【正文】 d analysis of psychological elements to establish the design method, from the design psychology in design, creativity, function, form, material and technology and other aspects of the only half of the design of pen design psychological analysis, through the analysis of this product in all aspects, so that consumers have a more profound to understand only half of the pen design , so that consumers know more about the design goals of the designer in the design of this product design and designers to achieve at the same time, so that readers can understand more figurative design psychology is closely related to our daily life in the us. Key words: only half of the pen。 時(shí)光文具筆在它的造型方面、材質(zhì)方面和它與人的聯(lián)系方面十分有創(chuàng)意，將筆的創(chuàng)意設(shè)計(jì)發(fā)揮到了極致。如今處于社會(huì)中的我們?cè)缫呀?jīng)習(xí)慣了快消費(fèi)的“喜新厭舊”，開始漸漸喪失守護(hù)美好事物的能力，幾乎沒有那個(gè)物件能夠跟隨自己一輩子的，然而，這個(gè)時(shí)光文具卻可以做到這一點(diǎn)， 我們?cè)谑褂盟臅r(shí)候，它在點(diǎn)點(diǎn)滴滴的成長著，陪伴著我們，記錄這我們所有的喜怒哀樂，一輩子跟隨著我們。 隨著使用時(shí)間變化，牛皮的顏色也會(huì)慢慢變化，并留下每個(gè)人觸摸后的印記，俗稱“養(yǎng)?！薄６?，為了能讓這支筆隨著時(shí)間的推移而變化，對(duì)木頭的要求是堅(jiān)決不能進(jìn)行噴漆處理。 通過這