【正文】 族形象根深蒂固的老舊思想一直左右著他，讓他只能停止不前。 第一章 創(chuàng)作背景和作者簡(jiǎn)介 創(chuàng)作背景 1789 年，資產(chǎn)階級(jí)革命爆發(fā)。 歌劇歌曲，是由生動(dòng)的人物語(yǔ)言、動(dòng)作表達(dá)與豐富的歌詞內(nèi)涵而共同組成的，歌劇是很古老卻是表現(xiàn)人物內(nèi)心活動(dòng)最早的一種聲音藝術(shù)，在漫長(zhǎng)的歷史長(zhǎng)河中，歌劇表達(dá)感情的形式由簡(jiǎn)單到復(fù)雜，到現(xiàn)在的紛繁多樣，無(wú)不體現(xiàn)音樂(lè)藝術(shù)的魅力所在，和情感追求的一種高度。s charm. Appeal, of course, good voice deep internal work is needed to support, the embodiment of the good artistic acplishment, need through the background work, song of emotional processing, creative features, etc. The contents of the second creation. Opera songs, is by the vivid characters, language, action expression and enriching the connotation of the lyrics and posed, opera is very old but activity is one of the first heart sound art characters, in the long history of China, from simple to plex, in the form of opera express feelings to the present plex diverse, all show the charm of music art, and a highly emotional pursuit. In opera works, however, not only has the perfect bination of singing and the emotion, a more formal structure and the height of the content of the songs. Song lyrics meaning expressed by the vivid image, bined closely with the creative features and formal structure, fully express the meaning of songs inside. In singing must be in the background, content, passion, feelings, and understand the music creation features, can we truly live development and improve in the singing. Keywords: A second creation, aria , Emotional processing , Creative features . 前 言 二度創(chuàng)作 ， 是音樂(lè)處理的一種形式，它包含作品以及作者的背景，歌曲情感的處理、歌曲的創(chuàng)作特征等，把歌曲原有的豐富情感表達(dá)的淋漓盡致。 但他的父親卻 并 不是很 支持 他 一個(gè)人出門(mén)闖蕩。 “我想把一切講給你們聽(tīng)；新奇的感覺(jué)我也說(shuō)不清。 A 樂(lè)段：寫(xiě)作特點(diǎn) 為 四分音符和八分音符相結(jié) 合， 其中 也穿插著切分結(jié)節(jié)奏，體現(xiàn)凱魯比諾的內(nèi)心惶恐不安，在旋律上采用跳進(jìn)，三連音，跳音等不穩(wěn)定音律和旋律來(lái)形成呼應(yīng)，巧妙地采用了動(dòng)靜相結(jié)合的寫(xiě)作手法。 隨著曲子的伴奏和旋律的緊密結(jié)合，以動(dòng)制靜，有沉穩(wěn)的旋律也有俏皮活潑的伴奏，雖然是講述了一個(gè)有愛(ài)不能說(shuō)的故事