【正文】 me of the Ancient Mariner (老水手謠 /古舟子詠 ) and Kubla Khan (忽必烈汗 ), as well as for his major prose work Biographia Literaria (文學(xué)傳記 ). His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to Englishspeaking culture. He coined many familiar words and phrases. He was a major influence, via Emerson, on American transcendentalism (超驗(yàn)論 ). The Rime of the Ancient Mariner is the longest major poem by Coleridge. It was published in 1798 in the first edition of Lyrical Ballads, which was a signal shift to modern poetry and the beginning of British Romantic literature. The poem on the surface explores violation of nature and its resulting psychological effects on the Mariner, who interprets the fates of his crew to be a direct result of his having shot down an albatross. Although the poem is often read as a Christian allegory, it is argued that it is really a story of our salvation of Christ, rather than the other way round. It is suggested that the Ancient Mariner is an autobiographical portrait of Coleridge himself, paring the Mariner39。ll go no more a roving (那么，我們不再一起盤桓 ), in addition to the narrative poems Childe Harold39。 Which waves in every raven tress, 美波動(dòng)在她烏黑的發(fā)上， Or softly lightens o‘er her face； 或者散布淡淡的光輝 Where thoughts serenely sweet express 在那臉龐，恬靜的思緒 How pure, how dear their dwellingplace． 指明它的來處純潔而珍貴。s unconventional life and unpromising idealism, bined with his strong disapproving voice, made him a muchdenigrated figure during his life. Shelley never lived to see the extent of his success and influence. He became an idol of the next three or four generations of poets. He was admired by Karl Marx, Oscar Wilde, Thomas Hardy, Gee Bernard Shaw, Bertrand Russell and William Butler Yeats. Shelley‘s major works A. His classic anthology verse works: Ozymandias (奧西曼迭斯 ) Ode to the West Wind (西風(fēng)頌 ) To a Skylark (致云雀 ) Music (音樂 ) When Soft Voices Die (輕柔的聲音寂滅后 ) The Cloud (云 ) The Masque of Anarchy (無政府的假面具 ) B. His long visionary poems: Queen Mab (麥布女王 ) (later reworked as The Daemon of the World 世界的惡魔 ) Alastor (阿拉斯托 ) The Revolt of Islam (伊斯蘭起義 ) Adona239。 x / x / x / x / x / I met a traveller from an antique land x / x / x / x / x / Who said: Two vast and trunkless legs of stone Ozymandias is a son (an octave+a sestet), a fourteenline poem metered in iambic pentameter: The rhyme scheme is ABABACDC+EDEFEF. Analysis of the Poem The speaker recalls having met a traveller ―from an antique land,‖ who told him a story about the ruins of a statue in the desert of his native country. Two vast legs of stone stand without a body, and near them a massive, crumbling stone head lies ―half sunk‖ in the sand. The traveller told the speaker that the frown and ―sneer of cold mand‖ on the statue‘s face indicate that the sculptor understood well the passions of the statue‘s subject, a man who sneered with contempt for those weaker than himself, yet fed his people because of something in his heart (―The hand that mocked them and the heart that fed‖). On the pedestal of the statue appear the words: ―My name is Ozymandias, king of kings: / Look on my works, ye Mighty, and despair!‖ But around the decaying ruin of the statue, nothing remains, only the ―lone and level sands,‖ which stretch out around it, far away. Framing the son as a story told to the speaker by ―a traveller from an antique land‖ enables Shelley to add another level of obscurity to Ozymandias‘s position with regard to the reader—rather than seeing the statue with our own eyes, so to speak, we hear about it from someone who has seen it. Thus the ancient king is rendered even less manding。 濟(jì)慈 1795 – 1821) John Keats was an English Romantic poet. Along with Lord Byron and Percy Bysshe Shelley, he was one of the key figures in the second generation of the Romantic movement (active Romanticism). Although his poems were not generally well received by critics during his life, his reputation grew after his death to the extent that by the end of the 19th century he had bee one of the most beloved of all English poets. He has had a significant influence on a diverse range of later poets and writers. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Keats’s long poems: Hyperion (許佩里翁 ) Endymion (恩底彌翁 ) Keats’s short poems: Ode to a Nightingale (夜鶯頌 ) Ode to Autumn (秋頌 ) Ode on Melancholy (憂郁頌 ) Ode on Grecian Urn (希臘古甕頌 ) Ode to Autumn Keats 秋頌 查良錚 譯 Season of mists and mellow fruitfulness, Close bosomfriend of the maturing sun。 To swell the gourd, and plump the hazel shells With a sweet kernel。 Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair softlifted by the winnowing wind。 Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the softdying day, And touch the stubbleplains with rosy hue。 and now with treble soft The re。 And fullgrown lambs loud bleat from hilly bourn。 Or by a cyderpress, with patient look, Thou watchest the last oozings hours by hours. 誰不經(jīng)?？匆娔惆橹葌}？ / 在田野里也可以把你找到， 你有時(shí)隨意坐在打谷場(chǎng)上， / 讓發(fā)絲隨著簸谷的風(fēng)輕飄； 有時(shí)候，為罌粟花香所沉迷， / 你倒臥在收割一半的田垅， 讓鐮刀歇在下一畦的花旁； / 或者，像拾穗人越過小溪， 你昂首背著谷袋，投下倒影， / 你耐心瞧著徐徐滴下的酒漿。erbrimm39。 To bend with apples the moss39。 then we are introduced to the king‘s people in the line, ―the hand that