莫言諾貝爾文學(xué)獎(jiǎng)?lì)C獎(jiǎng)詞全文[5篇范文](文件)
【正文】 sures to fulfil their lives and burst the cages they have been confined in by fate and politics.。Proof of this misery is the cannibalism that recurs in China’s Mo Yan, it stands for unrestrained consumption, excess, rubbish, carnal pleasures and the indescribable desires that only he can attempt to elucidate beyond all tabooed 。Mo Yan’s imagination soars across the entire human is a wonderful portrayer of nature。他用嘲笑和諷刺的筆觸，攻擊歷史和謬誤以及貧乏和政治虛偽。所以莫言為所有的小人物打抱不平從日本占領(lǐng)到毛澤東的錯(cuò)誤到今天的瘋狂生產(chǎn)。他的語(yǔ)言辛辣。每一個(gè)瞬間都那么精彩。《豐乳肥臀》是莫言最著名的小說(shuō)，以女性視角描述了1960年的大躍進(jìn)和大饑荒。中國(guó)歷史上重復(fù)出現(xiàn)的同類相殘的行為證明了這些苦難。在這些民間敀事中，驢與豬的吵鬧淹沒(méi)了人的聲音，愛(ài)與邪惡被賦予了超自然的能量。請(qǐng)你從國(guó)王手中接過(guò)2012年諾貝爾文學(xué)獎(jiǎng)第四篇：2012諾貝爾文學(xué)獎(jiǎng)(莫言)頒獎(jiǎng)詞2012諾貝爾獎(jiǎng)?lì)C獎(jiǎng)詞莫言是個(gè)詩(shī)人，他扯下程式化的宣傳畫，使個(gè)人從茫茫無(wú)名大眾中突出出來(lái)。而莫言為所有小人物抱打不平，無(wú)論是日本侵華期間、毛式恐怖之下、還是今天的生產(chǎn)狂潮中面對(duì)不公的個(gè)體。這個(gè)作家彷佛通曉并善于描述形形式式人類生活，各種手工藝、冶煉、建筑、挖渠開(kāi)溝、畜牧和土匪的花招詭計(jì)通過(guò)他的筆尖躍然紙上。他用夸張、滑稽模仿加上變異的神話和民間故事，對(duì)50年來(lái)的宣傳進(jìn)行修正，并令人信服。莫言還就此話題寫了一部完整的小說(shuō)《蛙》。莫言筆下〝吃人〞象征無(wú)節(jié)制的消費(fèi)、鋪張、垃圾、肉欲和無(wú)法描述的欲望，只有他能那樣跨越禁忌嘗試去闡釋。高密東北鄉(xiāng)體現(xiàn)了中國(guó)的民間故事和歷史，卻又超越這些進(jìn)入一個(gè)國(guó)度，驢和豬的聲音淹沒(méi)人聲，愛(ài)與邪惡都呈現(xiàn)超乎自然的比例。he knows virtually all there is to know about hunger, and the brutality of China’s 20th century has probably never been described so nakedly, with heroes, lovers, torturers, bandits – and especially, strong, indomitable shows us a world without truth, mon sense or passion, a world where people are reckless, helpless and of this misery is the cannibalism that recurs in China’s Mo Yan, it stands for unrestrained consumption, excess, rubbish, carnal pleasures and the indescribable desires that only he can attempt to elucidate beyond all tabooed his novel Republic of Wine, the most exquisite of delicacies is a roasted have bee exclusive girls, neglected, irony is directed at China’s family policy, because of which female foetuses are aborted on an astronomic scale: girls aren’t even good enough to Yan has written an entire novel, Frog, about Yan’s stories have mythical and allegorical pretensions and turn all values on their never meet that ideal citizen who was a standard feature in M
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