【正文】 ecological footprint， from switching to green energy and reducing energy use， through selecting sustainable materials and choosing local suppliers， to recycle and minimize waste. On the other hand， as consumers we can all make contributions by selecting environmentally friendly clothing and reducing clothing consumption. There is some concern that ecofriendly fashions are just a trend that we will eventually grow tired of but we can make sure that doesn39。 Issues related to 72 Ethical Working 73 involved Problems with Textile 74 Cottonplanting: use of pesticides。cleaning: global warming。 shopping habits New clothes: bought in increasing quantities Old clothes: 77 away quickly 78 to problems Fashion producers Ways to recycle and 79 waste: Switching to green energy。fashion can contribute to our personal health. 第二節(jié) 書面表達 請觀察所給的圖畫并根據(jù)你對該圖畫的理解寫一篇英語短文，內容包括： （ 1）簡要描述圖片，并說明該圖片所揭露的現(xiàn)象； （ 2）分析造成該現(xiàn)象的原因（至少兩點）； （ 3）提出自己的看法。 The Inter has long been regarded as a wonderful tool that allows students to gain insight to useful resources and information. However, this is not always the case. 揚州中學 2021屆 4 月質量檢測 高三英語 參考答案 聽力： 15 CABCA 610 BAABB 1115 CBACA 1620 ABCBC 單選題： 2125 CAADB 2630CCDAB 3135 BBBBC 完形 填空： 3640 DADBA 4145 ABBAB 4650 BCBBD 5155 CABAB 閱讀理解： 5658 BDC 5963 ACCDA 6466 ACA 6770 BBCD 任務型閱讀： 71. Aspects 72. environment 73. conditions 74. production 75. harmful 76. Consuming/using 77. thrown 78. Solutions 79. minimize 80. Consumers 書面表達參考范文： As is vividly shown in the picture, a boy is happy with the fact that he can depend on the Inter to finish tasks without 。開頭已經給出，不計入詞數(shù)。 Selecting sustainable materials。 Using chemicals。farming amp。fashion can also contribute to our personal health, though it is mostly done by way of keeping the health of the pla. Why choose ecofashion? 71 of fashion Ecological Textile amp。farming and wool173。每個空格只填一個單詞。old tradition began accidentally in 1989 when locals anized an art exhibition to draw winter visitors to the remote village that lies 200 km north of the Arctic Circle． Among the many tourists was an adventurous group and they announced their intention of spending the night in the place where the exhibition was being held． That’s when the idea of building the icy acmodations dawned on the locals． 56． Why is Sweden’s Icehotel rebuilt every year? A． It needs more rooms． B． It is entirely built from ice． C． It follows old traditions． D． It can be easily decorated． 57． What is unique about the hotel this year? A． It opens earlier than ever before． B． More expensive rooms are available． C． Room prices are more affordable． D． Some rooms have theme sculptures． 58． What can be inferred about the hotel in Paragraph 3? A． Its service needs improving． B． Its activities may be boring． C． It tries to appeal to customers． D． Its food is not delicious at a11． B Books, Films and Plays The novelist’s medium is the written word, one might almost say the printed word. Typically the novel is consumed by a silent, individual reader, who may be anywhere at the time. The paperback novel is still the cheapest, most portable and adaptable form of narrative entertainment. It is limited to a single channel of informationwriting. The narrative can go, effortlessly, anywhere: into space, people’s he ad, palaces, prisons and pyramids, without any consideration of cost or practical possibility. In determining the shape and content of his narrative, the writer is restricted by nothing except purely artistic criteria. The novelist keeps absolute control over his text until it is published and received by the audience. He may be advised by his editor to revise his text, but if the writer refused to meet this condition no one would be surprised. It is not unknown for a wellestablished novelist to deliver his or her manuscript(手稿 ) and expect the publisher to print it exactly as written. However, not even the most wellestablished playwright or screenplay writer would submit a script and expect it to be performed without any rewriting. This is because plays and motion pictures are cooperative forms of narrative, using more than one channel of munication. The production of a stage play involves, as well as the words of the author, the physical presence of the actors, their voices and gestures, the “set” and possibly music. Although the script is the essential basis of both stage play and film, it is a basis for subsequent revision negotiated between the writer and the other creative people involved. They are given “approval” of the choice of director and actors and have the right to attend rehearsals(排演 ), during which period they may undertake more rewriting work. In the case of the screenplay, the writer may have little or no control over the final form of his work. Contracts for the production of plays protect the rights of authors in this respect. In film or television work, on the other hand, the screenplay writer has no contractual right to this degree of consultation. While the script is going through its various drafts, the writer is in the driver’s seat, although sometimes receiving criticism from the producer and the director. But once the production is under way, artistic control over the project tends to pass to the director. This is a fact overlooked by most journalistic critics of television drama, who tend(unlike film critics) to give all the credit or blame for success or failure of a production to the writer and actors, ignoring the contribution, for good or ill, of the director. 59. Where m