’ negative Escapism derivates from their desires of getting out of the unpleasant sufferings we can observe, although the fans may live very normal lives— having children, relationships and regular jobs, they spend their regular time escaping into an idealized world and lose their own mind in the madeup Truman’s fate rises and falls, the spectators’ emotion fluctuates are devoted enough to throw themselves into the series and treat themselves as , spectators who get excessively involved as fans of Truman show are pursuing an unhealthy level of negative Escapism masquerades as a better anesthesia than exploring the hard truths of this a result, negative Escapism leads to symptoms of mental illness such as dependence on media and brief, after analyzing the brilliantlyconceived satire, we can easily draw the conclusion that the intercutting shots between program of Truman and “real life” of the director and spectators fully demonstrates Escapism has overall infiltrated into human’s certifies positive Escapism can play a effective role in fulfilling ’s Escapism makes him run away from the absurdity Spectators’ Escapism leads them to turn down to engage in the true world : Truman Show is a 1998 American edydrama film directed by Peter Weir and written by Andrew film chronicles the life and evading of Truman Burbank, who discovers he is constrained in a realityfeigned soap opera, televising to billions by live evidence, here are two quotations of Christof’s one say, “I have given Truman a chance to live a normal place you live in is the sick is the way the world should be.” The other says, “There39。s no more truth out there than there is in the world I created for same in my world, you have nothing to definition is cited from the Concise Oxford English is a style and concept in the art, architecture and criticism dating from the late 20th century, which represents a departure from modernism and has at its heart a general distrust of grand theories and ideologies as well as o problematical relationship with any notion of art.(cited from the Oxford English Reference Dictionary) Longman Advanced American Dictionary defines it as “reaction or activities that help you forget about bad or boring things for a short time”.The Advanced Oxford Dictionary defines it as “an activity, a form of entertainment that helps you avoid or forget unpleasant things.” Bibliography:(1).English movie “the Truman Show” at (3).The Meaning of The Truman Show,at: (4).The script of The Truman Show at (5).Busch, Anita M, “New Truman villain: Harris”, Variety.(6).Turna, Kenneth “The Truman Show”, Los Angeles Times 《楚門的世界》,作為一個(gè)典型的里程碑電影產(chǎn)業(yè),把其他傳統(tǒng)文體的陰影被intercutting程序之間的實(shí)時(shí)紀(jì)錄片杜魯門和“現(xiàn)實(shí)生活”的觀眾和導(dǎo)演。首先,這部電影主要集中在杜魯門伯班克的的視角。主人公,他的一生是一個(gè)非常受歡迎24houraday里播放的電視連續(xù)劇,逐漸意識到他的存在被隱蔽的攝像機(jī)和盡力擺脫權(quán)威統(tǒng)治。其次,電影或者intercuts球道視角的觀眾,他們保持警惕是基于杜魯門的每一個(gè)特殊的姿勢和行為脫離察覺到日常生活的一些讓人不愉快的方面。第三,電影導(dǎo)演的轉(zhuǎn)移現(xiàn)場的視角。結(jié)果表明,他的動機(jī)創(chuàng)造歡快的社區(qū)的Seahaven(一種物質(zhì)化“天堂”)是逃避的虛偽和outside2紛繁的世界?？傊?無論電影的視角出發(fā),它給的化身,逃避現(xiàn)實(shí)的方式。至于Escapism3,它是一種精神分流或傾向于尋求分散注意力和緩解平庸的現(xiàn)實(shí)PostModernism4的時(shí)代。雖然不同的參考書提供不同illustrations5,幾個(gè)特性背書。首先,作品被視為一個(gè)內(nèi)在表達(dá)的后現(xiàn)代主義,城市化、工業(yè)化和技術(shù)的存在已經(jīng)清除了生物學(xué)上的百姓從他們的正常的性質(zhì)和嚴(yán)格的日常生活。另一方面,它是單方面的斷言的作品帶有極端和消極的內(nèi)涵,說明人是逃避現(xiàn)實(shí)者是墮落或悲傷。事實(shí)上,逃避現(xiàn)實(shí)也顯示樂觀積極的意義和一個(gè)人是逃避現(xiàn)實(shí)者不愿意/不能與國際接軌意味深長。與這部電影,三種逃避現(xiàn)實(shí),即杜魯門的積極的逃避現(xiàn)實(shí)、導(dǎo)演和觀眾的極端的消極逃避現(xiàn)實(shí)的逃避現(xiàn)實(shí)已經(jīng)滲透到人類的生活。原因、表現(xiàn)和影響,將進(jìn)行了較詳細(xì)的分析。從杜魯門的視角,被賦予了作品的性質(zhì)做了一個(gè)積極性和獲得自由很受歡迎。首先,他的作品源于他的意識被控制和生命的陰謀。正如我們所知道的,他已經(jīng)長大了,住在一個(gè)假的城鎮(zhèn)與演員相處。這個(gè)小鎮(zhèn)封閉在一個(gè)巨大的圓頂和高科技的模擬太陽與天空,風(fēng)吹雨打都生產(chǎn)特殊效果。起初,他什么也不知道,其余的人看著他在24houraday真人節(jié)目。幸運(yùn)的是,他慢慢地指出他的周圍充滿上演的場景和事件。因此,他有意避開付諸實(shí)踐作為一個(gè)足夠的活力和動力轉(zhuǎn)換綁在一起的情況,得到了最珍貴的自由。首先,他的作品提供了充足的積極動力逃離假并保持真實(shí)的生活在他的臂彎。這是他的積極意義的作品,使他碰到兩個(gè)他自己恐懼的水和障礙放在他的方式producerdirector已經(jīng)出了數(shù)十億的陷阱在舞臺上扮演一個(gè)神,在他的生活中。從董事的視角,創(chuàng)造者的極端的作品已經(jīng)埋葬了人類和良心,種子在他的崩潰在本質(zhì)上。起初,他的作品來自于他的絕望走向現(xiàn)代社會墮落。今天的富裕的社會里是在危險(xiǎn)成為腐朽不堪,虛偽的環(huán)境的沖擊下城市化、工業(yè)化和技術(shù)的存在等。在這部電影中,展示了他對現(xiàn)實(shí)創(chuàng)造絕望幾次。因此,他的作品投入效應(yīng)是一個(gè)通道拒絕和隔離從實(shí)際出發(fā),我們可以說,他選擇了一個(gè)極端的方式來創(chuàng)建模擬和故事栩栩如生的線路高科技傳真一個(gè)陽光,仁慈地梁下的模 擬杜魯門真誠的演員錯(cuò)誤地認(rèn)為是他杜魯門的家人及朋友在一起。凡他所做的作品體現(xiàn)了異常以及反常的現(xiàn)實(shí)?？偠灾?創(chuàng)造者的極端的作品導(dǎo)致畸形的人格和最后的崩潰。從觀眾的角度看,它是消極逃避現(xiàn)實(shí),引起了他們的瘋狂行為被上癮在偷看杜魯門的生活immorally。首先,觀眾們消極逃避現(xiàn)實(shí)的欲望衍生物從他們所得到的不愉快的痛苦悲觀。當(dāng)我們能夠觀察到,但球迷們可以活的很正常的生活——有一個(gè)孩子,關(guān)系和正式工作,他們把錢花在固定的時(shí)間散失到一種理想化世界卻失去自己的心靈虛構(gòu)的顯示。作為杜魯門的命運(yùn)時(shí)起時(shí)落,觀眾的情緒波動激烈。他們致力于足以把自己系列和對待自己是演員。因此,觀眾得到過分所涉及的球迷楚門的世界》是追求一種不健康的水平的作品。消極逃避現(xiàn)實(shí)偽裝成一個(gè)更好的麻醉相比探索這個(gè)世界的堅(jiān)硬的真理。作為一個(gè)結(jié)果,消極逃避現(xiàn)實(shí)導(dǎo)致心理疾病的癥狀如依賴媒體和偷看?？傊?在分析其brilliantlyconceived諷刺,我們就可以很容易地得出這樣的結(jié)論:intercutting投的程序之間杜魯門和“現(xiàn)實(shí)生活”的導(dǎo)演和觀眾的作品充分展示了具有全局潛入人的生命。杜魯門確證的作品可以扮演一個(gè)積極有效的作用完成的夢想。導(dǎo)演的作品使他逃避荒誕極。適當(dāng)?shù)挠^眾們的作品使人拒絕從事真正的世界負(fù)。