【正文】 d island of M225。 it is a mostly fotten series of moral essays with Crusoe39。s will for him. Crusoe then departs for Lisbon to reclaim the profits of his estate in Brazil, which has granted him a large amount of wealth. In conclusion, he takes his wealth over land to England to avoid traveling at sea. Friday es with him and along the way they endure one last adventure together as they fight off hundreds of famished wolves while crossing the Pyrenees. [edit] Reception and sequels Plaque in Queen39。s father and the other is a Spaniard, who informs Crusoe that there are other Spaniards shipwrecked on the mainland. A plan is devised wherein the Spaniard would return with Friday39。s Dock in Hull on a sea voyage in September 1651, against the wishes of his parents, who want him to stay home and assume a career in law. After a tumultuous journey that sees his ship wrecked by a vicious storm, his lust for the sea remains so strong that he sets out to sea again. This journey too ends in disaster as the ship is taken over by Sal233。s novel may have been Robert Knox39。d by Pyrates. Written by Himself, or simply Robinson Crusoe, is a novel by Daniel Defoe. First published in 1719, it is sometimes considered to be the first novel in English. The book is a fictional autobiography of the title character— a castaway who spends 28 years on a remote tropical island near Venezuela, encountering Native Americans, captives, and mutineers before being rescued. The story was likely influenced by the real life Alexander Selkirk, a Scottish castaway who lived four years on the Pacific island called M225。 the decreasing significance of the church, despite the preservation of empty ceremonies。Connells CBS) did not so much dismiss students for the day as set them free. A quick scan of the important adjectives in the first paragraph blind, quiet, uninhabited, detached, square, decent, brown, imperturbable quickly presents a world that is practical, simple, and unmitigatingly stultifying. As mentioned before, the boys who play in the neighbourhood are able, somehow, to discover some beauty and wonder even from these simple surroundings, but to do so they must bee connoisseurs of darkness: the lanterns on North Richmond are feeble, the lanes are dark and muddy, the houses “sombre” in the winter twilight, the dark dripping gardens redolent with the smell ing from their “ashpits.” This description of the street and the lives the boys live on it serve as the backdrop that we will use to understand how much more imaginative the Araby market will or will not be.[citation needed] Of course, the story’s greatest irony is just how misnamed the Araby market is. It is certainly not a wondrous evocation of the West’s idealized and romanticized notions of the Middle East. Rather, it is exactly the sort of disappointing market you would expect to appear in the Dublin Joyce describes. It is dark, mostly empty, hushed, and more focused on money than anything else. The market at the end of the story, by closer resembling the rest of his life than the image of it he had conjured in his daydreams, forces the narrator to a bleak realization: the stark realities of daytoday living have little to do with the ideals we carry in our heads.[citation needed] [edit] Themes For such a short story, Araby touches on a great number of themes: ing of age。 little more is revealed. If we can be reasonably sure that we know what the narrator knows, we can conclude that it is not so much Mangan’s sister as an actual person that captivates the narrator, but his idea of her, and by extension of Love. As Sheila Conboy writes in her article Exhibition and Inhibition: The Body Scene in Dubliners, While the boy narrates the process of his sexual awakening, the girl remains anonymous, merely the petticoated object of his desire, never given a voice to express a desire of her own. Because the narrator treats Mangan’s sister as only an object of desire as opposed to a person capable of desires reality is destined to disappoint him. Through Mangan’ s sister, we e to understand that the narrator at the end of the story is not only distraught because his idea of love has been dashed, but ashamed that he could have been so foolish and childish to believe in it in the first place. Though his view of the world may henceforth be less romantic, it might be fairer to women. Interpreted as such, the “quest” is not fruitless, because it helps the narrator e to selfknowledge. Jerome Mandel states in his essay The Structure of 39。 the destruction of the narrator’s dreams at the end of Araby e precisely from the disillusionment he experiences when he goes to the bazaar. The narrator39。在所有的 23 個故事中，除了兩篇之外，其余都是詩歌體裁的作品。 第二部分描敘貝奧武夫返國，被擁為王，前后五十年， 舉國大治。全詩內容分為兩部分： 第一部分描敘丹麥霍格國王（ King Hrothgurs）宏偉的宮殿，在前后十二年中，半人半魔的妖怪格蘭戴（ Grendel）每晚出沒捉食霍格的戰(zhàn)士。該詩中并未提及英國，但學者相信該詩約於西元七二五年左右在英國完成。 it is “Beowulf”,the national epic of the English people. 《貝奧武夫》（ Beowulf），又譯貝奧武甫，完成于西元八世紀，約 750 年左右的英雄敘事長詩，長達 3000 行。 貝奧武夫（ Beowulf）乃現存古英文文學中最偉大之作，也是歐洲最早的方言史詩。 Features of “Beowulf”:The most striking feature in its poetical form is the use of alliteration. Other features of “Beowulf” are the use of metaphors and of understatements. 本詩原以西撒克遜方言寫成，押頭韻而 不押尾韻，用雙字隱喻而不用明喻。第二天晚上，格蘭戴的母親前來為其子復仇，其后貝氏把她在一湖泊的洞穴中殺死。 The most prevailing kind of literature in feudal England was the romancechivalry. The theme of loyalty to king and lord was repeatedly emphasized in romances. 英國封建主義時期最主要的文學是傳奇故事 (騎士文學 ). 是最充分地表現 了封建貴族階級精神特征的文學，也是世俗的貴族階級文學的主要成就 . The Ballads:Aballed is a story told in in 4line stanzas,with the second and fourth lines are mainly the literature of the peasants,and in them one is able to understand the outlook of the English mon people in feudal ,敘事詩 (押韻 ). Geoffrey Chaucer ,the founder o