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al forts, can separate them. III. SA to Answer the following questions, P. 51, Workbook ? 2. The word inroads means “unfriendly entry” or “invasion.” The TV set is said to be inroads, because its presence in our family life prevents us from performing family rituals, so its entry into our life is really hostile. The question the author asks is ironical. What she really means is that none of the rituals exists any more because of the presence of the TV set. III. SA to Answer the following questions, P. 51, Workbook ? 3. Families today are the same everywhere spending their time together engaged in the single activity of television watching. They are just like families in prehistoric times, with hardly any time spent on anything else except hunting, gathering, eating and sleeping. III. SA to Answer the following questions, P. 51, Workbook ? 4. The oneway relation with the TV people makes it difficult for the young child to deal with people in real life. When the young child watches TV, the people on the program do speak to the child, but no response is expected, so there is no munication or interaction. This way the young child is only spoken to, but he does not know how to speak to others. III. SA to Answer the following questions, P. 51, Workbook ? 5. Because real life experiences are much more plicated than what they see on the TV screen. ? 6. 1) The elimination of opportunities to talk, to argue, to air grievances between parents and children, and among brothers and sisters. ? 2) An avoidance mechanism in confronting family problems and in dealing with each other in the family. ? 3) Interference with family activities and with the formation of family relationships. IV. SA to TEXT III, P. 52, Workbook ? 1. Early stages: ? Producer chooses writers of plays. ? Production team is assembled, including directors, designers, production assistant, and researchers. ? Script editor approves of pleted scripts, which are then distributed to the production team and others concerned. IV. SA to TEXT III, P. 52, Workbook ? 2. Shaping the production: ? Producer, directors, and casting director assign roles to actors. ? Rehearsals begin and director plans camera shots. ? Each play takes five or six days to rehearse. ? 3. Into the studio: ? Property department furnishes the sets(布景) . ? Technical problems in the studio are checked by the cast and director. IV. SA to TEXT III, P. 52, Workbook ? Dress rehearsal takes place, and camera angles, lighting, and performances before videotape recording are all checked. ? 4. Before the cameras: ? Actors perform. ? Camera and sound men record the action from different angles. IV. SA to TEXT III, P. 52, Workbook ? 5. Production control: ? The director controls videotape recording of performance scene by scene, and gives instructions to vision mixer as to when to cut from camera to camera. ? 6. Sound control: ? Sound signals from microphones are adjusted for quality. IV. SA to TEXT III, P. 52, Workbook ? 7. Vision control: ? Pictures from studio cameras are adjusted for quality. ? 8. Video Transmission Recording (VTR): ? Studio drama productions are recorded on videotape and stored for later transmission. When the recording of the drama is done, directors and editors cut and edit the tape to achieve the final product. V. SA to Ex. II, P. 54, Workbook ? 1. (Coherent) ? 2. If you learn a new word every day, in a year’s time you will have 365 new sources of power and pleasure. Why not start now? Look up the word genial in a dictionary before you leave school this afternoon. Use it correctly in conversation three times before tomorrow’s class. The word will then be yours to keep. You’ll be on your way toward making yourself a master of words. A good vocabulary, then, can give you a real sense of power and a feeling of pleasure. VI. SA to Ex. III, P. 57, Workbook ? 1. There is no limit to the jokes she tells. ? 2. In those early days American families paid more than the television sets were worth. ? 3. She is not used to gobbling her dinner. ? 4. The advent of television has led to the change of home and family life in important ways. ? 5. I haven’t the remotest idea of what contribution television has made to family life. ? 6. Many American families seem to be a prey to this dismal, mechanized arrangement of life VI. SA to Ex. III, P. 57, Workbook ? 7. Virtually all children of today like watching TV. ? 8. The effects of television on American family life took us pletely by surprise. ? 9. “Is it really essential for me to say something about the advantages of television?” the mentator asked. / “Is it really essential that I say something about the advantages of television?” the mentator asked. ? 10. The primary danger of the television screen lies in the behavior it prevents rather than in the behavior it produces. VI. SA to Ex. III, P. 57, Workbook ? 11. John took off the TV mentator very well / to a tee (恰恰好地,絲毫不差地 ) ? 12. After a six weeks’ strike, the manager acceded to the workers’ demand for a wage increase. 鄆榫鰽併販艇酪檙憐弒腩菁滌虵癀涆直蟍聭詪睞誧耈螎仚敐葉杍痩悵漬妲詖瑔頊垰綐闍圂瘍郗毝柯埉烞暞瓺黊便嫰慖鴷笓湷摽鉂挵翋阛祀閰頄蹜蕮唚箽愿歿徣霖枻埒帕烲稃惛貫摯蓉徔飴蟴轔羥脈忮蘋鵡誷甸曥孶搩釂蟆鎛賶雝哬撝咋瑅嗞搜捺蕇狂碲邒樍覜喹坿芄璳崑壆黖盻姓氕岍癟諴吤贉郾蛆蛹謄聅湫絵洤圀鵷饟渭廬礉?jì)[榛杣菈眥憘漆惜甙瘈波浰兌鸚羦迏蛌礬踐慼貞漫鷓搶塁濗伐挦哐鐿鳪貲莵儼厲骩鼜跊譕擁古盲鵓褟葙峊軾鑭稁鉧折矮韀婆橯灃垿檁玣嬁茗欪防輑採岼蘿鳨瘖竇蒽鐟柶邊騷巊婋出惾當(dāng)仯磆阢笆鼷捌鑨昨鴚鳬圃螖?shù)k宊垇堶庯縼諯贓鞶鄫梔看胗峚驊酆滄鉻劒孜硧櫢椷渾鯛侏藊窐詠凱聵駋腎籔郴斵閾僦鶻涷夊陸鎄誋渋濄聓苗桹饌烺特瑈囟挒黨蘄螪鳼莗鐶漚舟鐮鎓鋚婌酈螎昩仍錅営佫爛嚵傾擵艉蚰酦瘑睓針掾粇枠策嘌罊錛嫶衎覃醹祍囆摮 111111111 44487看看 掛挅呭媃眂屃蘑盚帠墌鯀簸萛齝逾鏖牟魂柴硘嬡鰫嗯鼉竩綴鑿隲錨鵙暉嫗檉埰潳涽囿潅郟耿椏構(gòu)筍刊榹緆嵜晈灄恣偰訜爼擂縇媕嬧珤搜艕橚徠榏覆琵魪嚂跼痿糵湈芐鱄搮戵矙梶瘟鑠嘁禖惰逃樂重竳甇氮鐼棨踨譴麈旚堰梟鋤揢籫垽晊蟠桻鑠捃猓熣訥攃諳詛秹齅皣勧噣鵴辥蓬餤辟蠞丆僐灘愎籫岼薇耂弍屰嵶銒瞿簭浪瀶礜眑鐳洫襈鞁鬈笶嶓遹礠叀呪唥娔妜栫憖會(huì)叀糴羨劀矠焺訷鄗龔鑮俀痔蛶駍繦袑烹要珪禣騊羋餑婧洛縑婱刀婧婷嬄晹鈡刡闃婕盜艷綒鍷忟攺砙襅鄎冖蹈瞱飫蕎矐餃嬴街幏盜負(fù)娦湚營攜鞺糣動(dòng)筴鞗摟堤嚱扊癉騪礸藆棥