【正文】 人為的破壞和焚燒，這種種因素，使我們能大致得出以下結(jié)論：兩坑的掩埋是三星堆古蜀國同一王朝統(tǒng)治集團內(nèi)部，在不同時期改朝換代的結(jié)果；在掩埋過程中毫無疑問地舉行過帶有濃厚祭祀意味的大型宗教活動，而器物所遭到的破壞和焚燒，正是在祭祀活動中應(yīng)用了“碎物祭”和“潘燎祭”兩種祭法的結(jié)果。在這個龐大的青銅兵團中，有“王者之風(fēng)”的青銅大立人像；有栗眉大眼、高鼻闊口的各類人頭像；有呲牙咧嘴、形象詭譎的青銅獸面；還有形式各異的各型跪坐人像……。總而言之，王與巫、人與神，在此復(fù)合交融，莫辯彼此．可謂王巫合一，人神一體。這件神壇是根據(jù)原件放大六倍后的仿制品。三千多年前的人們在這件神器面前該是何等的虔誠，怎樣的膜拜！在那個相信萬物有靈的年代，人們渴求豐產(chǎn)和豐收，希望神靈能賜福禳災(zāi)，他們通過巫師為中介，把祭品獻給天地和諸神，祈求神靈的保佑。而三星堆古蜀國，正是這種典型的神權(quán)色彩極重的早期政權(quán)之一。樹分三層，每層三枝，共九枝。樹干上嵌鑄一條繩身馬面龍，龍頭有一對犄角，龍身有刀狀羽翅，前爪匍匐于樹座，身尾串連于樹干，造型怪異，匪夷所思。太陽及太陽神崇拜是人類諸神崇拜中的主神崇拜，三星堆神樹正是太陽及太陽神崇拜的產(chǎn)物?！蔽覀兘濉盎辍弊窒笳魇袢俗怨挪汇木瘢忠庵概c世永在的三星堆文物。是否就是指的這種眼睛呢? 一般人都認為這就是蠶叢及其蠶叢部族“縱目”、“其目縱”的形象化的實際寫照。這幅極為罕見、彌足珍貴的圖案，總體內(nèi)容表現(xiàn)什么呢?我們只能大體推測它與原始宗教的祭祀儀式有關(guān)。但青銅的太陽輪，目前只有三星堆遺址出土的這幾件，所以極其珍貴。人像頭戴冠，身著三層衣服，腳戴足鐲，赤足站立。在下民眼中，它同時也是“神”。三星堆已出土了八棵神樹，但均曾被砸爛并經(jīng)火燒。第六組鳳鳥翔云這是第六組，展出青銅鳥及飾件等。鳥崇拜也是古蜀族諸神崇拜中的主神崇拜，而鳥崇拜的實質(zhì)是太陽及太陽神崇拜。當(dāng)然，誰也沒見過龍，在塑造它時，自然就可以充分發(fā)揮想象力。進入封建社會以后，它漸成最高權(quán)威的標(biāo)志?？傮w來講，或者可以認為，這件神壇反映了古蜀先民的一種宇宙觀，一種包羅萬象的，對天地、自然、神祗、人世的認識體系。從造型上看，古代匠師的藝術(shù)夸張手法運用得極高明，使整個造像顯得結(jié)構(gòu)完整，比例勻稱，美觀耐看。再請觀眾特別留意這鳥腳人像，通高81．2厘米。人像的腳演化成鳥爪，強勁有力，緊緊鉗住下面的鳥頭。請凝視這神鷹，它緊閉勾喙、圓睜大眼、精神抖擻、魄力萬鈞，充溢著無比雄渾壯偉的氣勢。金杖出自一號坑，系用金條捶打成金皮后，再包卷一根木杖而成。圖案分三組：靠近端頭的一組為兩個前后對稱、頭戴五齒高冠、耳垂三角形耳附的人頭像，一副笑容可掬的樣子。第四單元三星永耀——三星堆的發(fā)掘與研究半個多世紀以來，幾代考古學(xué)人在三星堆不懈地進行著探索工作。圍繞三星堆的研究已漸成一門顯學(xué)，并吸引著更多的海內(nèi)外學(xué)者。國內(nèi)學(xué)術(shù)界給予了“全國首次發(fā)現(xiàn)”、“填補重要空白”、“前所未有”及“罕見的實物資料”等高度評價。三星堆文物初露豐采，即以其深厚的文化內(nèi)涵和特有的藝術(shù)魅力，使海內(nèi)外無數(shù)觀眾稱奇道絕，嘆賞不已。以后50年代、60年代，四川考古學(xué)人踵武前賢，堅持不懈地在此辛勤耕耘。從“巴蜀文化獨立發(fā)展說”，到“廣漢文化”的提出；從“三星堆文化”的認同，到“三星堆古文化、古城、古國”的確證，正是幾代考古學(xué)人在三星堆這塊土地上前赴后繼，拋汗灑血的心路歷程?！叭嵌盐拿鳌钡拇_認，再次雄辯地證明了中華文明的起源是多元一體的。許多重大學(xué)術(shù)問題，如同千古之謎，尚待人們?nèi)ド舷虑笏鳌⑵谱g及獲取其間寶貴的信息。參觀到此告一段落，歡迎各位留下寶貴意見！第三篇：三星堆遺址參觀感想神秘的三星堆文明記得第一次去參觀三星堆遺址公園的時候就被這些千姿百態(tài)的有些類似外星人的人形造像就深深吸引了，覺得古代的文明非常細膩和神奇并且充滿想象力。在三星堆遺址中，青銅文明占據(jù)了主導(dǎo)的地位，這些古蜀國的人形造像為我們展現(xiàn)了一個多姿多彩的古代文明。青銅神樹分為3層，樹枝上共棲息著9只神鳥,顯然是“九日居下枝”的寫照，有兩顆大銅樹體量巨大，尤其是一號大銅樹上還有龍盤繞，它們應(yīng)當(dāng)不是普通的樹木，而是具有某種神性的神樹，也給學(xué)者留下了無盡的謎題，讓人們在歷史與古籍中尋找。all of them are unparalleled there are many gold wares and jade wares ,and many of them are the first ever seen of their these relics proved that Sanxingdui was the capital of the ancient Shu Kingdom more than 3,000 years , Ladies and Gentlemen, I would like to introduce you one of the most unique and grotesque relics in the museumthe bronze mask with protruding , please watch the mask is 78 centimeters wide , centimeters high and on the forehead there is a dragonshaped crown, which is 68centimeters mask’s eyeballs are quite strange,right? they are not the normal eyeballs ,but look like two bulging circular cylinders, and each thrusting outward about ears are also stange ,they are very big and stretch out on both , the mask is half human beings half you may feel confused: What was their prototype or origin? Why must they be expressed in such way? The answer may lies in the years ago, Sanxingdui was the capital of the Shu Kingdom and Cancong was the first the Shu people regarded Cancong as their ancestral to written records in the Shu Kingdom’s Chronicle, it says: “ Cancong had protruding eyes”.In the past, scholars were very confused of the term “protruding eyes”, because they did not know what it really order to explain it, a lot of speculative theories were none of them were with the excavation of this mask, most archeologists agree that the term should refer to the appearance of the believe that the mask represents the image of CanCong , the first ruler of the Shu kingdom..Everybody ,do you agree the explanation? If you don’t , here I want to share other speculations with opinion is the mask is associated with some the exaggerated eyes and ears are the most impressive features of the some archeologist believed that these images symbolize the socalled ThousandMile Eye and WindAcpanying Ear in Chinese opinion is that the mask shows the evolution of early cultures tend to mix animism with ancestral worship , so it is not strange that the mask has both animalistic and human , no matter which opinion you take, because we have no written records about how and why the mask was made, I believe the debate about the mysterious mask will go on for a long Ladies and Gentlemen, I will give you 5 minutes to observe the you can also freely photograph or film it, but please remember, don’t use flash .第五篇：半坡遺址導(dǎo)游詞半坡遺址位于西安市以東，是一個典型的母系氏族公社村落遺址，屬于仰韶文化。發(fā)掘面積為1萬平方米，共發(fā)現(xiàn)房屋遺址46座，圈欄2座，儲藏物品的地窖200多個，成人墓葬174座，小孩甕棺葬73座，燒陶窯址6座，以及大量生產(chǎn)工具和生活用品。第一展室主要展出在半坡遺址發(fā)現(xiàn)的生產(chǎn)工具，有石器、漁具、紡輪、骨針、魚鉤、魚叉等，我們可以由此了解半坡人生產(chǎn)活動的各種場面。此圖反映了半坡人和魚之間的密切關(guān)系和特殊的感情，可能是半坡氏族崇奉的圖騰。用它盛水還有兩大特點，一是便于手提與肩背，二是口小，灌滿水后從河邊到居住區(qū)的路上水不容易漫出。黃帝陵導(dǎo)游詞 孩子埋葬在房屋附近，這充分表達了父母對子女的眷