【正文】 of children bear bitter hardships, but unfortunately the deaf daughter, son is clever and lively, later because the county long Lady unexpectedly died of blood the cultural revolution, the great leap forward, representing the experience of natural disasters, Feng Xia and her husband died, a son of Feng Xia birth of the bitter root has not escaped the fate of the claws, finally only fukki a person, and a head of cattle and his namesake pany, which is quite alone with a pregnant meaning, sunset, already chuimu old man drove cattle further away, hoarse voice in the land at the end of the slowly rising juvenile to wander, middleaged to dig hidden, old monk.“Close this heavy blue book, the tears have wet eyes, let me not only filled with a thousand regrets variety of tragic hero experience, but because he has experienced so much, but still humble to live, he shall have been far beyond the scope of ordinary people can worst part of dying is not the one who leaves, but the one who is forced to accept only do they have more responsibility on their shoulders, but they also have fewer people to share with it is because of this that the living have to live more firmly, that is because they are carrying more than their own enjoy living, living so good, living so have read ”life“ written by Yu Huas writer, telling the protagonist Xu Fuguis life, experiencing changes in Chinese history, social unrest, three years of natural disasters, the cultural revolution and so your old age to life calm and natural us that we live to live, not live to live for you are out of trouble, you feel alive, happy, alive, then you will feel frustrated, not you help others, you feel the good life and the happy life, then you will feel how happy it is to help you are successful, you feel what is good and happy in life, and then you will feel how proud you are to is an unfortunate and fortunate man, his love life, love life, so that when he was young he suffering from an incurable disease, break through all the difficulties, to bee a great physicist, is the worlds made him so successful? He was optimistic about life and experience a little tender tooth es out of its branches, when a newborn child makes a loud the patient has the fish play happily in the water, when the birds are in the branches, the hair sounds feels good to live, happy to all depends on the beauty of life, and the good life is always with Moruo once said: ”life and death is a thing on the line.“.Life is struggle, death is is active, death is sleep.” Let us live happily, live happily.第三篇：余華《活著》讀后感余華在《活著》一文中寫到：我意識到一位真正的作家所尋找的是真理，是一種排斥道德判斷的真理。作家的使命不是發(fā)泄，不是控訴或者揭露，他應(yīng)該向人們展示高尚因此，作者寫出了《活著》，用簡單、潔凈、純樸的文字，通俗流暢的敘述，真實(shí)貼切的表達(dá)，向讀者展示了對一切事物理解之后的超然，對善與惡的一視同仁，以及怎樣用同情的目光看待世界。但是到了《在細(xì)雨中呼喊》,我開始意識到人物有自己的聲音,我應(yīng)該尊重他們的聲音,而且他們的聲音遠(yuǎn)比敘述者的聲音豐富。如果用第三人稱來敘述，如果有了旁人的看法，那么福貴在讀者眼中就會是一個(gè)苦難的幸運(yùn)者。”“現(xiàn)在想起來叫我心疼啊,我年輕時(shí)真是個(gè)烏龜王八蛋?！边@些都是福貴在回顧自己的一生時(shí)發(fā)出的肺腑之言,他是帶著感恩和懺悔的心態(tài)去述說的,所以,福貴一家人的命運(yùn)呈現(xiàn)給讀者是溫暖的,是充滿感情的?！边@些看似粗俗的語言實(shí)則反映出了當(dāng)時(shí)的真實(shí)情況,天天都有肉吃的日子誰都愿意過,可這也預(yù)示了隨后到來的大饑荒?？磿^程中對作者文筆無比佩服，用第一人稱講述他在田間遇到的這個(gè)叫福貴的老人的一生。沒有經(jīng)歷過，其所言所行都十分蒼白而無力。余華活著讀后感2暑假時(shí)拿到了一本書，黑色的封面上映著更加烏黑的大字：活著。不過仔細(xì)想想他還是有著其余人不曾擁有的品質(zhì)。讀《活著》就是這種感覺，你不斷的幻想書中的人物應(yīng)該有個(gè)美滿的生活了，可讀下去作者會不斷打碎你的幻想，閱讀簡直是在經(jīng)歷恐懼。面對春生，這個(gè)昔日患難與共的朋友，今日間接害死自己兒子的仇人，他選擇了埋葬仇恨，即使是在絕境面前他依舊勸解朋友，要堅(jiān)強(qiáng)地活著，只要活著，只為能夠活著。福貴生于富貴家庭，年輕時(shí)放浪不羈，將家產(chǎn)揮霍一空，成為普通佃戶。余華活著讀后感6合上《活著》這本書，心中不由得感慨萬千。我們甚至?xí)г股鐣l(fā)展太快，導(dǎo)致我們總是跟不上時(shí)代的步伐，前腳剛剛邁入，后腳已被時(shí)代所淘汰……我們的生活中總會遇到這樣或那樣的不如意，我們抱怨，我們埋怨，我們憤世嫉俗，我們甚至借助平臺大聲疾呼，指責(zé)社會的不公，人情的淡漠。命運(yùn)就是這樣的作弄人，這樣的令人無法琢磨，令人尷尬的無奈著，痛苦著。余華在書中說“活著的力量不是來自于叫喊，也不是來自于進(jìn)攻，而是忍受，去忍受生命賦予人們的責(zé)任。說來慚愧，小學(xué)和初中總會有各種理由推辭，使得讀書經(jīng)歷不多，但對于讀書，我還是很向往的。讀完《活著》對生活進(jìn)行全新的思考，讓我們的正確對待自己的人生，實(shí)現(xiàn)價(jià)值，好好活著！第五篇：余華《活著》讀后感余華《活著》讀后感怎么寫活著“在我們語言是充滿力量，他喊力量，是不是進(jìn)攻，而是忍受，忍受生命賦予我們責(zé)任，忍受展示給我們快樂和痛苦，余華《活著》讀后感。他父母死于家庭失去了落后，已經(jīng)沒有疼痛，平靜，與他妻子離開了他同甘共苦。如果你仔細(xì)觀察，你會發(fā)現(xiàn)在1995年余華文學(xué)創(chuàng)作，就是在說:”活著“創(chuàng)作進(jìn)入一個(gè)非常微妙時(shí)期。或者說，我們將驚奇地發(fā)現(xiàn)這篇文章，余華早期“毛毛雨”兩種外觀。在余華創(chuàng)作低迷，寫作其實(shí)只是一種習(xí)慣。說，“我要活下去”表現(xiàn)手法，質(zhì)疑生命意義哲學(xué)滲透。這就是為什么，“我要活下去”明確提出在一般理解內(nèi)容活著是一個(gè)過程，但是，生活基本上處于靜止?fàn)顟B(tài)。然后必須賦予意義，那么唯一可以為意義計(jì)算，恐怕生活本身。余華主張剛才所描述，敘述是不正常故事用一種近乎冰冷提示音。余華是可以寫一個(gè)像一個(gè)孩子涂鴉一般開放。讓我們在這一點(diǎn)看，后一個(gè)自稱是有關(guān)真實(shí)”工作。我記得一個(gè)字:生活領(lǐng)域生活，每個(gè)播種苦難成為總統(tǒng)希望，他們是我們手中。他終于在貧困意識，也許不會太晚。而另一個(gè)給我留下深刻印象的是他的妻子家珍，當(dāng)福貴家境敗落，一無所有的時(shí)候，家珍從遠(yuǎn)處踏著堅(jiān)定的步伐回到茅草屋中時(shí)，心中不免為之動容，一個(gè)如此放蕩不羈的男人卻仍讓他不離不棄，她的善良和對丈夫的愛令我深深牢記。追尋，探究的本質(zhì)不過是一個(gè)大笑話而已等等，而沒有其他任何過多的意義？在表達(dá)手法上，他用一種近乎冰冷且似乎沒有溫度的筆調(diào)娓娓敘說一些其實(shí)并不“正?！钡墓适拢说拿\(yùn)就是如此這般的循環(huán)往復(fù)，一代又一代的周而復(fù)始……夜深人靜的時(shí)候，如果想到這些，再想到不久前的友的《祭奠自己》，再想到林語堂《生活的藝術(shù)》中說“……如果我們在世界里有了知識而不能