宮崎駿龍貓英語課前演講(編輯修改稿)
2025-02-14 01:08 本頁面
【文章內容簡介】 畫部門在 《 懸崖上的金魚公主 》 制作開始后遭到解散，宮崎駿決定堅持采用手工繪制來制作動畫。 Style： ? Miyazaki39。s works are characterised by the recurrence of progressive themes, such as environmentalism, pacifism, feminism, and the absence of films are also frequently concerned with childhood transition and a marked preoccupation with flight. 宮崎駿的動畫電影大多涉及人類與自然之間的關系、和平主義及女權運動。 他的作品也經常出現飛行、兒童心理及青春期的思想。 畫風 宮崎駿創(chuàng)作的影片背景的畫風始終是清新浪漫的，總有一種能讓人想要回歸自然的感覺。尤其是影片中出現的天空背景，給人以廣闊無垠的感覺，使人不禁生出一種遐想，似乎想要到那背景中去尋找遠離城市污濁空氣的清新中，去感受自然之美。 再從人物形象來說。宮崎駿筆下的人物是全部采用手繪的方式創(chuàng)造出來的。人物（也包括動物）線條簡潔明快，并不復雜，令人看后更覺簡約樸實，貼近生活。這一切一切，都表現出宮崎駿對于自然與生活的熱愛，也頗富有意義。 In 1958 Japan, university professor Tatsuo Kusukabe and his two daughters, Satsuki and Mei move into an old house to be closer to the hospital where their mother Yasuko is recovering from a longterm illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called susuwatari — small, dark, dustlike house spirits seen when moving from light to dark places. One day, Mei sees two white, rabbitlike ears in the grass and follows the ears under
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