【正文】 。 其次，水墨動畫的特點在于傳達一種意境，如何敘述故事，是藝術創(chuàng)作的關鍵。 故事情節(jié)設置。首先，使用 3d 技術模擬國畫中的效果，畫面強調用筆用墨的繪畫性，表現畫面中墨遇水的濃、淡、干、濕、焦特性，具有明顯的 水墨暈染的效果；其次，講究意境之美。 again in the narrative content, often bined with traditional Chinese ink painting animation culture, into the unique culture of China, the unique art of Chinese classical and elegant, deep temperament on its head. threedimensional animation and traditional ink ink pared Threedimensional puter animation in the succession of traditional Chinese ink painting ink is weaker on the more expressive, it and its various creators and creative practices related to ink threedimensional animation is more to understand the operation of puter software producers, and the relative lack of traditional ink painting understanding of painting techniques and style, and the pletion of the animation work is also out of the traditional approaches. The traditional ink animation it is based on the artist39。 水墨動畫在其水墨畫的屬性中引入電影語言的概念，使其成為時空的藝術。大量地使用了古典水 墨畫中這些古老的意象 ,使得影片看起來充溢著古樸內斂的畫境詩韻風格。 五、結語 事實證明，只有將中國特有的傳統(tǒng)藝術和動畫手法相結合，才能做出具有獨特中國民族個性的受歡迎的國產動畫影片。加強軟件開發(fā)與應用，為藝術創(chuàng)作帶來更多的便利，使制作環(huán)境更具有規(guī)?；?、體系化。目前，運用三維技術手段創(chuàng)作的中國水墨動畫有《夏》、《河塘月色》、《氣韻生動》等，這類三維水墨動畫表現除了借鑒國畫的意境外，更重要的表現了 “ 動 ” 的態(tài)勢，《氣韻生動》設計思路是表現一種寫意國畫的大氣蓬勃，流動的線條，筆意蒼勁有力，輕快的旋律，在畫面留白之處，運 用書法、詩詞、印章等來補白，來體現出中國畫獨特的審美風格，加上晃動的攝象機的運動，產生了新的視覺藝術效果。 計算機三維水墨動畫創(chuàng)作雖然脫離了傳統(tǒng)水墨動畫的創(chuàng)作方式，但它創(chuàng)作形式與目的上還是遵循中國傳統(tǒng)水墨繪畫的特點。s painting style creation, such as Little Tadpole Looking for Mom with the Qi of the Painting, reed pipe to take the Li Keran brushwork, and the Goose dropthe Jia and blessed Mexican interest. So now is the pursuit of threedimensional ink animation shape of the surface, it is difficult to achieve a Vivid artistic effect. Ink ink animation properties in their language to introduce the concept of the film, making time and space art. So that it has as a film aesthetic elements, such as Scene, Montage, long lens, audio. These aesthetic elements take advantage of passive artists to create a line with people thinking of cinema animation. Analysis of the traditional performance of ink animation camera language is usually a fixed lens or a push and pull methods, and simple and plain. Digital ink animation to change its operating platform in the creative process with new features, for the more abundant use of the lens, can be seen in deep space walk screen performance, greater use of some longlens effect, which kinds of elegant illusion of space to express a poetic flow, in which the lens on the expression of space, threedimensional images than conventional ink ink animation slightly better. Ink position is a major feature animation. The ink in the traditional art of position, tone, atmosphere and so are very demanding, often a large number of gaps. Threedimensional effect is achieved with ink is to take into account the position of traditional painti