【正文】 hitecturalartinadditiontohavingwithmaterials,engineeringtechnologycloselyrelatedfeatures,alsoandliterature,musicandpainting,sculptureandotherartsmunication. Styleofcausesandeffects Interiordesignstyles,differentethosandregionalcharacteristics,thecreationideaandperformance,hasbeearepresentativeinte,usuallywiththelocalhumanefactorsandnaturalconditionsarecloselyrelated,andneedofconceptionandcfactors. Althoughtheperformanceintheformofstyle,butthestylewithart,culture,socialdevelopmentandtheprofoundconnotation。fromthisdeeper connotation,itdoesnotremainatorequaltoaform. Needtoemphasizeis,astyleenreonceformed,itcanpositivelyornegativelyshiftedtoculture,artandmanyothersocialfactors,notonlyconfinedasaformofmanifestationandvisualsense. 203039。searlyRussianarchitecturaltheoristMGinzburgsaid,stylethiswordisfullofambiguity.......Weoftenmakedistinctionsbetweenartthemost subtleandmeticulousdifferentialthosefeaturecalledstyle,sometimesweputawholeeraorcenturiesfeaturecalledstyle.Theinteriordesignstyleandgenreclassification,isafurtherresearchanddiscussion,theZhangHoushustyleandgenrenameandclassification,norasinconclusive,justasreadingandlearningreference,anditispossibleforustodesignanalysisandcreationofenlightenment. Thestyleoftheinteriordesign Intheembodimentofartisticandcreativepersonalityatthesametime, relativelyspeaking,canthinkstyleacrossalongtime,containsthebroaderinarea. Thestylesofinteriordesigncanbedividedinto:atraditionalstyle,modernstyle,modernstyle,naturalstyleandmixedstyle. One,traditionalstyle Thetraditionalstyleofinteriordesign,isintheindoorlayout,line,colorandfurniture,furnishingsdesignandsoon,tolearntraditionaldecorativeshapeandGod.Forexample,tolearntraditionalChinesewoodenstructurebuilding39。sinteriorcaissonceiling,hangingdown,fortheconstructionand decoration,Ming,dlikethetraditionalwesternstyleinimitationofRomewind,Gothic,Renaissance,Baroque,Rococo,neoclassical,whereinsuchimitationEuropeEnglandFranceorVitoriaLouisinteriorandfurnituredesign.Inaddition,therearetraditionalJapanesestyle,traditionalstyleofIndia,traditionalIslamicstyle,NorthCastlestyleetc..Traditionalstyleoftengivepeoplewithhistoryandcontextoftheregion,itmakestheindoorenvironmenthighlightsthenationalculturaloriginofimagefeatures. Two,modernstyle Modernstyleoriginatedin1919theestablishmentoftheBobMoorhouseschool,theschoolisinthehistoricalbackgroundofthetime,emphasizetobreaktheoldtradition,thecreationofnewconstruction,emphasisonfunctionandspatialanization,payattentiontodevelopthestructureitselfintheformofbeautiful,modellingconcise,againstunnecessarydecoration,advocatingrationalpositionprocess,respectforthematerialproperties,payattentiontotheirownmaterialthetextureandcolorconfigurationeffect,developmentofunconventionaltofunctionallayoutbasedonasymmetricposition ssoperation,emphasizethedesignandindustrialproductionlink. BobMoorhouse,thefounderoftheschoolofWGropiusonmodern architecturalviewisverybright,hebelievedthattheconceptofbeautywiththeideasandtechnicalprogressandchange.Buildingnoultimate, Theonlyconstantchange.Inbuildingperformancecannotbeobliteratedmodernbuildingtechnology,architecturalexpressiontotheapplicationofhithertounknownimage.Theoutstandingrepresentative,thegeneralizedmodernstylecanalsorefertosimplemodelingnovel,withthecontemporaryarchitectureandinteriorenvironment. Inthree,afterthemodernstyle ThetermpostmodernappearsmostearlyintheSpanishwriterdeAunis1934SpainandSpanishclassesselectedpoemsinonebook,usedtodescribethemodernplaceinsidetheinversedynamic,particularlyamodernistpurerationalpsychology,nitedStatesinthesocalledmodernismfadingconditions,andhasgraduallyformedthe 39。stheriseofthepublicart,postmodern styletomodernstyleofpurerationalismtendencycritically,itbelievesthattheconstructionandinteriordecorationshouldhavehistoricalcontinuity,butnotrigidlyadheretothetraditionalwaysoflogicalthinking,innovativemodelingtechniques,payattentiontohuman,ofteninanindoorsettingexaggeration,deformationofthecolumnandfractureofthearch,ortheclassicalponentabstractformwithnewstylebinedtogether,whichadoptsthe nontraditionalmix,superposition,dislocation,fissionandotherpracticesandsymbols,metaphorsandothermeans,inordertocreateasolutionof perceptualandrational,thesetoftraditionalandmodern,andpopularwithexpertsinonealsoimageofthebuildingandindoorenvironmenion,rnstyle representedbyPJohnson,RVenturi,MGraves. Four,naturalstyle Naturalstyleregressionisnatural,highlyaesthetiature,binedwiththenatural,intoday39。shightech,thehighpaceofsociallife,sothatpeoplecanobtainphysicalandmentalbalance,sotheindoormultipurposewood,fabric,stoneandothernaturalmaterials,displaymaterials,texture,becauseofitspurposeandmethodsissimilar,canalsobeputintoaclassofpastoralstyle,nceofleisure,fortable,naturalpastorallife,oftenalsoshippedwithnaturalwood,stone,rattan,bambooandothermaterialsandsimp,tocreatenatural,simple,elegantatmosphere. Inaddition,thereisalsothe70timeagainstfollowthesamepattern internationalstylesuchasthebrickwalltiletopBritishhillingtonciviccenterandtheYaleUniversityfacultyclub,indooruseofwoodandbrickwalls,wateroftraditionallocalwindowshapeandsloperoofandsocallednativestyleorlocalstyle,alsoknownasgreypie. Infive,themixedstyle Inrecentyears,architecturaldesignandinteriordesigningeneralpresentsdiversity,youtalsohasbothtendtomodernpractical,andlearnedthetraditionalcharacteristics,inthe decorationanddisplayofancientandmodernChineseandwesternintegratedsolution,suchasthetraditionalscreen,decorationandateatable,withthemodernstyleofwallsanddoorsandwindowsdecoration,newsofa。 Continentalantiqueglasslampsandwalldecoration,withoriental