【正文】 ck on mind. The form of music, no matter hippie or punk, Hiphop or Metallica, is still restless. But the vogue and dazzling dresses on the strongest sound of a perfect bination of clothes and music. Clothes are the visualized music and music helps to express the spiritual connotation of clothes. Movie as a fashionable trend, driven by a force of culture, began to influence the trend of clothes ever since 1912, Compared with music and dance, movies a relative lateer. However, by creating a dreamland with the aid of light and shadow, its influence on the modern people was rather great. Movies not only changed the life of modern people, but also bridged the gap between people and fashion. Promoted filmmakers and fashion designers, film stars began to lead the fashion and the red carpet of the award ceremony became the catwalk of fashion shows. The pursuit of fashion from movies is more than the movies themsives . Movies, through their vivid characters under the charm of clothes , had a longstanding influence on fashion trends. While fashionable clothes inspired by movies , took the leaf in fashion trend .Nowdays , in order to get mutual benefit of both movie and clothes more and more movie directors ,both home and abroad, spend millions of dollars on making fashionable movie costumes. With a development of over 800years,the unique form of the traditional drama, Chinese opera, has formed a relatively plete artistic system. The traditional theatrical costume, known as “Xingtou”, is another wonderful flower in the treasure house of the Chinese clothes. Xingtou is the beautification and artistic recreation of ancient clothes. It presents characters by various colors and different patterns. Thus it forms a whole set of particular stage costume style. Traditional costumes of Chinese opera came from daily life, but with more decorative function. In order to provide the audience with better aesthetic enjoyment, stage costumes are decorated with many beautiful things such as bead embroidery, pompons, tassels and feather, which, as a result, make the stage more splendid. Costumes, as other good things on the stage, carry unique features with distinctive national styles. No matter what style it is , clothes are the inheritance and promotion of the nation?s cultural heritage as well as the embodiment of people?s worship of nature and their pursuit of the happiness and harmony. Then there are exchanges of clothing culture. The excellence of the stage costumes is not in its style, nor in its color, but lies in the energy and agility inspired by its cultural connotation, No matter the imagination of flying to the heaven expressed by the colorful feathered costumes, the dream of the Elysium represented in the dance of flying angles, or the worship of God displayed in masks, stage has bee the representation of the mortal world through various clothes. 服飾與演藝 演藝，即表演藝術(shù)，是通過(guò)人的演唱、演奏或人體動(dòng)作、表情來(lái)塑 造形象、傳遞情緒、表達(dá)情感從而展現(xiàn)生活的藝術(shù)。本論文從選題到完成，每一步都是在導(dǎo)師的指導(dǎo)下完成的，傾注了導(dǎo)師大量的心血。應(yīng)該說(shuō)， 舞臺(tái)服裝設(shè)計(jì) 的發(fā)展對(duì)于服裝起到了積極的推動(dòng)作用，這種推動(dòng)作用將繼續(xù)延續(xù)著。 結(jié)束語(yǔ) 當(dāng)今 舞臺(tái)服裝 新的流行元素 “ 動(dòng)中有靜，靜中有動(dòng) ” 的表現(xiàn)手法，這也是觀眾意想不到的一種動(dòng)態(tài)與靜止的美的結(jié)合 ，對(duì) 舞臺(tái) 服裝 設(shè)計(jì) 的促銷(xiāo)作用作了進(jìn)一步的升華。 舞臺(tái) 服裝設(shè)計(jì)的現(xiàn)狀現(xiàn)如今，舞臺(tái)美術(shù)設(shè)計(jì)伴隨著電子激光等高科技元素的迅速發(fā)展，已經(jīng)大范圍滲透到服裝中，并逐漸形成一股潮流，顛覆了以往的單色調(diào)布景、直線 T 臺(tái)、定點(diǎn)造型的設(shè)計(jì)，而呈現(xiàn)出更多樣性的時(shí)尚理念和創(chuàng)新意識(shí)，對(duì)服裝 設(shè)計(jì) 以及相關(guān)的演藝活動(dòng)的推廣起到了積極的推動(dòng)作用。舞臺(tái)服裝設(shè)計(jì)所涉及的范圍十分廣泛，包括社會(huì)規(guī)劃、理論模型、產(chǎn)品設(shè)計(jì)和工程組織方案的制定等等。舞臺(tái)服裝色彩雖然要以色彩學(xué)的基本原理為基礎(chǔ)，然而，它畢竟不是純粹的造型藝術(shù)作品，舞臺(tái)服裝色彩與美術(shù)作品的色彩也有明顯的區(qū)別，舞臺(tái)服裝色彩有其特殊性。設(shè)計(jì)師多年的知識(shí)全部溶解在這個(gè)創(chuàng)造中，因此使得設(shè)計(jì)后的衣服有了“精神”和“魅力”，好的設(shè)計(jì)為服飾增添了附加值。暴力美學(xué)下，法律與道德，正義與邪惡，其界線也不再是那么清晰。 所謂暴力美學(xué)，以我個(gè)人理解是用血與火或其他暴力行為來(lái)體現(xiàn)人與人之間人性美。此外 , 還可以通過(guò)抽紗、鏤空、刺痕、爛花等手法削減面料的表面 , 使其具有不完整 , 無(wú)規(guī)律或破爛感等特征。面 舞臺(tái)服裝特殊表現(xiàn)形式 料作為服裝的載體 , 也以各種全新的面貌出現(xiàn)。不一樣的服裝材料 , 形成完全不一樣的服裝風(fēng)格。在圖形的解 構(gòu)過(guò)程中 , 設(shè)計(jì)師大量采用各地區(qū)、各民族、各歷史時(shí)期、各流派的手法風(fēng)格 , 將自己置于過(guò)去與未來(lái)、激進(jìn)與傳統(tǒng)、中心與邊緣、理性與非理性等模棱兩可之間 , 并不需要一個(gè)統(tǒng)一的圖案主導(dǎo) , 顯示出解構(gòu)主義巨大的包容性。解構(gòu)主義服裝看似無(wú)形 , 卻疏而不散 , 正是這種玄妙的東方文化的抒發(fā) , 賦 予了作品神奇的魅力。 解構(gòu)主義在舞臺(tái)服裝設(shè)計(jì)中的運(yùn)用 解構(gòu)主義服裝是一種充滿個(gè)性的矛盾服裝風(fēng)格 , 其矛盾表現(xiàn)充溢著禪宗與人文的氛圍 , 其造型因跳躍、斷裂、分割、組合以及拼貼造成的非 服裝結(jié)構(gòu)上的矛盾和沖突使服裝顯得越發(fā)的陳厚、隱秘。這一過(guò)程可看作形象的觸發(fā)、形象的構(gòu)成和形象的完善。 服裝造型 設(shè)計(jì) 與燈光 在舞臺(tái)美術(shù)的范疇中，服裝造型與燈光的關(guān)系甚為密切，沒(méi)有光的配合，整個(gè)演出將會(huì)黯然失色，服裝造型也將變得平淡而無(wú)味。 舞臺(tái)服裝材料的表現(xiàn)價(jià)值 舞臺(tái)服裝材料選擇由衣著用領(lǐng)域?yàn)橹鬓D(zhuǎn)向 衣著用裝飾用工業(yè)用三大領(lǐng)域了。挺爽型面料線條清晰有體量感，能形成豐滿的服裝輪廓。在時(shí)裝的 流行 史中，常常伴隨著的是輪廓的變遷。 服裝的空間美和運(yùn)動(dòng)美是結(jié)構(gòu)設(shè)計(jì)的基礎(chǔ)。 現(xiàn)代服裝結(jié)構(gòu)設(shè)計(jì)，多運(yùn)用立體思維對(duì)效果圖進(jìn)行審視和對(duì)款式造型外觀進(jìn)行分析，深刻理解款式的立體構(gòu)形關(guān)系，認(rèn)真研究款式造型所賦予服裝的藝術(shù)風(fēng)格，深入理解服裝結(jié)構(gòu)與人體曲面的關(guān)系。服裝的立體意識(shí)和款式由平面轉(zhuǎn)化為立體的造型實(shí)踐，是服裝結(jié)構(gòu)設(shè)計(jì)教學(xué)的基本原則。 在 20 世紀(jì) 90 年代的服裝材料， 舞臺(tái)服裝設(shè)計(jì)的 發(fā)展速度可以說(shuō)日新月異，不斷開(kāi)發(fā)新品種，新功能繼續(xù)得到落實(shí)，服裝材料繼續(xù)以取代舊的，日益廣泛的應(yīng)用。服裝色彩的合理運(yùn)用，既是服裝設(shè)計(jì)師所追求的，又為服裝設(shè)計(jì)注入了新的活力，為設(shè)計(jì)師提供了廣闊的發(fā)展空間。 服裝是人類(lèi)文明的象征。 在舞臺(tái)演出中，為了激發(fā)演員的角色情緒，盡快進(jìn)入 規(guī)定情境，會(huì)利用燈光與服裝相配合的效果燈光是依靠光來(lái)創(chuàng)造空間、分割空間、渲染空間氣氛和情緒 ，保證舞臺(tái)形象的完美與整體。 作為人物造型，舞臺(tái)服裝與化妝同屬于一個(gè)部分，是不可分割的一個(gè)整體，他們同樣影響著角