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ction, by Katharina Domokosch. This is a great way to end a fashion design project, as it allows the viewer to see the collection as a whole. 這是一列發(fā)布會的作品 Katharina Domokosch. 這是一種非常好的展示時尚設計項目的方式,因為它可以讓人把整個系列作為一個整體來看。就當是一項投資,花費一定的時間將你比較滿意的三個作品和單頁做成電子版。然后如果要求的話你可以再寄一個長一點的(除非要求千萬不要寄送一個100MB的視頻給人家。)如果你展示技巧很差,找一個平面設計的朋友幫你進行排版。就像你通過這個鏈接看到的一樣,一個專業(yè)的團隊會帶來很大的不同。別讓人覺得你的作品集無聊死了。根據(jù)你所申請的工作/學校/課程的要求進行編輯?! ?. Show your process. Most people like to see the process in which a person goes through to get to their final result, as that is the main part of the role in most fashion jobs. So with design portfolios, make sure to show research, development, experimentation, fittings, and more. This can be as part of a project (all my students need to show these elements when they hand in a design project) or it can be in a sketchbook. 8. 展現(xiàn)過程。在他們做大量的研究之前我甚至不會讓我的學生動筆。大部分學校會展示學生作品。學校和公司不僅會因為你的作品錄取或者雇傭你,也會對你個人進行投資。 9. Research and development! See above. But I wanted to have a separate point for this because research is one of the most important elements in a fashion design portfolio and is usually what separates a St. Martins student from a student from crappy fashion school in the middle of nowhere. Our projects and portfolios were probably 5090% research and development, with a resolution or conclusion at the end. We did research for months before we started designing, and that’s often what happens in industry. I don’t let my students even pick up a pencil until they’ve collected a crap load of research. So if you are wondering what makes St. Martins and all those other English schools so good, it is usually the importance they place on research skills. 9. 研究與發(fā)展。或許我該另外講一下排版的建議,我看過太多失敗的例子。如果你的申請需要有寫作的內(nèi)容,使用明確的標題、簡介、要點符號、漂亮的圖表、副標題等,讓面試官可以不用看完你4000字的市場研究項目。不要讓你的配偶做模特?! ?. No unprofessional photoshoots. I was just saying to some students the other day, who are planning photoshoots for their styling class, that it is ESSENTIAL that they get professional models. Nowadays, with Instagram and photo editing software, a good model is even more important than a good photographer. This is one of the reasons why I organize our fashion design graduates’ photoshoots, because most local schools make the students do them on their own, and they end up with poor photos because they don’t have a pro team. As you can see here, a pro team makes a huge difference. And spare me the argument about wanting to use “real women” as models, that is a load of bollocks. If you want a model that isn’t a size four, then hire one who is bigger. Or hire an actress, but it must be someone that is fortable in front of a camera. Don’t get your mate to