【導讀】更為周到和便捷的服務。和財力的支出等目的，出現(xiàn)了各種各樣的信息管理系統(tǒng)。論文將設計一個高校。學生宿舍信息管理系統(tǒng)的Web應用解決方案并予以實現(xiàn)。理系統(tǒng)是一個安全和高效的專用系統(tǒng),專為信息工程學院設計。了很多技術(shù)，比如,,Web服務等。生宿舍信息的錄入功能,修改功能,刪除功能和統(tǒng)計功能。同時,對新入校學生很快地進行宿舍安排等日常管理。功能部分可交付給成都信息工程學院（本部）第三后勤服務管理中心使用。

　　

【正文】 第 24 頁 共 25 頁 附 錄 高校學生宿舍信息管理系統(tǒng) ? 數(shù)據(jù)庫基本表的具體結(jié)構(gòu)： （ build） 列項 描述 數(shù)據(jù)類型 長度 允許空 ID 主鍵，值與樓號對應 Int 4 非空 Buildid 樓號 Char 6 非空 如記錄： 13 13 樓 （ floor） 列項 描述 數(shù)據(jù)類型 長度 允許空 ID 主鍵，值與樓層對應 Int 4 非空 Floorid 樓層號 Char 4 非空 如記錄： 1 1 層 （ dorm） 列項 描述 數(shù)據(jù)類型 長度 允許空 ID 自動增加，區(qū)別記錄 Int 4 非空 Dormid 主鍵，宿舍號 Int 4 非空 Num 宿舍規(guī)定入住人數(shù) Int 4 允許空 Floorid 樓層號對應的編號 Int 4 允許空 如記錄： 1 1021 4 1 （ student） 列項 描述 數(shù)據(jù)類型 長度 允許空 ID 自動增加，區(qū)別記錄 Int 4 非空 Stuid 主鍵，學號 Int 4 非空 Stuname 學生姓名 Char 8 允許空 Stusex 學生性別 Char 4 允許空 Studepar 學生系別 Varchar 50 允許空 Stuspec 學生專業(yè) Varchar 50 允許空 Stugrade 學生年級 Char 8 允許空 Stuclass 學生班級 Char 10 允許空 Stutype 學生類型 Varchar 10 允許空 如記錄： 1024 2021215022 king 男 網(wǎng)絡工程系 網(wǎng)絡工程 2021級 1 班 國防生 第 25 頁 共 25 頁 （ instance） 列項 描述 數(shù)據(jù)類型 長度 允許空 ID 主鍵，自動增加，區(qū)別記錄 Int 4 非空 Buildid 樓號 Int 4 允許空 Floorid 樓層 Int 4 允許空 Dormid 宿舍號 Int 4 允許空 Stuidr 學號 Int 4 允許空 Sign 是否入住的狀態(tài) Char 10 允許空 remark 備注 Nvarchar 100 允許空 如記錄： 1021 13 2 2021 2021215022 入住 國防生遷入 （ dou） 列項 描述 數(shù)據(jù)類型 長度 允許空 Dormid 宿舍號 Int 4 允許空 N 已經(jīng)入住人數(shù) Int 4 允許空 Num 宿舍規(guī)定入住人數(shù) Int 4 允許空 如記錄： 2021 3 4 ? 基本表的關(guān)系圖： 圖 38 關(guān)系圖 第 26 頁 共 25 頁 give pleasureto our souls. But this is intolerable and blasphemous。 there is,however, a much more plausible account of the de lusion. Cle. What? Ath. The adaptation of art to the characters of men. Choricmovements are imitations of manners occurring in various actions,fortunes, dispositionseach particular is imitated, and those towhom the w ords, or songs, or dances are suited, either by nature orhabit or both, cannot help feeling pleasure in them and applaudingthem, and calling them beautiful. But those whose natures, or ways, orhabits are unsuited to them, cannot delight in them or applaud them,and they call them base. There are others, again, whose natures areright and the ir habits wrong, or whose habits are right and theirnatures wrong, and they praise one thing, but are pleased atanother. For they say that all these imitations are pleasant, butnot good. A nd in the presence of those whom they think wise, theyare ashamed of dancing and singing in the baser manner, or ofdeliberately lending any countenance to such proceedings。 and yet,they have a secret pleasure in them. Cle. Very true. Ath. And is any harm done to the lover of vicious dances or songs,or any good done to the approver of the opposite sort of pleasure? Cle. I think that there is. Ath. I think is not the word, but I would say, rather, I amcertain. For must they not have the same effect as when a mana ssociates with bad characters, whom he likes and approves rather thand islike s, and only censures playfully because he has a suspicion ofhis own badness? In that case, he who takes pleasure in them willsurely bee like those in whom he takes pleasure, even though hebe ashamed to praise them. And what greater good or evil can anydestiny ever make us undergo? Cle. I know of none. Ath. Then in a city which has good laws, or in future ages is tohave them, bearing in mind the instruction and amusement whic h aregiven by music, can we suppose that the poets are to be allowed toteach in the dance anything which they themselves like, in the wayof rhythm, or melody, or words, to the young children of anywellconditioned parents? Is the poet to train his choruses as hepleases, without reference to virtue or vice? Cle. That is surely quite unreasonable, and is not to be thought of. Ath. And yet he may do this in almost any state with the exceptionof Egypt. Cle. And what are the laws about music and dancing in Egypt? Ath. You will wonder when I tell you: Long ago they appear to haverecognized the very principle of which we are now speakingthattheir young citizens must be habituated to forms and strains ofvirtue. These they fixed, and exhibited the patterns of them intheir temples。 and no painter or artist is allowed to innovate uponthe m, or to leave the traditional forms and invent new ones. se me,where do I sign in? Hah, I see you have a sword. I have one too. They39。revery manly and tough [Mulan bites her lip as she mishandles pulling the swordout of the scabbard and it falls to the ground. Khan rolls on his bac k inlaughter. Mulan throws her shoe and hits Khan in the head with it quietingKhan]. I39。m working on it. Who am I fooling? It39。s going to take a miracle toget me into the army. [Mushu appears as a giant shadow being cast on a rock with flames on eitherside. Mushu39。s real appearance remains out of sight] Mushu [in a Southern Baptist Preacher39。s voice]: Did I hear someone ask for amiracle!? Let me hear you say aye! Mulan [Running and hiding behind a rock]: Ahhhhhh. Mushu: That39。s close enough. Mulan [from behind a rock]: Ghost. Mushu: Get ready Mulan your serpentine salvation is at hand. For I havebeen sent by your ancestors [notices CriKee making a hand shadow of adragon on the roc k and stamps him down with his foot] to guide you throughy our masquerade. [bending down to CriKee] C39。mon, you39。re gonna stay you39。regonna work. [returning to Mulan] Heed my word, 39。cause if the army finds outthat you are a girl, the penalty is death. [big flames shoot up from therocks] Mulan: Who are you? Mushu: Who am I? Who am I? I am the guardian of lost souls. [ Mulan smilesbig in anticipation of seeing her guardian] I am the powerful, thepleasurable, the indestructible [ing out from the roc ks to show his realsize] Mushu! Oh hah, hah, pretty hot, huh? [Khan stomps on Mushu. Mulanpushes Khan back] Mulan: Ah, my ancestors sent a little lizard to help me? Mushu: Hey, dragon, dragon, not lizard. I don39。t do that tongue thing [flipsout his tongue to show Mulan wha