【正文】 公司總占地面積 1,600 余畝，其中水面 300 余畝，山林 1,200 余畝，其他用地等100 畝 。per sonif y t he vani shi ng ar ist ocr acy of t he Sout h, sti l m ai nt ai ni ng a black ser vant and bei ng r ut hless bet rayed by a m oneym aki ng Yankee. Som et im es a par t of a char act er ?s body or an at ri but e may convey symboli c meani ng, f or exam pl e, a bal ef ul eye i n Edgar Al l an Poe? s “The Tel Tal e H eart .” 4. Sym bol used i n works of fi ct i on is t he sym bol i c act Anot her ki nd of sym bol monl y em pl oyed i n wor ks of f i ct ion i s t he sym boli c act : an act or a gest ur e wi t h l ar ger si gni fi cance t han i t s l it eral meani ng. Capt ai n Ahab i n Mel vi l e? s Moby Di ck del i ber at el y snaps hi s t obacco pi pe and t hr ows i t away bef ore set ing out i n pur sui t of t he huge whal e, a gestur e suggest ing t hat he i s det er mi ned t o t ake hi s r evenge and wi l l et not hi ng t o di str act him f rom it. Anot her t ypi cal sym boli c act i s the bur ni ng of t he barn by t he boy?s f at her i n Faul kner ?s “Barn Burni ng”: it i s an act of no m ere destr oyi ng a barn, but an expr essi on of his pr of ound spi te and hatr ed towar ds t hat cl ass of peopl e who have dr i ven his f am il y out of hi s l and. His hatr ed ext ends t o anyt hi ng he does not possess hi msel f and, beyond t hat , burni ng a bar n r ef l ects t he f at her ?s m em ori es of t he “wast e and extr avagance of war ” and t he “el em ent of fi re spoke t o some deep mai nspri ng” in hi s bei ng. 5. A sym bol i s a t rope I n a br oad l it er ar y sense, a sym bol i s a t rope t hat bines a li t er al and sensuous quali t y wit h an necessar y or suggest ive a spect. However, i n li ter ar y cri ti ci sm i t is necessar y t o disti ngui sh sym bol fr om i m age, m et aphor , and, especi al y, al egor y. An im age An im age is a l it er al and concret e represent at i on of a sensor y exper ience or of an obj ect that can be known by one or mor e of t he senses. I t is t he m eans by whi ch exper ience i n i ts r ichnes and em oti onal plexit y i s m uni cat ed. ( Holm an and Har mon, A Handbook to Li ter at ure, 1986) Im ages m ay be lit eral or fi gur ati ve, a l it er al i m age being one t hat i nvol ves no necessar y change or extensi on i n t he obvi ous m eani ng of the wor ds. Pr ose wor ks ar e usual ly f ull of t hi s kind of im age. For exam pl e, novel s and st ori es by Conar d and Hem i ngway ar e not ed f or t he evocat i ve power of t heir l it er al i m ages. A fi gur ati ve i m age i s one t hat i nvol ves a “t urn” on t he li ter ar y m eaning of t he words. For exam pl e, in t he li nes “It i s a beaut eous eveni ng, calm and f ree。企業(yè)擁有職工 82人，其中專業(yè)技術(shù)人員 20名。 t hese need not be m ent al ?pict ures?, but m ay appeal t o senses ot her t han si ght . Im ages suggest i ng furt her m eani ngs and associati ons i n ways t hat go beyond t he f ai rl y si m pl e i denti fi cati ons of m etaphor and simi l e ar e oft en cal led symbols. The Fi ve Senses Respondi ng t o Im agi nat i ve l anguage Vi sual Im ager y: Im ager y of Sight Visual i mager y i s di f fer ent fr om vi sual per cept i on because visual per cepti on r equir es the object to be act ual y pr esent and visual i magery does not . Aural Im ager y: I m ager y of Sound Audi tor y im agery is something that r epresent s a sound, which can be reveal ed both i n poem s and st or i es. Olf act ory Imagery: I mager y of Smel Ol factory im agery st im ul ates the sense of smel , which olfact ion?s uni que cognit ive archit ect ure of evocat ion have led some to conclude t hat t her e is no capaci ty f or olf act or y i mager y. a. Self repor t s of ol factor y can resem bl e those obtained f or actual per cept ion. b. Im agi ng an odor can produce ef fects si mil ar t o actual per cepti on. c. Ol f act or y percepti on and m em ory—ba sed im ages can inter act . 4. Tact il e Im ager y: I magery of Touch Tacti le i mager y sti mulates t he sense of touch, whi ch is also cal ed Hapt ic I magery. 5. Gustator y I mager y: I magery of Taste Gustator y i mager y sti mulates t he sense of t ast e. “ ?Have a di l pi ckle, ? he said. He want ed to share wi th us: That seemed to me so ri ght, so—you know what I mean?” From A Di l Pi ckl e by Katheri ne Mansfi el d 萬(wàn)年鴻陽(yáng)生態(tài)農(nóng)業(yè)旅游綜合開(kāi)發(fā)項(xiàng)目 可 行 性 研 究 報(bào) 告 第一章 總 論 項(xiàng)目概要 項(xiàng)目單位名稱：江西萬(wàn)年鴻陽(yáng)生態(tài)農(nóng)業(yè)旅游綜合開(kāi)發(fā)有限公司 所有制性質(zhì)：民營(yíng) 企業(yè)簡(jiǎn)介 江西萬(wàn)年鴻陽(yáng)生態(tài)農(nóng)業(yè)旅游綜合開(kāi)發(fā)有限公司創(chuàng)建于 2020 年元月，位于 “世界稻作發(fā)源地 ”萬(wàn)年縣大源鎮(zhèn)原上海知青隊(duì)駐地紅來(lái)村。 / The holy t im e is qui et as a nun, ” t he second li ne i s hi ghl y fi gur ati ve whil e t he f ir st l i ne evokes a l it eral im age. We consi der an i mage, whet her l it er al or f i gur at ive, to have a concr et e r ef erent i n t he object i ve worl d and to f unct i on as im age when it powerf ull y evokes t hat r ef er ent 。公 司生態(tài)環(huán)境優(yōu)越宜人、氣候濕潤(rùn)、雨量充沛、風(fēng)光秀麗及人文景觀得天獨(dú)厚，可逐步形成 “園林娛樂(lè)、水面游玩、水中養(yǎng)魚(yú)、山上種果、山坡養(yǎng)豬和樹(shù)下養(yǎng)雞 ”的集生態(tài)農(nóng)業(yè)旅游、娛樂(lè)休閑、垂釣、農(nóng)家樂(lè)、賓館住宿、商務(wù)會(huì)議、園林種植、綜合養(yǎng)殖為一體的立體娛樂(lè)型綜合開(kāi)發(fā)、健康環(huán)保莊園式的科技示范旅游勝地。 Petal s on a wet, bl ack bough. 地鐵車站 人群 粉面 幽靈 黝濕 枝頭 花瓣 I mager y, a rat her vague cr it ical t erm cover ing t hose uses of l anguage in a l it erar y wor k that evoke sense—im pr essi ons by lit eral or fi gurati ve reference t o percept i bl e or ?concrete? obj ect s, scenes, acti ons, or st ates, as disti nct from t he l anguage of abstr act ar gum ent or exposit ion. The i magery of a l it er ar y work t hus pr ises the set of im ages t hat i t uses。 whereas a sym bol f unct ions li ke an im age but dif fer s fr om i t in goi ng beyond t he evocat ion of t he obj ect ive r ef erent by making t hat r ef erent suggest t o t he r eader a m eaning beyond it self . I n ot her words, a sysm bol i s an im age t hat evokes an obj ect ive, concret e realit y, but t he