當代西方建筑美學(xué)新思維畢業(yè)論文外文翻譯-免費閱讀
【正文】 s popular false pluralism is a contemptuous disregard. He once said, today, we have the mon value system of evaluation of our diverse world, in this world, the reality is chaotic, unpredictable, so it is unknown. The adventure has bee our principles of operation...... One of the central themes of today39。他說：“我們應(yīng)該尋找一種足以反映我們世界和社會的多樣性的復(fù)雜本科畢業(yè)設(shè)計 第 3 頁 性。他對拼貼式的、虛假的后現(xiàn)代主義懷著深深的厭惡，對 80 年代流行一時的虛假的多元論更是不屑一顧。仿佛總體性是一種如影隨形、神出鬼沒 、無法擺脫的東西。對審美，具體地說，對藝術(shù)和建筑來說，總體性通常只能是一種惰性力量，甚至可以說，它是創(chuàng)造性最可怕的敵人。然而，在當代，在西方當代哲學(xué)與科學(xué)思想的雙重影響和推動下，當代建筑審美思維發(fā)生了歷史性的變革。它完全擺脫了總體性的、線型的和理性的思維的慣性，邁向了一種更富有當代性的新思維之途。 總體性的可怕之處在于，它具有一種周期性病態(tài)發(fā)作的慣性力量。在他看來，逃離總體性既不可能，又無必要。他曾說，“今天，我 們有可能評價我們多元世界里共同的價值系統(tǒng)，在這個世界，現(xiàn)實是混亂的，不可預(yù)測的，因而終究也是不可知的。交錯組合和開放的建筑沒有什么區(qū)別：他們都慫恿使用者去占據(jù)空間。s building, is about an architect can in our environment, corrosion of autonomy, our sense of self and personal mental psychological and social forces independent action problem fro m within. Main and his researchers cooperation, attaches great importance to the art creation and personal independence. In their view, the individual should not be affected by the grand narrative (Grand Narrative) influence, should not be subject to the macro rationality, and should follow the guidelines for creating self pure mission, go narrative that personalized road. Only in this way, the building can get rid of the same sex and overall cycle. With the design of Vienna Z bank G. Domini (Gunther Domenig), and the blue sky group Wolf? S (Wolf Prix) apparently Rex the building as a kind of narration and expression of art. He sincerely hopes to the architect39。 if art to bypass the disgraced historical logic, then it will have to pay a high price for this free, one of which is difficult to meet the repro
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