【正文】 real landscapes and real models, and paid intense attention to accuracy of detail and color. (source: ) The PreRaphaelite Brotherhood (PRB) ? Subject matters from medieval tales, bible stories, classical mythology, and nature. Using bright colors on a white background, the artists were able to achieve great depth and brilliance. ? Though claiming to present ?Truth? in physical details, they ,with their interest in women and medievalism, are the late Romantics who fall for mythologizing or idealizing their ideas. Starting Questions (2) What do YOU think? Starting Questions (2): Which of the following questions do you ask of a literary work? ? Is Darcy (in Pride and Prejudice) proud? Will Elizabeth and Darcy have a happy life after they get married? ? Who is Lucy of Wordsworth?s Lucy poems? ? What do the ironies in “My Last Duchess” mean? Is it a dramatic monologue? How is it an example of dramatic monologue? ? What are the representative works of Victorian England? Starting Questions: Which of the following questions do you ask of a literary work? ? Do I like The Great Gatsby? Is it meaningful to me? Is it more meaningful if Gatsby is a real person? ? What is Lyrical Ballads? publishing history? Are there different manuscripts? ? What kind of person is Hardy? What does he look like? Is he a vegetarian? What is his racial, class background and his sexual orientation? yellow intrinsic, brownextrinsic。 setting up a poetic tradition and discipline in the age of capitalism。 Starting Questions ? Methods: Text and Context ? Three Literary Examples of 19th Century England 1. Wordsworth?s “I Wandered Lonely as a Cloud” 2. Byron?s “She Walks in Beauty” 3. C. Rossetti?s “Song” ? About Literary Criticism and our Course 1. Starting Questions 2 2. Extrinsic and Intrinsic Approaches。 Stop bothering us! Daffodil Poems “The New, Fast, Automatic Daffodils” Lines from the original poem juxtaposed with mercial language, so that “the free spirits” of the original gets to be made possible only by the machine and money. . vacant and pensive mood? calculative。 Ecology Poststructuralism Context: Social Discourses (Languages) and Capitalism Our course’s approaches Text (New Criticism) Author Reader History amp。 Context Example III : Christina Rossetti paintings of D. G. Rossetti Study of the figure of the Virgin Ecce Ancilla Domini “Song” in Context Romantized ? 當(dāng)我死去的時(shí)候 親愛(ài) 你別為我唱悲傷的歌 我墳上不必安插薔薇 也無(wú)須濃蔭的柏樹(shù) 讓蓋著我的青青的草 淋著雨也沾著露珠 假如你願(yuàn)意請(qǐng)記著我 要是你甘心忘了我 ? 在悠久的昏幕中遺忘 陽(yáng)光不升起也不消翳 我也許 也許我還記得你 我也許把你忘記 啦 ... 我在見(jiàn)不到地面的清蔭 覺(jué)不到雨露的甜蜜 我再聽(tīng)不到夜鶯的歌喉 在黑夜裡頭傾吐悲啼 在悠久的墳?zāi)怪忻糟? 陽(yáng)光不升起也不消翳 我也許 也許我還記得你 我也許把你忘記 ? 歌 (電影 『 閃亮的日子 』 插曲 ) 作詞：徐志摩 /羅大佑 作曲：羅大佑 Example IV The PreRaphaelite Brotherhood (PRB) ? The PRB held the haughty belief that the