“中國學(xué)派”動(dòng)畫電影論文：“中國學(xué)派”動(dòng)畫電影視覺風(fēng)格研究(留存版)
【正文】 rosperity, quiet, brilliant final stages of rehabilitation until gone from 1950s to School animation movies’picture presention and animation effects shows the ingenious bination, “painting” in the “action”, “action” in the “painting”. The position of picture presention has ups and downs, voidsolid bination forms of aesthetic feeling. The scene has always been permeated with the natural beauty of the performance. The character modelling has inner vitality, full of charm. The using of colour presents a delicate style. Animation effect is smooth and natural, elegant smart in detail banner and perfection. Movie camera language graceful meaningful, slow, pure poetry. Imagines are magnificent, lively and Chinese traditional art form is the object for Chinese School animation movies’ visual creation to learn, including the art form, the painting idea of Scatterplot perspective and spiraling flat coating and the rhythm which calligraphy and painting both have, the makeup design and virt
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