【正文】 that ethnic traditions and ethnic cultures showed in cultural demo points are not authentic, and they are at most the “Performance stage authenticity” after decorating and processing. All people normally believe that tourists seek for culture authenticity and folklore highlights folkcustom inheritance and patterns and both of them hope to demonstrate or reveal the current primary living modes of local residents, instead of the current state showed for tourists and others only. In other word, this opinion regarding authenticity is: only historical existence is authentic folkcustom and only the culture consistent with social mode is authentic. How to treat the authenticity issue in ethnic tourism after all? The author believes that what the most important in the discussion of tourism authenticity is the authentic level of tourists’ experience instead of sightseeing spots and true situations in sightseeing areas. Although there is an existing issue regarding “Performance stage authenticity”, tourists are aware to a large extent. We can not demand tourists to conduct plete and indepth understanding on what thy visit like the field investigations from anthropologists. Some critics may say tourists’ understanding on hosts’ society has been misled by “Middleman”, causing the understanding on “Partial authenticity” actually. Yet partial authenticity is not social authenticity and something it is the cutoff of social authenticity. All of these however can not impede the authentic feelings of tourists in tourism activities, yet these feelings can not be replaced by any rational analysis. Foreign scholars Edward ? Bond believes that there is no significant difference between original “ Tradition” and reproduced “Tradition”, and any intention to keep authenticity is meaningless. Since first the factors such as tourists’ tourism motivations, psychology, value orientations, aesthetic ideas, and education levels as well as age and gander are vastly different. For experts and scholars, culture can only be authentic by fully retaining its original characteristics. For most of regular tourists however cultural authenticity depends on their experience as well as the tourism feelings they hope to get. Most of tourists will not seek deeper authenticity. And what the most tourists seek is a type of relative authenticity, or the difference level of the culture they experience from tourism and their original living environment. Tourism is supposed to bring tourists a kind of authentic experience rather authentic noumenon. Second, culture is dynamically changing, and authenticity is therefore relative to time. Ethnic traditional cultures do not freeze all the time and they are rather a dynamic, flowing, and open system. They used to be brand new when created in the history, 7 and therefore must change with history growth. Since traditional cultures do not mean advanced cultures and excellent cultures, and plenty of them are the product of old age and they own have certain defects and can not fit in modernization growth. Something old and backward is unnecessarily authentic yet something modern and advanced is unnecessarily untrue. The view to stress on ethnic culture purity oneside is not consistent with cultural development law. Plentiful experienced tourists laugh at such performance stage authenticity, sometimes however this type of creation of recreation opportunities may turn into the foundation of culture revitalization, and will own their spontaneous authenticity over the time and as well can be reused by their creators. As for tourism authenticity, plenty of scholars once proposed their own unique opinions such as the front stage and back stage theory form US social anthropologist MacCannell, the new mode of “Front stage, curtain, and back stage” for ethnic cultural protection and tourism development proposed by Chinese tourism planning expert Yang Zhenzhi, and the view of “Cultural Firewall” from Tourism Planning Center of Peking University. Yet scholar Van在 民俗 旅游開發(fā) 中出現(xiàn)了不少 的問題， 所以 總體制定適當和 能 有效控制 民俗 旅游 的方案 才能 有利于保護傳統(tǒng)文化。 但是隨著 不斷深入的研究， 主流西方人類學家 態(tài)度已經(jīng)改變了 ，他們相信“旅游是一種文化適應和發(fā)展模式”。 在 全球性的信息時代 的強烈沖擊下， 即使沒有游客進入某些少數(shù)民族地區(qū)旅游，那些地區(qū)的現(xiàn)代化進程 也無法避免。 目前中國旅游產(chǎn)業(yè)發(fā)展的趨勢是進入新一輪的發(fā)展壯大時期，而 國內(nèi)最大的旅游市場 也進一步發(fā)展 。這些類型的聲音反映的差異來自不同的聚焦點，和 反應了 有“反對派”文化遺產(chǎn)保護與旅游發(fā)展定位的意義。事實上，社區(qū)居民，是有權選擇自己的生活方式和文化。雖然 游客都知道在很大程度上 有一個現(xiàn)有的問題，是關于“舞臺真實” 。專 家和學者，文化才能真正充分保留其原有特點。由于傳統(tǒng)文化并不意味著先進文化和優(yōu)秀的文化，他們很多是 老年齡 的產(chǎn)品并且他們自己也 存在一定的缺陷，不能適應現(xiàn)代化發(fā)展。 旅游推廣介紹各種文化生產(chǎn)活動，而產(chǎn)生這些文化進一步推動旅游業(yè)的發(fā)展，促進旅游業(yè)的發(fā)展。只有這樣，才能將民族傳統(tǒng)文化保護為市場經(jīng)濟的發(fā)展，培養(yǎng)自我保護和自娛功能的民族傳統(tǒng)文化，使平凡的人不斷獲得激勵的保護和傳承民族文化，加強 對 自己的民族文化 的信心 ，提高他們的能力， 使其自我學習、傳承、保護和 發(fā)展少數(shù)民族文化。因為一 些被遺忘的“傳統(tǒng)”可以激活的偶然因素，旅游發(fā)展可 作為“偶然因素”，使許多被遺忘和消失的傳統(tǒng)習俗在旅游的發(fā)展過程重現(xiàn)， 很多在民間消失民間舞蹈再 重新傳播 。換句話說，除了顯示目前海關，旅游也可以恢復 已經(jīng)褪色 或 正在 褪色的習俗，并創(chuàng)造新的習俗。 它是 改進的民族文化身份認同的心態(tài)，我 16 們不可抹殺其 對 民族文化保護 的積極影響 。對旅游真實性，許多學者曾提 出自己獨特的觀點，如 社會人類學家麥坎內(nèi)爾提出的“ 新模式的前級，窗簾，后臺” 前臺和后臺的理論形式 ， 北京大學“文化防火墻”旅游規(guī)劃中心中國旅游規(guī)劃專家楊真知 也 提出了 民族文化保護與旅游開發(fā) 。旅游業(yè)是該給游客帶來一種真實的經(jīng)驗而真實的本體。所有這些，不能妨礙 游客在旅游活動 的 真實感受 ， 15 這些感情 是 理性分析 不可取代的。一些學者認為，民族傳統(tǒng)和民族文化表現(xiàn)在文化示范 點是不真實的，他們是最“舞臺真實”經(jīng)過裝飾加工 的。學者 作為現(xiàn)代社會的局外人 ， 是 根據(jù)他們的生活方式的比較和 喜 愛從其他國家和民族的文化傳統(tǒng)遺產(chǎn)的不可改變的堅持， 而這一點有時甚至是從他們自己的需要而不是旅游當?shù)?居民想什么。在這樣的現(xiàn)代語言環(huán)境的快速增長，旅游業(yè)將不可避免地影響旅游業(yè)發(fā)展的少數(shù)民族地區(qū)，而事實上無法避免的。在社會的各種文化交匯的各個地方 通過 連續(xù)娛樂 的 過程中擴散和混合 的 過程。事實上，我們需要一個積極的前瞻性的眼光，有一定的判斷被動影響，并積極保護和發(fā)展 目的地 ， 然而，需要避免夸大 發(fā)展 民族文化旅游 消極影響 。民俗旅游開發(fā)激進的趨勢與民俗 文化保護的積極性日益引起越來越明顯的旅游開發(fā)與文化保護之間的沖突， 尤其是 有關少數(shù) 民俗 文化保護與旅游開發(fā) 的爭議 已引起人們越來越多的關注。 and it as well needs to understand why tourists e here one after another and take this part as an internal motivation to self inherit traditional cultures. Only in this way, can it insert ethnic traditional culture protection into the market economy development link, cultivate selfpreservation and selfrecreation functions of ethnic traditional cultures, make ordinary people gain constant motivation of inheriting and protecting ethnic cultures, strengthen the self