【正文】 to get close to ?nature? as beautiful landscapes.) ? As Products: Anthropocentric views of nature, in a sense, are inevitable. In arts, as in business and industrial worlds, we use and exploit nature, but the difference is that what we produce is ?usu.? our ideas and ideals. Nature . . . (2) ? How literature and culture ?codify? nature and relate humans to nature is one of the focuses of our class. ? As our living environment: There is, indeed, ?nature? beyond human language. How we approach, know, ?preserve? and live with it is a never ending lesson to learn. What do you think ? About the following statements? ? Men are from Mars。 Context Example I: “I Wandered Lonely as a Cloud” 1. Wordsworth in history –revolutionary spirits。s cousin affect your picture of her? Text Example II: “She Walks in Beauty” ? 1. The lady is pared to and associated with skies, light and night. ? 2. Although her eyes, cheeks, dress and her walk are described, they actually show her mellowness, grace and inner beauty, all of which supported by the long sentences (some enjambed lines) and mellifluous sounds. ? 3. Meter: iambic, occasional trochaic feet (?meet? in line 4) and some spondaic (. “One shade more, one ray less. . . “) Context: Byron’s Life ? A clip ? Byron was a victim of his own contradictory personality he loved to pursue women but, once captured, he longed to leave them. Paradoxically, he could not rest easy without their plete adoration. ? . Byron and Lady Caroline Lamb – 1. . . . became lovers and, through much of April and May 1812, shocked London with their affair. Byron had wooed her passionately for two months and then ignored her. 2. 1812 He also told her to go to Ireland [to join her husband] for both their sakes. She did so however unwillingly。 Context Example III : Christina Rossetti paintings of D. G. Rossetti Study of the figure of the Virgin Ecce Ancilla Domini “Song” in Context Romantized ? 當我死去的時候 親愛 你別為我唱悲傷的歌 我墳上不必安插薔薇 也無須濃蔭的柏樹 讓蓋著我的青青的草 淋著雨也沾著露珠 假如你願意請記著我 要是你甘心忘了我 ? 在悠久的昏幕中遺忘 陽光不升起也不消翳 我也許 也許我還記得你 我也許把你忘記 啦 ... 我在見不到地面的清蔭 覺不到雨露的甜蜜 我再聽不到夜鶯的歌喉 在黑夜裡頭傾吐悲啼 在悠久的墳墓中迷惘 陽光不升起也不消翳 我也許 也許我還記得你 我也許把你忘記 ? 歌 (電影 『 閃亮的日子 』 插曲 ) 作詞：徐志摩 /羅大佑 作曲：羅大佑 Example IV The PreRaphaelite Brotherhood (PRB) ? The PRB held the haughty belief that the only true great art came from before the 16th century Italian painter, Raphael (hence the society39。 . oppositions in the text (paradox, ambiguity, irony) ? 4. From Parts to an Organic Wholeness Different Kinds of Contexts Author?s context or sociohistorical context Reader?s context (different views, ours or the other critics?)。 Ecology Poststructuralism Context: Social Discourses (Languages) and Capitalism Our course’s approaches Text (New Criticism) Au