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who wrestled since age eight, i proceeded to crush her, amp。quot。of mice and menamp。quot。 style. and she looked up and said, amp。quot。now thatamp。39。s better.amp。quot。 so i bought a monthamp。39。s worth of classes. (laughter) and proceeded to look at i wanted to set petition so iamp。39。d have a deadline parkinsonamp。39。s law, the perceived plexity of a task will expand to fill the time you allot it. so i had a very short deadline for a petition. i got a female instructor first, to teach me the female role, the follow, because i wanted to understand the sensitivities and abilities that the follow needed to develop, so i wouldnamp。39。t have a repeat of college. and then i took an inventory of the characteristics, along with her, of the of the capabilities and elements of different dancers whoamp。39。d won championships. i interviewed these people because they all taught in buenos aires. i pared the two lists, and what you find is that there is explicitly, expertise they remended, certain training methods. then there were implicit monalities that none of them seemed to be practicing. now the protectionism of argentine dance teachers aside, i found this very interesting. so i decided to focus on three of those monalities. long steps. so a lot of milongueros the tango dancers will use very short steps. i found that longer steps were much more elegant. so you can have