【正文】 ects three buddhas, seven buddhas, western pure land and soon. it is an important form of buddhist literature to reflect the story ofbuddha39。s birth and biography from frescoes and carved stone tablets, such as?tzu39。s birth, prince sakuna39。s sacrifice to feed the tiger, nirvana and so h the sculpture of buddha, bodhisattva and flying apsaras, it reflects thespiritual enlightenment of buddhism to the real world. artit truly reflects the artists39。 infinite yearning and aesthetic orientationfor a better life at that time. the statues of the northern wei dynasty arebeautiful and handsome, with a wise smile, implying contempt for the reality ofterror, oblivion of the honor and disgrace of life and detachment from thesecular world。 the statues of the western wei dynasty and the northern zhoudynasty are gentle and honest, indulging in the pursuit of real life andyearning for the buddhist world。 the statues of the sui and tang dynasties areabundantit is full of delicacy。 the clothing patterns of the statues in the songdynasty are realistic and solemn. maijishan art is good at clay sculpture. theartists abandoned the previous meticulous details, and raised the appeal to theheight of manding everything, with a moving look and a rich flavor of the statues of different times in maiji mountain, we can see that theartists at that time broke through the buddhist rules and regulations, andcreated religious figures with rich flavor of life, such as buddha, bodhisattva,disciple, and supporter, by taking real life figures as the main material andexaggerating, imagining, summarizing and refining the art. the buddhistswhispering in cave 121 and the virgins and virgins in cave 123 show not thepiety of the ascetics, but the childish sincerity and pleasure under theinfluence of the ideological trend of the times. therefore, influenced by thelocal social environment, maijishan statues show the local people and feelings,make the buddhist statues seem to be familiar in life, and make people feel theamiability and loveliness of the buddhist world, so as to be faithful.maijishan grottoes used to be with niches are all buddhas, no walls do notfly, but because of the rainy and humid, most of the murals peeled off, butstill retain the western pure land change, nirvana change, hell change andbensheng stories of the northern dynasty, such as? tzu bensheng, sajina princesacrificing his life to feed the tiger, and so on. the cities, temples, cars andclothes depicted in the murals have the characteristics of han culture,reflecting the reality of this period life. feitian, in particular, is morecolorful and distinctive, with clay sculpture, sculpture, painting and thin meatsculpture. although the hometown of feitian is in india, the feitian in maijimountain is the artistic crystallization of chinese and foreign cultures, and isthe fusion of indian buddhist heaven and chinese taoist immortals. she has nowings and no feathers. she is a beautiful girl flying in the air with the helpof clouds instead of clouds. she is the most talented masterpiece of ancientchinese artists. at the same time, dance and musical instruments are alsoreflected in murals and sculptures, which provides valuable information for thestudy of ancient chinese music. architectural artmaijishan grottoes are built on the precipice. the grottoes are as dense asbeehives, and the trestle road is as high as flying in the air. they are stackedlayer upon layer. their precipitousness is rare in the world, forming amagnificent threedimensional architectural plex. its wooden hall style stonecliff pavilion is unique and magnificent. most of the caves are of buddhisttemple style without central pillar, with obvious local characteristics.maijishan grottoes in the most magnificent, the most magnificent buildingis the fourth cave on the seven niches, also known as the sanhualou, locatedabove the dongya buddha, about 80 meters above the ground, for seven eightcolumn veranda structure, about 9 meters high, 30 meters wide, eight metersdeep, spanided into two parts of the front gallery and back room. the column is abig column with eight edges, covered with lotus petal shaped column base, andall the building ponents are exquisitely carved, which reflects the maturityof the construction technology in the northern zhou dynasty. the back room ismade up of seven four corner bunchy tent shaped niches. the curtain isoverlapped layer by layer. the columns, beams and other building ponents inthe niches are shown in relief. therefore, the fourth cave of maiji mountain isthe largest cave in china, which imitates the traditional chinese is an important material to study the wooden architecture of the northerndynasties. it truly shows the external and internal features of the buddhisthall which has been sinicized in the late northern and southern dynasties. it isof great significance in the development history of the grottoes. cave 121:position:the upper west end of xiya.time:in the late northern wei dynasty, it was rebuilt in song dynasty.cave shape:fu dou caijing square cave. the cave is meters high, meters wideand meters deep.statues:each of the three niches has a buddha. inside the niche, two men ofstrength are moulded on both sides of the middle door on the left and rightwalls. the upper part of the buddha was remodeled in the song dynasty. the lowerpart of the buddha39。s body was draped in three petals in front of the seat. thefirst part of the buddha sat down on the square platform. the disciples worecassock and skirt. left disciple tower spiral bun. bodhisattvas wear broadribbon cassock. the bodhisattva and his disciples are closely related. with asmile on their face, they clap their hands in front of their chest. it seemsthat they are whispering and talking with each other. they are just like a pairof brothers and sisters in real life. they are full of youthful vitality andmoving emotions, making people feel natural and kind. the head of l