【正文】
s absence. Line 19 indicates that he was as averse to this separation as she was. In line 20 the phrase by the gate (perhaps the same gate they played about as children), indicates that she has returned to this gate and in her memory sees him reluctantly leaving again. For her it is the scene of the beginning of his absence. And evidently she knows this scene well: not only is there moss growing there, but she is aware that there are different kinds of mosses, which she has not cleared away since his departure. They are now too deep to clear away. growing ageAllusion: the story of a woman waiting for her husband on a hillFor Pound: the otherworldly nature of her love during her marriageThis opening stanza of 6 lines is organized around a central image of the rivermerchant and his wife as a child, confirmed by the first ponent of the central image: the picture of a little girl with her hair cut in bangs. (The mark of an adult woman in the ancient Chinese culture was elaborate arrangements of uncut long hair.)Each line contributes to a clearer understanding of the central image of the children. The repetition in three separate lines of the verb playing to describe the little girl39。八月蝴蝶來(lái),雙飛西園草。十四為君婦,羞顏未嘗開(kāi)。 attitude toward Whitman. At the beginning of the 20th century, Pound and many others were disgusted with Whitman’s positive amp。 To him life was sordid personal crushing oppression, and culture produced nothing but “intangible bondage”.(3) Direct treatment of the “thing”, whether subjective or objective。 Principles1. Failure of munication of Americans(2) Freud’s theoryIII. widespread contempt for law (looking down upon law)1. Jazz Age – Jazz musicII. Failure of the American societyImagismI. Imagism was influenced by French symbolism, ancient Chinese poetry and Japanese literature “haiku”II.s Hospital in Washington, . During his confinement, the jury of the BollingenLibrary of Congress Award (which included a number of the most eminent writers of the time) awarded him the prize for the Pisan Cantos (1948). In 1958, he was released from the hospital, returned to Italy and settled in Venice.In 1972, he died, a semirecluse(隱居) Ezra Pound promoted a modernist aesthetic in poetry. In the early teens of the twentieth century, he opened a seminal exchange of work amp。 Pound sees in Chinese history and the doctrine of Confucius a source of strength and wisdom with which to counterpoint Western gloom and confusion.(4) damp context