【正文】 管，被一個細膩多情的導演，用戲劇把他的所有一一遮蓋，所以，他的恐懼他的延宕他的悲情結(jié)局，都是來自人類純真才華時期的抗拒。也許人人心中也都曾經(jīng)有過這樣一瓶水，只是隨著歲月的磨礪而模糊了，污染了，所以1900的清新純凈才那么讓人動容吧。這樣的結(jié)局無法不讓人反復回味。你用鋼琴表達你的快樂，但音符不是無限的。他選擇了自己的世界而放棄了生命，他決定留下來和弗吉尼亞號同歸于盡。他甚至可以觸景生曲,看到什么樣的人就可以即興創(chuàng)作和彈奏出神入化的曲子,娼婦,小偷,戀愛中的傻蛋,串通情人謀殺丈夫的淫婦??他已讀懂了人類，卻沒有人懂得他。是的，他也曾嘗試過，努力過，試著用音樂和人們交流。林花去了春紅太匆匆，無奈朝來寒雨晚來風??Land? Land is a ship too big for me, It’s a woman too beautiful, a bridge too long, perfume to strong, music I don’t know how to can never get off this ship, At best, I didn’t step off my all, I don’t exist for anyone.??陸地？陸地對我來說是一艘太大的船，一個太漂亮的女人，一段太長的旅行，一瓶太刺鼻的香水，一種我不會創(chuàng)作的音樂。1900的愛情，沒有泰坦尼克號的撕心裂肺轟轟烈烈，挪用了中國式徘徊柔情和三分朦朧，讓他們從未結(jié)束，也從未開始。在船弦上所有送行者的注視下，1900把摘下的帽子用力地拋向空中，而最后帽子落進了水里。在這段布魯斯風格的配樂當中，突顯出來的鋼琴旋律和仰角拍攝的鏡頭同步。終于聽到了朋友的這一決定，麥克斯開始高興的為1900描述未來的情景。1900在這片不能離去的海里，著陸了愛情。1900假設了對話的情景，想送給她一張刻錄碟，里面的曲兒彈得都是即興與寄情。正如麥克斯賣掉了他那把鐘愛的小號。末了，當唱針也疲憊了，頹然收起唱片機，準備離開沒有回應的老友，他斜斜靠在暗影里，問：“你在哪兒找到這張唱片，麥克斯？”仿佛從未有離亂，從未有戰(zhàn)爭，從未有潦倒，從未有流年從身上奔涌而過。也許麥克斯的出現(xiàn)是1900最大的慰藉。這位小號手是1900第一位朋友，也是唯一的朋友。波浪像興奮的孩子蹦跶著，卷起一個又一個巨浪，將弗吉尼亞號拋上去又推下來。不過幸運的是，他遇到了1900，黑夜中狂跳的音符和神秘的微笑。在浮華的炫耀和單純的技巧面前，導演宣判后者贏了。在無數(shù)雙眼睛的注視下，1900拿起似乎被人遺忘了的那支香煙，用鋼琴里早已發(fā)熱的琴弦。驚呆的杰里他向正對他表示極大不滿的麥克斯要了一支香煙，也放在了鋼琴上，然后轉(zhuǎn)過身來，對似乎已經(jīng)勝券在握的杰里莫頓，但不懂其用意的觀眾卻認為模仿對手是不光彩行為，因而對他發(fā)出了一片噓聲。片中的杰里”我想，1900彈奏鋼琴的時候，一定有一群精靈在黑白鍵上，在三腳架上，手拉著手跳舞吧。正如1900第一次演奏的曲目，無師自通，動聽流暢的音樂只是因為心靈的訴求，于是那首曲子被命名為《重生的莫扎特》。這也似乎為他的悲劇性結(jié)尾埋下了伏筆。一如墜落的天使，帶著人間的疲憊，回到了天堂的懷抱。主人公1900便是出生在一艘運送各地移民前往美國實現(xiàn)夢想的豪華郵輪上，一個剛出生就被母親拋棄在鋼琴上的孩子。最后，他選擇和這艘被廢棄的船一起結(jié)束生命，離開這個不屬于他們的世界。1900慢慢長大，顯示了出了無師自通的非凡鋼琴天賦，在船上的樂隊表演鋼琴，每個聽過他演奏的人，都被深深打動。成蝶——《海上鋼琴師》影評這部經(jīng)典的影片，是一個人，坐在大屏幕前，靜靜地看完的。s my own perspective it is the “choice”.The human beings are faced with the choice at all choice, big or small, decides the direction of our choose to stay in the boat, even all the passengers are sorely tempted to throw him said: “Land is a ship too big for me.” He is anxious about the sense of no end, while the key of piano are not infinite, and that lets him fact, when pared with the real world, the life of 1900 has something never contact piano before, but when he play it first, the beautiful music springs from his dexterous hands so , how a person who never has the formal education can speak in so poetic language? And how he gets the food he needs to survive before Maxfinds him in that abandoned ship? However, the most controversial spot is the end of the movie: the hero’s conversation with really don’t agree with the 1900’s explanation why he doesn’t want to go off the ship at the very beginning, thinking he had a negative attitude towards I finally understand the of playing the piano for others or for money, he desires to continue his love for piano in heaven, to play his own like the 1900, we all have our own world, and desire to live a socalled life in the demarcated safe can we? I still remember such words: “Take a keys begin, the keys know there are eightyeight of them, nobody can tell you any are not are on these keys the music that you can make is like I can live by.” 1900 presses his life into this side to another, then enlarges into the infinite music he can make on the only 88 take the view from piano to the life freedom of society is infinite, but what a little pleasure can we enjoy from it? Life resembles a huddled adventure, so we are more prone to have a great admiration to these people who concentrate on a specific area when be tortured by fate, resisting the change can offers us a sense of other words, the human beings are may stronger than society if we can resist the extra temptation from the secular ’s what the movie want to tell us I 第二篇：《海上鋼琴師》影評落花弗吉尼亞號豪華