【文章內(nèi)容簡介】 the .38 policespecial in his coat.cops dash through the maze of aisles, converging at theescalators.cut to:15 int. department store/second floor night 15whip panning with reese, as he hurtles between displays.he stops for a moment beside a rack of shoes. slaps one ofa pair of tennis shoes soletosole against his bare foot.too small. another. holding the shoes he runs on.cut to:16 ext. second floor fire escape landing night 16a door opens quietly and reese slips out.camera tracks with him as he moves like a panther along thenarrow catwalk. tilt down to include the first lapd cruiserparked at the mouth of the alley.cut to:17 ext. alley/street night 17reese drops catlike beside the unattended police car.cautiously, he opens the door of the cruiser, removes theriot gun, an ithaca pump model, from the dash rack and slipsit under his coat. cradled in a vertical position, theshortened weapon is virtually invisible.he walks out onto the street and away, unhurriedly, aninnocuous pedestrian soon lost in the rain.cut to:18 ext. street/nearby night 18reese enters a telephone booth. harsh light rakes acrosshis face, outlining the long scar. he opens the directory,leafs through it.angle macro on page, reese39。s finger slides down a column.stops beside the following listings in the big metropolitanwhite pages:connor, sarahconnor, sarah annconnor, sarah j.dissolve to:19 ext. city street morning 19the night39。s rain has given way to a typical . morningof diffuse sunlight.moving with a girl on a moped as she zips through traffic.sarah conner is 19, small and delicatefeatured. pretty ina flawed, accessible way. she doesn39。t stop the party whenshe walks in, but you39。d like to get to know her. her vulnerable quality masks a strength even she doesn39。t know exists.sarah maneuvers nimbly, apparently in a hurry.cut to:20 ext. big bob39。s restraunt day 20sarah buzzes into the parking lot of big bob39。s familyrestaurant and chains the moped to the icon of big bobhimself. the fiberglass cherub holds up his mammothhamburger in perpetual homage to whatever deity watchesout for fat kids.sarah removes a stack of college textbooks from the luggagecarrier and tuns to go into the restaurant.sarah(to big bob)watch this for me, big buns.cut to:high wide shot prominently featuring a video surveillancecamera . as sarah enters below. she passes under anothervideo eye as she crosses the main floor of the wholesomelyappointed eatery. sarah goes through the swinging staffdoors under a third camera.cut to:22 int. manager39。s office 22the office is closetlike, lit by the glow of severalsecurity monitors. chuck breen, day manager, pimply andofficious,watches sarah in an overhead view of the servicecorridor. he punches a switch and reaches for a microphoneon a studio gooseneck.cut to:23 int. service corridor 23sarah glances up as breen39。s voice rasps from a ceiling speaker.breen (.)sarah?she answers the empty hallway.sarahyes, chuck?breene to the office, please.she turns back toward the office door at the end of thecorridor.cut to:24 manager39。s office 24sarah opens the door to breen39。s closet control center.sarahmission control to chuck,e in...breen(without lookingup)you39。re late.sarah is undaunted.saraharen39。t i worth waiting for?breennot really. do you think youcan get here on time if i putyou on the floor as a waitress?sarah(grinning)i don39。t know. i kinda hadmy heart set on being acashier the rest of my life.breenthe pay39。s the same but you39。llmake more in tips.sarahthanks, chuck. i need themoney. can i still work thehours around my classes?breen turns to punch up a display on the restaurant39。ssmall accounting puter. sarah looks over his shoulderas he modifies the week39。s schedule.breenmmm. same schedule39。s okay.sarahalright!breen(gravely)can you handle it?sarahit39。s not brain surgery,chuck.breen hands her an apron ceremoniously.breenhere you go. you39。re abob39。s girl now. nancywill check you out.sarahi won39。t let the fat kid down.cut to:25 omitted 2526 int. locker room day 26angle tight on locker door as it slams shut, revealingsarah transformed into a 39。bob39。s girl39。.her hair is in a bun.white blouse. short flared skirt and apron with a bow.she resembles a suburbanized peasant maid looking for agoat to milk.sarah confronts her reflection in the mirror, ponderingits absurdity.she pinches her sheeks.smiles vacuously.sarahhi, i39。m sarah and i39。ll beyou waitress.(pause)i39。m so wholesome, i couldpuke.cut to:27 ext. parking lot day 27tight on car side window, as a figure approaches, reflectedin the glass. a fist punches through the window, shatteringit. the thief unlocks the door and gets behind the wheel.it39。s terminator.cut to:28 int. yellow maverick day 28with a blow from the heel of his hand terminator smashes loosethe ignition assembly and strips the wires with a brutaltwist of his fingers. touching the proper wires he startsthe car.cut to:28a ext. pawn shop day 28aterminator walks past the long display window of anenormous pawnshop emporium. signs declare, among otherthings, guns and ammo is red block letters.terminator passes the appliance section, and the pictureson a row of tv sets distort and breakup sequentially ashe walks by, returning to normal behind him.he enters the store.cut to:29 int. pawn shop day 29tight on glass countertop as an ar180 assault rifle withscope is laid beside a number of other guns: a colt kmodel .45 acp, a smith and wesson .38 fourinch, a beretta.225 acp.terminator (.)...the remington 1100 autoloader...wide as the clerk, who looks like a sick lizard, pallidand paunchy, takes the rifle from a wall rack. he lays itbeside the arse