【正文】 、果山養(yǎng)雞、竹山養(yǎng)羊以及大棚蔬菜等，同時(shí)是烤煙、商品糧基地。三個(gè)行政村中有2000多人為庫(kù)區(qū)移民。 改善山區(qū)公路，加大農(nóng)村扶貧基礎(chǔ)設(shè)施建設(shè)，是振興當(dāng)?shù)貛?kù)區(qū)移民經(jīng)濟(jì)發(fā)展的需要。因此本項(xiàng)目的實(shí)施對(duì)于縣的路網(wǎng)、旅游發(fā)展起著重要的作用。由于該路段的落后狀況，制約當(dāng)?shù)貛?kù)區(qū)移民經(jīng)濟(jì)發(fā)展和交流，該項(xiàng)目的實(shí)施能改善行車(chē)環(huán)境，促進(jìn)當(dāng)?shù)貛?kù)區(qū)移民經(jīng)濟(jì)發(fā)展和方便于城鄉(xiāng)一體化的實(shí)施，該項(xiàng)目的實(shí)施還能改變農(nóng)村“單一”種養(yǎng)等傳統(tǒng)模式，促進(jìn)產(chǎn)業(yè)結(jié)構(gòu)的調(diào)整，有利于剩余勞動(dòng)力的轉(zhuǎn)移，加快當(dāng)?shù)貛?kù)區(qū)移民奔小康的步伐，并能提供良好的投資環(huán)境。隨著改革開(kāi)放的不斷深入，各種產(chǎn)業(yè)快速發(fā)展，庫(kù)區(qū)移民的生活水平也不斷提高，但交通基礎(chǔ)設(shè)施滯后，制約當(dāng)?shù)貛?kù)區(qū)移民經(jīng)濟(jì)發(fā)展，并給當(dāng)?shù)貛?kù)區(qū)移民的生產(chǎn)、生活帶來(lái)眾多不便。 經(jīng)過(guò)改革開(kāi)放二十多年的建設(shè)，縣國(guó)民經(jīng)濟(jì)和社會(huì)發(fā)展取得長(zhǎng)足進(jìn)展。民族英雄文天祥曾寫(xiě)下“山高不礙乾坤眼，地小能容宰相身”的詩(shī)句稱(chēng)贊。全縣共有個(gè)基層黨（工）委，個(gè)黨總支，個(gè)黨支部，其中農(nóng)村黨支部111個(gè)、社區(qū)黨支部□□個(gè)。 Unobvious theme:Important speeches. Characters talk and in their talk are revealed their judgments of the other characters or event. The characters’ judgments may give important clues to the theme.all cases) the novelist intends it to tell something important about the novel. Sometimes the central theme of the novel is present in the title. For example, Pride and Prejudice is about Darcy’s pride and Elizabeth Bennet’s prejudice. Main Street is about the life of middleclass people in a Midwestern town.. Think what the title of For Whom the Bell Tolls tells about its theme, and As I lay Dying. or platitude like “Beauty is only skindeep.” If one crams every new experience into an old formula, he loses the opportunity of new perception provided by reading novels.The theme is generalization about life based on the novel, and the statement of theme should be true also of other people or life situations. Therefore, names of characters and places should not be mentioned, for they suggest specific things and invite limitations. So in thematic discussion of Wuthering Heights, one may mention “people’s psychology of revenge,” but not “Heathcliff’s.”III. Five Requirements for Stating a Themepeople discard the novel when they think that they have got the theme. It should be made clear that the novel is not written to convey an idea but to convey an idea artistically. The novel is a work of art whereas the theme is only an abstract idea. An analogy from daily life may help clarify this question. People all need vitamins and get them from various kinds of vegetables and fruits. Only those with deficiency of one kind or another have to take vitamin pills to get the required amount. The difference between the theme and the novel is much like that between the vitamins and the vegetables. The reader sometimes finds that the theme of a novel is similar to or even the same as what he has already known about life and that he is still fascinated by the novel. Theme appeals solely to the intellectual level of reading while the novel as a whole mainly appeals to the emotional level.II. Clarification about ThemeAristotle in Poetics lists six basic elements of tragedy. Melody (song) and diction (language) fall in the general category of style, and spectacle is relevant to setting in our discussion of fiction. The other three aspects are mythos or plot, ethos or character, and dianoia, which we generally translate into “thought” in English. According to Aristotle, plot is the “soul” or shaping principle or fiction, and characters exist primarily as functions of the plot. In most of the stories, plot plays the role of principal structure of the story. But, as Northrop Frye points out, besides the internal fiction of the character and his/her society, there is an external fiction consisting of a relation between the writer and the writer’s society. We indeed have literary works by the likes of Shakespeare and Homer in which artistry is pletely absorbed in their internal characters and we can hardly perceive the existence of the author. However, as soon as the author’s personality appears on the horizon, a relation with the reader is established, and sometimes there seems no story at all apart from what the author is conveying to his/her reader. In this case, the primary interest in dianoia, the idea or thought that reader gets from the writer, which in modern criticism we generally call “theme”.contrasting. They may be main characters or minor characters. In a word, they serve as foils to the hero or heroine. Cohn in The Sun Also Rises is a good example. He is one of the main characters. Like Jake, he is also “l(fā)ost,” trying vainly to escape the past by courting women and drinking. But during their stay in Spain, Cohn displays qualities in contrast to those cherished by Jake, which makes Jake realize his own problems and finally find a solution, though temporarily. Cohn works mainly by contrast. Wilson in The Great Gatsby works by presenting. Gatsby lost his lover to Tom and Wilson lost his wife to Tom. By presenting Wilson’s case the novelist intends to point out the profound cause of Gatsby’s tragedy. Dr. Watson in the stories of Sherlock Holmes serves as a foil to the hero, rendering the detective smarter than he would otherwise appear to the reader.Foil characters are ones that help enhance the intensity of the hero by strengthening or Chapter Three ThemeSo the theme of a story, then, is whatever general idea or insight the entire story reveals. Another misconception about theme is that the theme is largely what the novel is. Some Finally, the theme is not to be confused with the subject. The theme is an idea while the subject is a matter or an affair. “Love is invincible” may be a theme, but “l(fā)ove” is only a subject. A subject may be universal. The subjects of The Scarlet Letter, The Great Gatsby, and Women in Love are all “l(fā)ove.” But these novels have different themes. A theme is particular to its novel, though there are many similar themes to be found in other novels.A theme must be expressed in the form of a statement with a subject and a predicate. For example, “Love of one’s country often inspires heroic selfsacrifice.” If a theme is expressed in the form of a phrase, then the phrase must be convertible to sentence form. One can say that the theme of a novel is “futility of envy.” The phrase can be changed to “envy is futile.