【正文】 窯燒紙出的青瓷是宋代瓷器的精品。 傳統造物活動的目的常常是為了滿足特定的物 質需要和一定的精神愉悅。但是隨著外來文化的沖擊和工業(yè)時代的來臨，許多優(yōu)秀的傳統文化藝術面臨滅絕。只有清醒意識和理解傳統文化的精神內涵，才能在現代設計與傳統觀念間找到平衡，把傳統造物思想包括精神觀念、價值體系、行為制度、民族風貌和現代工業(yè)設計中的設計觀、思維方式、社會風尚融為一體 ，形成一套在美觀實用的基礎上擁有本民族文化特色的設計思想。 creation art。 concepts, Chou Kung’s system of Chinese rites amp。 music is bound up with aesthetics. The first is “rites”. Rites are a general reference to a set of rites of sacrifice, daily life, military and politics. Their fundamental features are that they make pulsory requirements, restrictions and control of individuals in terms of extrinsic behavior, activities, movements and appearances. Via restrictions on codes of individual conduct, the stability and unity of groups and anizations are guaranteed. The core of the system of “rites” signifies that the reigning crux has shifted from “deity” domination to the emperor, which confirms the important institutional alteration from the collegiality of aristocracy groups to autocratic monarchy. However, influenced by the system of “rites”, the traditional Chinese system of creation art was taking shape and evolving further in the form of materialization. The system of “rites” is the restriction and standard of people’s daily conduct, which involves the aspects of perceptual forms of appearances, movements and patterns and so on as an expression of materialization. This aspect is relevant to “pulchritude”. Chinese rites and music include formalized requirements for a series of sequences such as various kinds of movements, conduct, expressions, apparel and colors and so on. In terms of the bination relationship of utensils, there are very clear reflections of this on bronze wares. In Zhou Dynasty, cooking vessels was substituted for drinking vessels as sacrificial vessels, and inscriptions recording feats and conferring titles of nobility on somebody started to turn up the utensils, thereby declaring and intensifying the strength of monarchs’ and aristocrats’ benevolence and benefaction. On that basis, “Nine ding” system of rigid hierarchies came into being gradually. Hierarchical differences were embodied by progressive decreases in order in “Nine ding and eight gui”. Influenced by the system of Chinese rites amp。 Autumn Period and the Warring States Period that “Making utensils requires conforming to weather, adapting to geographic elements, highquality material and ingenuous craftsmanship. Only with these four elements can fine utensils be made” Thereof, “weather, geography and material” proceed from characteristics which ply with natural laws, and “craftsmanship” refers to the process and manufacture of forms and shapes of utensils, which gives prominence to people’s subjective initiative during the manufacture process. Only when work of nature and manual work are bined can fine utensils be made. This is a kind of concept of creation art and such concept respects nature and material, thus to integrate humans, utensils and nature. Creation art relies heavily on nature. In ancient China, metal, wood, water, fire and earth were regarded as five basic material elements that constitute the world, and thus the concept of five elements was formed. Pottery made of natural clay was the utensils used most in people’s daily life in ancient China. During the manufacture process, the ancients gradually grasped the natural quality of clay material, and then they elutriated and kneaded the clay according to its properties. Next via jolleying and carburization techniques, eggshell pottery which is as black as lacker, as bright as a mirror, as thin as paper and as hard as porcelain would be finished. This is exactly a masterpiece of which workmanship of nature was applied to manual work. Chinese people’s worship and reverence for nature pursued the lofty realm of “man is an integral part of nature”, and this was also embodied in the forms and shapes of utensil manufacture. In terms of the design and manufacture of vehicles, it was described in Kao kung chi that “square carriages symbolize earth。 unity in all aspects: the harmony amp。 Qi stresses the functions of utensils, which i